Number one Funkateer Bootsy Collins takes us to Funk University! From his days in James Brown's group, to his work with Parliament/Funkadelic and Booty's Rubber Band, to his recent single that raises awareness about domestic violence, "the world's only rhinestone rock-star doll" tears the roof off the sucker and breaks it all down for us. Songcraft wants the funk!

PART ONE:
Paul and Scott discuss particularly recognizable bassists and chat about their expectations of what they thought Bootsy would be like before he landed the mother ship on Songcraft.

PART TWO:
Our in-depth conversation with the legendary Bootsy Collins

ABOUT BOOTSY COLLINS:
Named among the top 5 bassists of all time by Rolling Stone magazine, Bootsy Collins is one of funk and R&B’s most iconic musicians, singers, frontmen, producers, and characters. He started out playing sessions for King Records in his hometown of Cincinnati, Ohio, then kickstarted his career with James Brown’s backup band, The J.B.'s. He was credited as a songwriter on classic J.B.’s songs such as “The Grunt” and “These Are the J.B.’s.” In 1972, he joined George Clinton’s Parliament-Funkadelic, and is a co-writer of classics such as “Up for the Down Stroke,” “Chocolate City,” “P-Funk (Wants to Get Funked Up),” “Give Up the Funk (Tear the Roof Off the Sucker),” “Mothership Connection,” “Dr. Funkenstein,” and “Flash Light.” In 1976, Bootsy’s Rubber Band captivated audiences with his flashy star-shaped glasses and bass, and hits such as “I’d Rather Be With You” and the chart-topping “Bootzilla.” Since then, Bootsy has launched Bootzilla Productions and Funk University to help mentor younger creatives to reach their full potential. His inescapable influence on pop culture can be heard in the music of Snoop Dogg, Outkast, Dr. Dre, Flea of Red Hot Chili Peppers, Rick James, Prince, Daft Punk, Primus, Thundercat, and in Childish Gambino’s Grammy-winning platinum hit “Redbone,” which paid homage to “I’d Rather Be With You.” Bootsy is a member of the Rock and Roll Hall of Fame, and the National Rhythm & Blues Hall of Fame. His latest album is called Album of the Year #1 Funkateer.

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We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2021 conversation with Richard Marx.

ABOUT RICHARD MARX:

Grammy-winning performer Richard Marx has sold more than 30 million albums as an artist, but if you only know him from late 1980s ballads such as “Hold on to the Nights” and “Right Here Waiting,” you only know part of the story. A prolific songwriter, Marx has landed fourteen songs at the top of various Billboard charts, and has written a #1 single in each of the last four decades. His genre-crossing songwriting success includes “What About Me” and “Crazy,” which Kenny Rogers carried to the top of the Adult Contemporary and Country charts, respectively; “Edge of a Broken Heart,” a hit for the female metal band Vixen; “This I Promise You,” a Top 5 pop single for NSYNC that stayed at #1 on the Adult Contemporary Chart for 13 weeks; Josh Groban’s debut single “To Where You Are,” which also reached #1; and “Dance With My Father,” which Richard wrote with the song’s performer, Luther Vandross, and which earned the pair the prestigious Grammy Song of the Year award in 2004. Additionally, Richard has scored three major hits with Keith Urban: the Top 5 “Everybody,” and the #1 singles “Better Life” and “Long Hot Summer.”

Despite all his songwriting success, however, Marx is best known as a singer and performer who today jokes about his 80s hairstyle and of-the-era drum sounds. But the songs are undeniable, all of which Marx wrote and produced himself. His debut self-titled album yielded four Top 5 singles: “Don’t Mean Nothing,” “Should’ve Known Better,” “Endless Summer Nights,” and “Hold on to the Nights.” His follow-up, 1989’s Repeat Offender, was even more successful, going quadruple-platinum and earning two number one Billboard pop singles, “Satisfied” and “Right Here Waiting,” in addition to the Top 5 “Angelina.” More hits followed, including “Keep Coming Back,” “Hazard,” “Take This Heart,” “Now and Forever,” and “Until I Find You Again.”

In addition, Richard’s songs have been integral to a number of successful film soundtracks. He earned a Grammy nomination for his contributions to St. Elmo’s Fire; scored a Top 10 pop hit with “Surrender to Me,” which Ann Wilson of Heart and Robin Zander of Cheap Trick recorded for the movie Tequila Sunrise, and wrote “At the Beginning,” a hit duet for the film Anastasia that Richard performed with Donna Lewis.

Over the course of his career, Richard’s songs have been recorded by Barbra Streisand, The Tubes, Sarah Brightman, Monica, Natalie Cole, Michael Bolton, Paulina Rubio, Emerson Drive, Chicago, Billy Ray Cyrus, Vince Gill, Kenny Loggins, LeAnn Rimes, Celine Dion, Julio Iglesias, Berry Manilow, Daughtry, Vertical Horizon, Lifehouse, Dave Koz, Jennifer Nettles, Ringo Starr, and many others.

His memoir, Stories to Tell, is available from Simon & Shuster.

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From "King Tut" to the top of the bluegrass charts! Grammy and IBMA award-winning banjoists and songwriters Steve Martin and Alison Brown join us to chat about their respective careers and their first full-length collaborative album, Safe, Sensible and Sane.

PART ONE
Paul and Scott chat about how impressed they are with all the various hats Alison Brown and Steve Martin wear, while also trying to wrap their heads around the seeming complexity of the banjo.

PART TWO
Our in-depth conversation with Steve Martin and Alison Brown

ABOUT STEVE MARTIN AND ALISON BROWN

Though he began his career as a stand-up comedian, Steve Martin has released more musical albums than comedy albums. Between 2009 and 2017 he issued six, many of which were collaborations with Steep Canyon Rangers, Edie Brickell, or both. They all reached number one on the bluegrass chart, and nearly all appeared on the Billboard 200. He has been nominated for 15 Grammy awards and has won five, including Best American Roots Song, Best Bluegrass Album, and Best Country Instrumental Performance for his appearance on “Foggy Mountain Breakdown” alongside Earl Scruggs, Vince Gill, Albert Lee, and Glen Duncan on the 2001 album Earl Scruggs and Friends. Martin’s latest album, his seventh bluegrass chart topper, is called Safe, Sensible and Sane, and is a collaboration with fellow banjoist Alison Brown.

Brown first came to prominence as a member of Alison Krauss and Union Station and, in 1991, became the first woman to win the International Bluegrass Association’s Banjo Player of the Year award. After a stint as Michelle Shocked’s band leader she launched a solo career blending bluegrass, jazz, Latin, and Celtic influences. She has received two Grammy nominations for Best Bluegrass Album, and two for Best Country Instrumental Performance, one of which she won for “Leaving Cottondale,” a collaboration with Bela Fleck. In 2015 Alison received the Distinguished Achievement Award from the International Bluegrass Music Association for the furtherance of bluegrass music. She and Martin first collaborated on “Foggy Mountain Breaking” from her 2023 album, On Banjo.

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We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2020 conversation with Stax legend David Porter.

ABOUT DAVID PORTER
Named one of Rolling Stone magazine’s “100 Greatest Songwriters of All Time,” Porter is best known for his songwriting partnership with Isaac Hayes that helped define the sound of Memphis’s legendary Stax Records. As the first African American staff songwriter at Stax, Porter, along with his partner, wrote and produced songs such as “B-A-B-Y” for Carla Thomas, “Your Good Thing (Is About to End)”—an R&B hit for Mable John that later became a pop and R&B smash for Lou Rawls, and his own recording of “Can’t See You When I Want To.” Hayes and Porter are best known, however, for their work with Sam & Dave, including such classic hits as “You Don’t Know Like I Know,” “You Got Me Hummin’,” “Hold On! I’m Comin’” (which later became a country hit for Waylon Jennings and Jerry Reed), “Soul Man” (which became a hit a second time thanks to the Blues Brothers), “I Thank You” (which was later covered by ZZ Top), and “When Something is Wrong with My Baby” (which was reimagined as a memorable duet between Otis Redding and Carla Thomas, a country hit for Sonny James, and an adult contemporary hit for Linda Ronstadt and Aaron Neville). The list of artists who’ve covered Porter’s songs includes Aretha Franklin, Bruce Springsteen, William Bell, Melissa Ethridge, Bonnie Raitt, Garth Brooks, Etta James, Celine Dion, Wilson Pickett, George Benson, Dusty Springfield, Jerry Lee Lewis, The Staple Singers, Solomon Burke, James Brown, Eric Clapton, B. B. King, Tina Turner, Jackie Wilson, and more. His songs have been used as samples in countless recordings by artists such as Jay-Z, Eminem, Wu-Tang Clan, The Notorious B.I.G., Justin Bieber, Mariah Carey, and others. A highly celebrated giant among celebrated songwriters, Porter was inducted into the Songwriters Hall of Fame in 2005.

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Grammy-winning singer/songwriter Shawn Camp pulls back the curtain on his varied career, including his latest album of songs that were composed with the legendary Guy Clark.

PART ONE
Scott and Paul talk about how technology is changing the songwriting game, and other old man complaints.

PART TWO
Our in-depth conversation with Shawn Camp

ABOUT SHAWN CAMP
Singer/songwriter Shawn Camp has written chart-topping hits such as “Two Pina Coladas” by Garth Brooks, “How Long Gone” by Brooks & Dunn, “Would You Go With Me” by Josh Turner, and “River of Love” by George Strait. Additionally, he has written charting singles for Blake Shelton, Billy Currington, Hal Kechum, Wade Hayes, the duo of Sammy Kershaw and Lorrie Morgan, and others. With a foundation in bluegrass and roots music, Shawn became a trusted collaborator of legends such as Loretta Lynn, Guy Clark, and John Prine. He wrote two songs, including the title track, of Willie Nelson’s 2022 album, A Beautiful Time, which won the Grammy for Country Album of the Year. Camp has also earned Grammy awards for his production work on Guy Clark’s final album, My Favorite Picture of You, and for his work as a member of the bluegrass group The Earls of Leicester. Other artists who’ve recorded Shawn Camp songs include Randy Travis, Patty Loveless, Alan Jackson, Kenny Chesney, Rhett Akins, Gary Allan, John Anderson, Gene Watson, Porter Wagoner, and Emmylou Harris. Shawn’s latest album as a solo artist—his first in almost 20 years—is The Ghost of Sis Draper. The theme album is based around a collection of songs co-written with Guy Clark and is available on Truly Handmade Records, which is dedicated to preserving and building upon Clark’s legacy.

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We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2019 conversation with Emily Saliers of Indigo Girls.

ABOUT EMILY SALIERS
Singer-songwriter Emily Saliers is best known as one half of Indigo Girls, which NPR called “one of the finest folk duos of all time.” The Georgia-raised musical icon is the sole writer of some of the group’s best-known titles, including “Closer to Fine,” “Hammer and a Nail,” “Galileo,” “Least Complicated,” “Power of Two,” “Get Out the Map,” and others. With fifteen studio albums to their credit, Indigo Girls are Grammy award winners and winners of the Pell Award for Lifetime Achievement in the Arts. They’ve earned seven gold, four platinum, and one double platinum award for album sales and have collaborated with REM, Joan Baez, Brandi Carlile, P!nk, and Rage Against the Machine’s Tom Morello. In addition to her work with Indigo Girls, Saliers and her father, a retired theology professor, co-wrote the book A Song to Sing, a Life to Live: Reflections on Music as Spiritual Practice. In recent years she released her debut solo album, Murmuration Nation, and has remained an impassioned activist and advocate for causes close to her heart.

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Whitney Phillips, Grammy-nominated songwriter and member of the ensemble cast of the Netflix show Hitmakers, talks about life as a modern-day pop writer

PART ONE
Paul and Scott dive into the idea of a "perfect song" and discuss some examples of songs they think just might fit into that elusive category.

PART TWO
Our in-depth conversation with Whitney Phillips

ABOUT WHITNEY PHILLIPS
Whitney Phillips is a Grammy-nominated songwriter and vocal producer known for her genre-blurring versatility and sharp pop instincts. Originally from Seattle and now based in Los Angeles and Nashville, she has spent over a decade shaping global hits and collaborating with some of the world’s most iconic and emerging artists—including Ariana Grande, Justin Bieber, Jennifer Lopez, Teddy Swims, Selena Gomez, Anderson .Paak, John Legend, NeedToBreathe, Lil Wayne, Christina Aguilera, Fifth Harmony, Kylie Minogue, Bebe Rexha, and Celine Dion.

She co-wrote the Billboard Hot 100 No. 1 single “Stuck with U” by Justin Bieber and Ariana Grande—the first major hit to emerge from the pandemic era and a groundbreaking proof of concept that chart-topping songs could be written entirely over Zoom. She also contributed “Love U Different” to Bieber’s Justice, which earned a 2022 Grammy nomination for Album of the Year. In 2019, her song “Bad Boy” with K-pop powerhouse Red Velvet made history as the first K-pop track to debut on Spotify’s New Music Friday U.S. playlist, marking a pivotal moment in the genre’s global crossover.

A proud member of the Recording Academy and a vocal advocate for songwriters’ rights, Whitney has spoken on Capitol Hill, testifying in support of creators and playing a key role in the fight to uphold increased streaming royalties for songwriters. She is also a member of the cast of the Netflix show Hitmakers, which follows an ensemble cast of elite songwriters as they travel the world attending writing camps for today’s biggest artists—offering an inside look at the stories, stakes, and creative alchemy behind the hits.

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We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2022 conversation with Roland Orzabal.

ABOUT ROLAND ORZABAL AND TEARS FOR FEARS:

Roland Orzabal and Curt Smith formed Tears for Fears in Bath, England, in 1981 and have gone on to sell 30 million albums worldwide. Their major breakthrough in the UK came in 1982 with the Top 5 single “Mad World” and the subsequent platinum-selling album The Hurting. They gained major steam in the US with their sophomore album Songs From the Big Chair, which included the hit singles “Everybody Wants to Rule the World,” “Shout,” and “Head Over Heels.” Featured in the book 1001 Albums You Must Hear Before You Die, Songs From the Big Chair reached #1 and was certified five times Platinum by the RIAA.

Tears for Fears’ follow-up single “Sowing the Seeds of Love” was another massive hit, but Curt departed the group not long after. Following a couple of albums with Orzabal at the helm, the duo reunited for the Everybody Loves a Happy Ending album in 2004. Now, after a long wait of 17 years, Roland and Curt have just released their seventh studio album The Tipping Point, and are embarking on a major tour. Even as they bring us new music, their legacy is well-established as one of the most unique and influential British groups to emerge in the last few decades. Their songs have been covered or sampled by Gary Jules, Adam Lambert, Lorde, Kanye West, Drake, and many others. And, in 2021, the band was honored with the Outstanding Song Collection honor at the Ivor Novello Awards in London.

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