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Soundtracking with Edith Bowman

Soundtracking with Edith Bowman

Auteur(s): Edith Bowman
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In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films.

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Art Musique
Épisodes
  • 521: 28 Years Later Special (Part II): G & Kayus From Young Fathers
    Jun 23 2025
    In the second interview marking the release of 28 Years Later, G & Kayus from Young Fathers join Edith to discuss the score for the film (miss you Alloyssious). We've already heard from director Danny Boyle, so be sure to check that interview out if you haven't already. Danny is, as ever, in cracking form.

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    30 min
  • 519: 28 Years Later Special (Part I): Danny Boyle [CONTAINS SPOLIERS]
    Jun 23 2025
    We've got two hits of Soundtracking for you to start your week, as we bring you a double-bill to celebrate the release of 28 Years Later. In our first episode, director Danny Boyle joins us to discuss the third film in the series, which stars Jodie Comer, Ralph Feinnes, Aaron Taylor-Johnson, Erin Kellyman and Alfie Williams. 28 Years Later is scored by Young Fathers - who, by the way, are the subject of our second episode today
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    36 min
  • 517: Cecile Tournesac, Alfie Godfrey & Max Aruj On the Music Of Mission Impossible: The Final Reckoning (CONTAINS SPOILERS)
    Jun 20 2025
    It's bonus time once more for you on here Soundtracking, as music supervisor / producer / editor Cecile Tournesac & composers Alfie Godfrey and Max Aruj join us to discuss their formidable contribution to Mission Impossible: The Final Reckoning. We've spoken to director Christopher McQuarrie on the podcast, who couldn't have been more complimentary about their work on the movie. Hopefully, this chat with Cecile, Alfie and Max we'll shed further light on how much thought went into the score, and how important it was to our viewing experience.
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    48 min

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