Prefer to watch on Youtube ? Leave us a bit a Gratitude.Have you ever noticed how many more people suddenly seem interested in you after you’re already in a relationship?

You’re the same person you were when you were single.So what changed?

Nothing.And everything.

What you’re witnessing isn’t coincidence. It’s an expression of the Law of Attraction.

When you’re single and looking, it often feels like no one shows up. Everyone is taken. No one fits. The world feels empty of possibility.

Then you finally commit to someone—and suddenly, potential matches appear everywhere.

It feels like a cruel joke.

Why doesn’t the universe simply guide single people toward each other while they’re actually looking? Wouldn’t that make more sense?

It seems illogical.

But it isn’t.

The universe is extremely logical.It just doesn’t respond to words.It responds to vibration.

When you’re in a committed relationship, your inner signal changes. You’re no longer broadcasting “lack.” You’re broadcasting wholeness. You’re relaxed. You’re grounded. You’re complete.

That frequency attracts others who are also complete.

So how do you use this when you’re single?

Instead of pretending you’re in a relationship, actually enter one.

Not with a person.

With your purpose.

Choose something meaningful. It could be your work, school, artistic or creative expression. Something you’d do even if no one paid you. Something you’re drawn back to the way you’d return to a partner.

Fall in love with it.

Make a real commitment.

Give it your time.Your attention.Your care.

When you’re in a genuine relationship with your purpose, your inner state changes. You stop vibrating “I’m lonely.” You begin vibrating love frequency.

You’re no longer waiting.

You’re already engaged.

And once that frequency is established, the universe does what it always does. It does what it must do. It matches frequencies.

Others begin to appear who are also whole.Also grounded.Also complete.

And now, when connection happens, it isn’t born of desperation.

It’s born of balance.

So if you’re single and searching:

First, stop searching. You don’t have time. You’re already in a relationship with your purpose.

Second, treat it like a real relationship. Show up for it. Make time for it.

Third, each day, remember how good it feels to be “taken.” You are fulfilled. You are engaged in something meaningful.

And fourth, don’t be afraid to say it. Let people feel that you’re in love with your life.

Once you’re in that frequency, the universe does what it always does, what it must do.

It sends you others who are also in that frequency and possible good match for you.

There you are lovers, so get out there and get to loving.

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One of the most common story notes writers hear is:“Your story needs more conflict.”But what does that actually mean?In this video, I break down why treating conflict as something you can simply add to a story, like salt and pepper seasoning, often leads to dramatically inert stories. Conflict isn’t an ingredient you sprinkle in after the fact. In dramatic writing, conflict is the engine. It has to be baked into the story’s core premise from the very beginning.We’ll talk about:Why “add more conflict” is usually a misleading noteThe difference between dramatic writing and writing that’s merely enjoyable to read.Why many modern movies and shows feel busy but empty.If you’ve ever been told your script “needs more conflict,” this video can help you understand what that note is really pointing to, how to fix the problem at the root instead of patching it on the surface.If you’d like help identifying or strengthening your story’s core conflict before writing an entire script, or fixing a script that that needs more conflict? Sign up for a story consult at https://storyray.com

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The basic idea of the “coin method” of character development is simple. Often times creators fall in love with their characters and have a tendency to focus more on their characters’ positive attributes more than their characters’ flaws. This tendency toward creating near-perfect characters can make them feel less believable. ‘Believability’ is not about whether or not what the character does is realistic, but rather it’s whether or not the character behaves like a the rest of us ‘highly flawed’ humans while doing it.

If on one side of the coin, your character is stingy, then the other side of the coin can’t be that the character is also generous. Generosity and stinginess are two different coins, not two sides of the SAME coin. An example of two sides of the same coin is if the character is generous, then a negative aspect of that trait might lead to the character also being an irresponsible spender.

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