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TRAITOR’S PURSE (1940) by Margery Allingham is a mystery thriller classic that masterfully combines psychological tension with a high-stakes plot. Suffering from amnesia, amateur sleuth Albert Campion races to stop a wartime national security threat.

The novel’s unique premise and tightly woven narrative create a sense of urgency and intrigue. Known for its psychological depth, it showcases Allingham’s skill at blending espionage with a classic whodunit. Allingham’s exploration of identity, loyalty, and duty cements the book’s status as a timeless classic in the genre.

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Amnesia as a Literary Trope in Traitor’s Purse by Margery Allingham

What has happened to the amnesiac? Why is he in a county hospital? Has he killed a police officer? Will he be hanged? Why did he have a lot of money on him when he was found? “There was danger behind him and something tremendously important ahead” (1).

“Everyone was turning to himself for assurance. He dared not reveal the dreadful emptiness of his mind. Somehow he must struggle on, blind and halfwitted though he was. There was to be no outside help. He was quite alone” (17).

Amnesia is a commonly used storytelling plot device in thrillers and romances. Amnesia offers a fresh perspective: characters can re-evaluate their actions and motivations. Amnesia creates conflict, forcing characters to re-evaluate their lives and relationships. Amnesia creates suspense and mystery as the character tries to piece together their past. The amnesiac often regains memories after being hit on the head.

In Traitor’s Purse by Margery Allingham, Campion is knocked unconscious at the police station. When he wakes, he recalls the events before his arrival at the hospital.

Other Examples: The Girl on the Train by Paula Hawkins: Rachel suffers from amnesia related to alcohol consumption and wakes up with no memory of what happened the night before. In the Woods by Tana French, Robert Ludlum’s Bourne Identity, The English Patient, The Time Traveler’s Wife, Memento (Christopher Nolan), Wolverine (Marvel), Ursula Le Guin’s City of Illusions, Severance

Peter Wimsey (Dorothy Sayers) vs. Albert Campion (Margery Allingham)

Lord Peter WimseyAlbert CampionWoos mystery novelist Harriet Vane.Meets aircraft engineer Amanda Fitton.Spent time overseas on secret government missions.Spent the war years overseas on a mission so secret that he never discovered what it was.Loyal butler (and occasional Watson) Bunter, a stickler for traditional, propriety, and detail.Friend of reformed burglar Lugg, who “in spite of magnificent qualities, has elements of the Oaf about him.”Second son of the Duke of Denver. Inherited wealth (as the second son) has made him independent and free. Collector of literature, music, wine, and men’s fashion.“Educated at Rugby and St. Ignatius College, Cambridge. Embarked on adventurous career 1924. Name known to be a pseudonym. Clubs: Puffin’s, The Junior Greys. Hobbies: odd.”

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Tom Epperson, a native of Arkansas, headed west to Los Angeles with his boyhood friend Billy Bob Thornton to pursue a career in show business. Epperson’s co-written the scripts for One False Move, A Family Thing, The Gift, A Gun, a Car, a Blonde, and Jayne Mansfield’s Car. His L.A. noir The Kind One was nominated for both the Edgar Award and the Barry Award for Best First Novel. Three more books followed, Sailor, Roberto to the Dark Tower Came, and Make Believe. His most recent book is Baby Hawk, a novel in verse. He lives in Santa Fe, New Mexico, with his wife, Stefani, two pampered cats, and two frisky dogs.

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Called simply “the female,” she is seventeen, one of the few survivors of a worldwide plague known simply as the Sickness—and quite possibly the last woman on Earth.

She lives in the mountains and forests of northern California, protected by her father. Life is hard, but they’re happy.

Until one chilly autumn morning when a violent, racist band of males, led by an elite ex-soldier called Braydon, finds them. Overjoyed at discovering a female they can “enjoy,” the men kill the female’s father and take her prisoner. Life becomes intolerable for the female. Delighted to be in possession of the last woman on Earth—or so they believe— they keep her isolated in a cabin of her own, for them to take turns with. Braydon sets up a strict rotation to avoid any unrest within the camp—but his own intention is to make her the new Eve, to breed with her and repopulate the Earth.

Throughout the winter, the female trains—making herself as strong and fit as she can for the spring. She is determined to escape, or die trying.

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Farewell, My Lovely (1940) by Raymond Chandler is a cornerstone of the noir genre and the Philip Marlowe books, showcasing Marlowe in one of his most memorable cases. The novel’s richly atmospheric prose vividly captures the seedy underbelly of Los Angeles, immersing readers in its gritty, dangerous world. Chandler’s exploration of moral ambiguity and flawed characters adds depth to the mystery, elevating it beyond a simple whodunit.

With its sharp dialogue, intricate plotting, and evocative style, the book solidified Chandler’s reputation as a master of noir and influenced generations of crime writers.

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Owen Hill joins Tea, Tonic & Toxin to discuss Farewell, My Lovely by Raymond Chandler.

Owen is a novelist and a poet, and The Giveaway: The Clay Blackburn Story, an omnibus of his crime fiction, was recently published by PM Press. It includes three novels and a short story. Owen coedited The Annotated Big Sleep (Vintage, 2018) with Pamela Jackson and Anthony Dean Rizzuto.

Owen Hill joined us as our guest to discuss Farewell, My Lovely by Raymond Chandler. Owen is the author of three crime novels, two books of short fiction, and many collections of poetry. He has reviewed crime novels for the Los Angeles Times and the East Bay Express.

In 2005, Owen Hill was awarded the Howard Moss residency at Yaddo. He is co-editor (with Jerry Thompson) of Berkeley Noir for Akashic Press. A memoir, Hands on a Mirror, is also available from Bootstrap Press.

Owen was a buyer at a second-hand bookstore for many years in Berkeley. He is currently an organizer for the Industrial Workers of the World (IWW). He lives in Oakland.

Owen Hill is also the author of The Giveaway: The Clay Blackburn Story (PM Press), an omnibus of his crime fiction. It includes three novels and a short story.

Clay Blackburn—poet, book scout, and sometimes detective—cruises the mean, and sometimes not so mean, streets of Berkeley. With his accomplices, a soldier of fortune, a “defrocked” FBI agent, and a smooth and sexy con man, he lives a life of bisexual sensation with a little crime solving on the side. As such, Blackburn is a sly, witty, and more or less reliable raconteur of the last thirty something years of the Bay Area’s radical bohemia and bookselling.

And in the tradition of Ian Rankin’s Edinburgh, and Jean-Claude Izzo’s Marseilles, bears uncomfortable witness to Berkeley’s descent from countercultural paradise to neoliberal inferno.

This omnibus collection collects the novels The Chandler Apartments (2002), The Incredible Double (2010), and the previously unpublished Mayakovsky’s Bugatti (2025), and includes the Blackburn short story “Righteous Kill” (2021).

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