The provided excerpts offer an expansive overview of Modern African Feminism, describing it as a dynamic movement rooted in histories of anti-colonial resistance and indigenous intellectual traditions rather than a Western import. The text explains that this movement is a diverse tapestry that addresses intersecting challenges like gender, class, race, and colonialism, with a core focus on communal well-being and collective liberation. It highlights historical figures such as Funmilayo Ransome-Kuti and authors like Mariama Bâ who established foundational critiques of patriarchy. Furthermore, the source details contemporary aspects, including the use of digital activism (e.g., #BringBackOurGirls) and the development of distinct African feminist theories like Stiwanism and Motherism, while acknowledging ongoing challenges, such as the frequent labeling of activists as "un-African."

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The source materials present an extensive critique of mass media performance and bias, particularly through the lens of a "propaganda model" which posits that news outlets serve the interests of powerful elites by filtering information. This is illustrated by detailed examinations of media coverage of U.S. foreign policy and conflicts, such as the Vietnam War, and comparisons of the attention given to "worthy" versus "unworthy" victims in various global conflicts. Separately, one brief source identifies itself as belonging to a journal focusing on law, social justice, and global development, while another focuses on community organizing efforts, examining how they arise from local culture, contribute to sociopolitical development, and navigate challenges like colonialism and the balance of power within organizations aiming for social justice goals.

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The sources collectively explore the concept of harmony and relationality in contrast to radical individualism, drawing on both Eastern and Scottish philosophies. One source advocates for reclaiming an ancient Gaelic philosophy of "harmonious doing," exemplified by communal land use like the lazybed (feannagan) and the restorative nature of Brehon Laws, arguing this approach offers a path beyond modern alienation. Supporting this idea, another source provides excerpts from a talk by Alan Watts on Zen in gardens and architecture, which champions the Taoist principle of wú wéi (non-interference), emphasizing man's collaborative role within nature rather than his dominance, as seen in the deliberate randomness of Japanese gardens. In contrast, an article about Harmony Garden in Melrose, Scotland, describes a highly controlled and enclosed property, ironically named after a Jamaican slave plantation, highlighting the historical roots of wealth and exclusive ownership that counter the communal ideal. Finally, a piece on Scottish Celtic symbols indirectly relates to the theme of continuity and connection by discussing motifs like the unending Celtic Knot and the Triquetra, symbols that represent eternity and interconnectedness.

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