The Artists Aren't the Provocation — We Are

Échec de l'ajout au panier.

Veuillez réessayer plus tard

Échec de l'ajout à la liste d'envies.

Veuillez réessayer plus tard

Échec de la suppression de la liste d’envies.

Veuillez réessayer plus tard

Échec du suivi du balado

Ne plus suivre le balado a échoué

The Artists Aren't the Provocation — We Are

Écouter gratuitement

Voir les détails du balado

À propos de cet audio

This episode investigates why the Whitney Biennial consistently generates intense controversy, reframing audience reactions as revelations about cultural expectations rather than artistic failures. Griffin examines the 2017 Dana Schutz "Open Casket" controversy as a focal point for understanding debates about representation, authorship, and permission in contemporary art. The episode explores how traditional notions of artistic freedom and aesthetic autonomy have been challenged by questions about power, identity, and accountability. Rather than dismissing these tensions, the episode suggests that the Biennial's most important function is making visible the anxieties and assumptions audiences bring to contemporary art, positioning controversy as evidence of meaningful cultural engagement rather than institutional failure.

Click here to browse handpicked Amazon finds inspired by this podcast series! https://amzn.to/424pzou

This content was created in partnership and with the help of Artificial Intelligence AI

Pas encore de commentaire