When a college break turns into a bloodbath, it's not spring fever the students need to worry about... it's BIG Ed and his rusted fishing tools. In THE MUTILATOR (1984), a group of coeds heads to a beach house for some off-season fun, only to be served fresh bait on the hook of a very personal vendetta. There's impalement, decapitation, a very unfortunate garage scene, and enough questionable maritime decor to fill a Red Lobster. Join The Blind Rage Podcast as we wade through the guts, the glory, and the pure '80s absurdity of this wet 'n wild slasher that dares to ask: what if your dad really *was* trying to kill you?

THE BLIND RAGE PODCAST digs deep into SLEDGEHAMMER (1983), a shot-on-video slasher soaked in static, sweat, and soft-focus confusion. A weekend getaway turns sour when a mute, masked brute starts phasing in and out of poorly lit rooms, weapon in hand, and murder on what might loosely be called his mind. Ted Prior leads the charge, storming through scenes like a bodybuilder in search of a plot. He’s perpetually shirtless, inexplicably furious, and framed in slow-motion so often you start to wonder if time has stopped entirely. The sound cuts in and out. The walls wobble. The camera loses focus. It’s less a movie and more a haunted tape that refuses to behave—and we loved every oily frame of it.

The body count is high...the continuity is low...and the script? Still being rewritten—sometimes in blood. That’s right, we're heading back to the twisted halls of RETURN TO HORROR HIGH (1987), where the only thing worse than the acting is the murder rate. In this bloody spoof of slasher flicks and behind-the-scenes chaos, a low-budget film crew returns to the site of a real-life massacre to shoot a movie about it—because what could possibly go wrong? As actors and crew members vanish one by one, the line between fiction and carnage blurs faster than you can say “scene missing.” Join us on The Blind Rage Podcast as we wade through body doubles, fakeouts, flashbacks, and George Clooney’s hair. It’s bloody, it's baffling, and it's hilariously bonkers.