Michael Ambrosino hosts this episode of The Buzz, a discussion with Josh Antonuccio, Matt Powers, and Jon Irabagon as they explore the effects of AI on journalism, music, production, education, and jazz.

Josh is an associate professor within the media production and recording industry major in the School of Media Arts and Studies at Ohio University. He's worked extensively within higher education since 2007, establishing innovative music and media industry curriculums and developing the expansion of experience-based music industry education. He is also the director of Ohio University's Music Industry Summit.

Jon is a multi-reed instrumentalist, composer, arranger, band leader, and faculty member at the University of Illinois in Chicago, where he teaches jazz saxophone and courses in jazz history. Winner of the 2008 Thelonious Monk Saxophone Competition, a Rising Star Award in DownBeat magazine's alto and tenor saxophone categories, and a recipient of the Philippine Presidential Award, Jon's latest album is "Server Farm," a musical exploration of how artificial intelligence affects our lives.

Matt is a professor at the University of Washington's Department of Communication, where he's the co-director of the Department's Center for Journalism, Media and Democracy. His book, "The Journalist Predicament: Difficult Choices in a Declining Profession," explores journalism within the transformations confronting the profession. He's also the co-editor of "Rethinking Media Research for Changing Societies," exploring how researchers can make sense of the massive changes confronting politics and the media.

Take a look at the Jazz Omnibus, the 600-page anthology of 21st century photos and writings by members of the Jazz Journalist Association, available online and wherever books are sold

Don’t miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts.

For more from the Jazz Journalists Association, go to JJANews.org.

In this episode of The Buzz, JJA board member Bob Blumenthal speaks with two 2025 book award winners: Jonathan Grasse and Elijah Wald.

Jonathan Grasse teaches music at California State University, Dominguez Hills, focusing on world music, theory, and composition. He wrote the definitive English-language study of Brazilian regional music in Hearing Brazil: Music and Histories, and Minas Gerais and examined Milton Nascimento and Lô Borges's 1972 album in The Corner Club. His latest work, Jazz Revolutionary: The Life and Music of Eric Dolphy (Jawbone Press), won JJA's 2025 Biography of the Year.

Elijah Wald is a musician and author of over a dozen books, including Escaping the Delta: Robert Johnson and the Invention of the Blues, The Dozens (about insult games in rap development), and How the Beatles Destroyed Rock and Roll: An Alternative History of Popular Music. He also wrote Dylan Goes Electric, which inspired the film A Complete Unknown. With a PhD in ethnomusicology and sociolinguistics plus a Grammy for production and liner notes, Wald's Jelly Roll Blues: Censored Songs and Hidden Histories earned JJA's 2025 Book of the Year for history, criticism, and culture.

Take a look at the Jazz Omnibus, the 600-page anthology of 21st century photos and writings by members of the Jazz Journalist Association, available online and wherever books are sold

Don’t miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts.

For more from the Jazz Journalists Association, go to JJANews.org.

Join host Michael Ambrosino as he speaks with three veteran jazz publicists—Ann Braithwaite (Braithwaite & Katz Communications), Lydia Liebman (Lydia Liebman Promotions), and Matt Merewitz (Fully Altered Media)—about the evolving nature of jazz promotion.

The group discusses how they build relationships between artists and audiences, adapt to media fragmentation, create engaging content in the age of AI, and measure success in their campaigns.

These industry insiders share candid insights about the challenges of breaking through the noise and connecting jazz artists with listeners in today's digital world, while revealing the passionate commitment that keeps them going in an increasingly complex promotional landscape.

Take a look at the Jazz Omnibus, the 600-page anthology of 21st century photos and writings by members of the Jazz Journalist Association, available online and wherever books are sold

Don’t miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts.

For more from the Jazz Journalists Association, go to JJANews.org.