Donald Nally, founder and conductor of The Crossing, a Grammy-winning ensemble dedicated almost entirely to new music, joins The Culture Show ahead of their performance at Symphony Hall. The Crossing is joining the Boston Symphony Orchestra for a program exploring sacred music in the 21st century. The concert pairs David Lang’s “poor hymnal” with the Boston premiere of Carlos Simon’s “Good News Mass”. To learn more about upcoming performances go here.

Culture Show producer Max Chow-Gillette takes inside 25 hours of the 30th Moby-Dick marathon, an annual voyage at the New Bedford Whaling Museum where Melville enthusiasts read the entire novel aloud.

Culture Show contributor Julia Swanson takes us downtown for a Public Service Arts Announcement, spotlighting Boston Bricks — bronze reliefs embedded in the sidewalks of Winthrop Lane. An award-winning photographer, multidisciplinary artist and founder of The Art Walk Project, Swanson guides us through this hidden gem of a public art installation that tells Boston’s story from the ground up.

Today we’re hitting the snooze button for our Wednesday Watch Party — the show where we revisit the movies that shaped us, and ask if they still hold up. This month Jared Bowen, Callie Crossley and Edgar B. Herwick III are stuck in a time loop with “Groundhog Day.” Released in 1993, the Bill Murray comedy starts as a small-town farce and turns into something stranger and deeper: a romantic comedy about repetition, self-improvement, and what it means to actually change. In 2026 our hosts ask: does it hold up today? And do we get more out of the movie every time we watch it?

Noelle Trent, President and CEO of the Museum of African American History in Boston and Nantucket, joins us as Black History Month marks its centennial—100 years since Carter G. Woodson launched Negro History Week. She joins us to discuss why this milestone matters now and to give an overview of the museum’s Black History Month programming. To learn more go here.

Bass-baritone Davóne Tines joins us ahead of his Boston concert with early-music ensemble Ruckus, “What Is Your Hand in This?”—a genre-hopping exploration of Revolutionary-era hymns and ballads traced through American history. He reflects on his boundary-crossing career in opera and protest music, and how performance can become a form of cultural reckoning. To learn more about the upcoming concert go here.

Bruno Carvalho, Harvard professor and co-director of the Harvard Mellon Urban Initiative, discusses his new book The Invention of the Future: A History of Cities in the Modern World. He traces how cities—from Rio to Paris to New York—have been shaped by art, politics, and competing visions of modern life, and what urban history reveals about the futures we’re building. You can catch him tonight at Harvard Book Store.