When 1.5 million university students return to campus this month, men will be noticeably underrepresented in the student body. In 2025, the ratio is about 60 per cent women to 40 per cent men. The gender gap has existed for more than 20 years, and universities are well aware of the discrepancy. But it doesn’t appear they’re doing much to address it.

Joe Friesen is the Globe’s postsecondary reporter. He’s on the show to talk about where that discrepancy comes from, why it seems like fewer men are pursuing higher education, and how the growing gender gap is playing out on and off campus.

Questions? Comments? Ideas? Email us at thedecibel@globeandmail.com

The Toronto International Film Festival has kicked off, but not without controversy. This year, the premiere of the documentary, “The Road Between Us: The Ultimate Sacrifice”, took a brief turn on centre stage. Artists, programmers and filmmakers are locked in a debate about whether to screen the film about an Israeli family’s story during the October 7 attacks by Hamas.

Barry Hertz, the Globe’s film editor, traces why TIFF pulled the documentary in the first place, why it was brought back into the lineup, and what TIFF’s flip-flopping says about programming public events in arts festivals. What is the responsibility of an arts organization in balancing artistic expression and free speech?

Questions? Comments? Ideas? Email us at thedecibel@globeandmail.com

Artificial intelligence in the workplace is here to stay. But what does that mean for the job market? While many Canadian companies are embracing the technology, in a few notable cases, this has led to mass layoffs. In other workplaces, it has meant a revolution in workflow, company culture and hiring practices.

The Globe’s Joe Castaldo, who covers AI, and business reporter Sean Silcoff, spoke to executives who are welcoming AI in workplaces. They join us to talk about what this all means for businesses, jobs, and the future of work.

Questions? Comments? Ideas? Email us at thedecibel@globeandmail.com