Werner Herzog deals in ecstatic truths. But are they truthful enough to deal with the brutal legacy of slavery and colonialism? We discuss COBRA VERDE, Herzog's last collaboration with Klaus Kinski, a movie about the slave trade and the little freaks who kept it running. Topics include: producing a shot with thousands of extras, Herzog and history, and, weirdly, Michael Haneke.

Watch the movie here or on Criterion, who are doing a big Herzog retrospective right now. Here is an article about the movie that was interesting that I dont necessarily 100% agree with.

Matt's rec. Corbin's rec is in a weird release vortex right now but you'll be able to see it soon. Ryder recommends a food. Our next episode is about EDDINGTON. You can watch it on HBOMax if you're so inclined. Have a wonderful week!

Since we started this show we've known that, someday, we would sit down to talk about Metallica: Some Kind of Monster, a movie about Metallica, and the world, going to therapy for the first time.

Topics include: popular music, thrash, the 80's, drinking, how exactly you make a heavy metal record, the way computers absolutely annihilated the music business in a way that predicted the future annihilations we are currently living through, the advent of a new perspective on therapy and the emergence of therapy-speak, even among the world's biggest violence-celebrating band.

excerpted music in this episode in order:

Happy Halloween! To celebrate spooky season, Corbin and Matt are joined by NATHAN LEE, a film academic and critic whose work has appeared in The New York Times, Film Comment, The Village Voice, and NPR, among others, to discuss THE SHROUDS, David Cronenberg's movie about the SPOOKIEST topics of all... Grieving and Technology and Anxiety and Conspiracy. SpoooOOOoooOOOoooOOOky!

Read Nathan's fabulous essay on The Shrouds here. Corbin's rec is in theaters right now. Matt's rec. Nathan's rec. Our next episode is about METALLICA: SOME KIND OF MONSTER, and it should come out earlier next week to make up for the gap last week (Sorry, busy). But NEXT WEEK IN THE NORMAL SLOT we are watching "Cobra Verde" which you can watch here.

Matt's working on this week's episode still, so we excerpted the beginning, where we talk about OBAA. I saw it again after this and loved it more

Hey! We are joined here by ANDY MORSE, the host of REKINDLING OUR BONDS, a podcast about the motion pictures regarding the life and career of JAMES BOND (available on: iTunes! Youtube! Spotify!) to talk about TOKYO DRIFTER, a kind of James Bondy-French New Wavvy Yakuza movie with wild vibes. Topics include: the particular qualities of a work made under pressure, wondering if Seijun Suzuki knew about Godard or not, and a bunch of other stuff.

Sorry for ther lateness: Corbin had a bunch of reporting this weekend and was seperated from his laptop, touching grass.

Corbin rec. Matt rec. Andy Rec. Our next episode is about COBRA VERDE, watch it here.

Twenty years in the making, Marcell Jankovics' animated adaptation of Imre Madách's sort-of play is a terribly ambitious intellectual undertaking about the role of man's inherent nature in the onspooling of history. But is it any good? We discuss.

A useful article about Madach. Read the play here if you're inclined. The movie is available on iTunes.

Matt's recc. Corbin's recc is not important but check out Perfect Blue, which we touch on a little here. Next episode is about 'Tokyo Drifter,' available on Criterion.

In 2008 Mike Leigh made a movie about a genuinely nice lady coming into contact with a lonely right wing maniac. Sooner or later it became the model for how society was structured. Let's talk about it! Topics include: Sally Hawkings, clubbing, British repression, Mike Leigh in particular, and other stuff.

Matt recc. Corbin recc's a music artist. Next week's episode is about The Tragedy of Man. I have no idea how I'm going to watch this thing though.

Matt and Corbin are joined by the famous music writer NATALIE WEINER (Don't Rock the Inbox, other famous publications) to discuss NASHVILLE, Robert Altman's sprawling sociological survey of the city of Nashville, home of the Country Music Industry, and also America. Is it a convincing portrait of either? We discuss.

Natalie wrote about the movie's use of country music as metaphor here. Natalie's rec. Matt's. Corbin's. Next week's episode is about HAPPY-GO-LUCKY. Watch it here.