In this episode, Pooja sits down with actor and voice artist Mohan Kapur, a performer who has mastered his craft by simply living life.

The episode sees the two friends trace Mohan’s journey: from being paid ₹500 an episode on Saanp Seedi - money he jokingly refers to as for “cigarettes and booze” - to finding himself inside the Marvel universe. He laughs about being “a man everyone loved to hate,” recalls the time a co-actor on the sets of Angaaray got so carried away that he hurled real rocks at Mohan and Pooja ended up getting punched, and the time Samuel L Jackson complained to him about being scratched by a cat named Thor.

The conversation moves fluidly between humour and heartbreak. Mohan opens up about losing both parents, caring for his mother through her final months, and refusing to enter his home after the death of his beloved cat, Ladoo Singh.

Mohan also reflects on the question of nepotism in the industry, and of film casting being dictated by social media following.

This is an intimate, funny, often disarming exchange between two friends who have unknowingly shaped each other’s lives.

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In this episode, Pooja meets Abbas Ali Moghul, the award-winning action director behind more than 300 films and shows, and the son of actor Habib, who fled Iran at seventeen to chase his dream of working in Hindi cinema.

Habib went on to appear in more than 150 films, yet passed away with little recognition. Abbas carries that legacy forward with quiet pride, and has become one of India’s most respected action directors, known for crafting iconic sequences in films like Ghulam, Josh and Agneepath.

In this conversation, Abbas reflects on performing death-defying stunts long before VFX and modern safety gear. He shares what it means to stand in for stars when things turn dangerous: jumping off an eleven-storey building without ropes, crashing through glass walls, even setting himself ablaze.

Abbas takes Pooja behind the scenes of some of Bollywood’s most unforgettable moments: Aamir Khan’s legendary train stunt in Ghulam, Akshay Kumar’s daring leap onto an aircraft’s wings, and the thoughtful lesson Hrithik Roshan once offered his son, Arbaaz.

The discussion traces Abbas’s extraordinary arc—from acting in Richard Attenborough’s Gandhi to witnessing his father’s struggles and isolation within the industry.

This episode shines a light on the grit behind the glamour: the underpaid stunt performers who risk everything, the moments Abbas worked while wheelchair-bound, and the sleepless nights that still precede every dangerous shoot, even after forty years in the business. It’s a heartfelt reminder of the invisible backbone of cinema, and the passion that keeps it alive.

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In this moving conversation, Pooja meets Amruta Subhash, a National Award-winning actor and theatre director. This conversation is one between soulmates: it starts with tears, ends with tears and wanders through many worlds that have shaped Amruta’s life.

Amruta speaks with candour and vulnerability: about directing and acting in her brilliant play, Asen Me Nasen Me — a gift from her husband and playwright Sandesh Kulkarni, based on her father’s descent into Alzheimer’s — and about grappling with her grandmother’s death and the guilt and desperation that followed.

Amruta recounts the time theatre legend Satyadev Dubey threatened to slap her, even as Pooja likens her to a dragon unleashed when the camera rolls.

Beyond this, the conversation is also a meditation in resilience and healing. Amruta talks about her transformation--being confined to a wheelchair at 23 to rebuilding her life piece by piece; about finding an unexpected father figure in playwright Vijay Tendulkar, who quietly nudged her toward therapy and healing. The two look back at Amruta’s acting journey, and how she grew up seeing her mother Jyoti Subhash transform from a bhakri-cooking homemaker to a force on stage — a metamorphosis that left her spellbound.

Along the way, Amruta laughs about receiving a postcard from Aamir Khan that convinced her, as a young girl, she was meant to marry him; and how her first words weren’t speech at all, but song.

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