This week Darren and Natalie dive into two powerhouse productions lighting up the West End - the electrifying MJ The Musical and Mary Page Marlowe, starring screen legends Susan Sarandon and Andrea Riseborough.

MJ The Musical

The smash-hit Broadway production moonwalks into the West End! With a book by Lynn Nottageand direction/choreography by Christopher Wheeldon, this spectacular show takes audiences behind the scenes of Michael Jackson’s 1992 Dangerous World Tour. Featuring over 25 of his biggest hits - including Beat It, Billie Jean and Smooth Criminal - the show explores the creative mind and personal struggles of one of the world’s most iconic performers. Dynamic, dazzling and driven by astonishing choreography, it’s a musical event that captures both the genius and the vulnerability behind the legend.

Mary Page Marlowe

From Pulitzer Prize-winning playwright Tracy Letts comes this deeply human and haunting portrait of an ordinary woman’s extraordinary life. Starring Susan Sarandon (Thelma & Louise, Dead Man Walking) and Andrea Riseborough (To Leslie, Birdman), this stunning revival unfolds in a series of nonlinear vignettes that piece together Mary’s complex journey through love, loss, motherhood and self-discovery. Directed with precision and compassion, the production reveals the beauty and pain of a life seen in fragments - and how every choice, large or small, leaves its mark.

Hosted on Acast. See acast.com/privacy for more information.

This week Darren and Natalie explore three very different but equally profound productions - The Unbelievers at the Royal Court, The Choir of Man in the West End, and The Wanderers at the Marylebone Theatre.

The Unbelievers

The Unbelievers - the highly anticipated new play from acclaimed writer Nick Payne (Constellations, We Live in Time) - now playing at the Royal Court Theatre.

When a teenager vanishes, time fractures. His mother refuses to give up hope. The Unbelievers is a haunting exploration of grief, motherhood, and the fragile ways we piece our lives back together after loss. Payne’s poetic writing meets the visionary direction of Marianne Elliott (Angels in America, The Curious Incident of the Dog in the Night-Time), with evocative design by Bunny Christie (Company, People, Places & Things).

At its heart is a spellbinding performance by Nicola Walker (Unforgotten, The Split), whose portrayal of a mother clinging to faith in the face of despair is both heart-wrenching and deeply human.

The Choir of Man

Then it’s over to the West End’s Arts Theatre, where The Choir of Man continues to pack out houses with its heartwarming, beer-pouring, joy-filled celebration of community. Featuring hits from Queen, Adele, Paul Simon, Avicii, and more, this Olivier Award-nominated musical brings nine extraordinary singer-musicians together in the most welcoming pub in the world. With direction by Nic Doodson, choreography by Freddie Huddleston, and musical supervision by Jack Blume, The Choir of Man is a 90-minute rush of pure feel-good energy - a reminder that the best nights out are often the ones shared with strangers who feel like friends.

The Wanderers

At once intimate and expansive, The Wanderers intertwines the lives of two very different Brooklyn couples. Esther and Schmuli are newly married Orthodox Jews, bound by tradition and faith yet yearning for freedom and fulfilment. Meanwhile, Sophie and Abe - both secular writers - are trapped in a modern marriage fraying under the weight of ambition, expectation, and betrayal.

When Abe, a prizewinning novelist, begins a charged correspondence with Hollywood star Julia Cheever, it sparks an emotional reckoning that threatens to unravel everything he’s built. Across both stories, Ziegler explores how love, faith, and identity shape us — and whether any of us can truly escape the stories we inherit.

The Wanderers is an elegant, searching drama about the complexity of human connection, the limits of freedom, and the quiet ache of unmet desire.

Hosted on Acast. See acast.com/privacy for more information.

This week Darren and Natalie dive into three wildly different yet equally compelling productions currently electrifying London’s stages - Crocodile Fever at the Arcola Theatre, Punch in the West End, and The Assembled Parties at Hampstead Theatre.

Crocodile Fever

First up, it’s mayhem in 1970s Northern Ireland in Meghan Tyler’s Crocodile Fever at the Arcola Theatre, directed by Mehmet Ergen. This surreal, blood-soaked black comedy tells the story of two estranged sisters - Rachael Rooney as fiery, gun-wielding Fianna, and Meghan Tyler herself as the repressed, devout Alannah - who reunite in their family home after years apart. As old wounds resurface, their violent, hilarious confrontation spirals into absurd chaos, fuelled by revenge, generational trauma and an unstoppable undercurrent of sisterhood. With standout design by Merve Yörük and lighting by Richard Williamson, this production brims with wild energy, gutsy performances and buckets of stage blood. It’s Irish gothic carnage at its best.

Punch

Next up, Punch, James Graham’s extraordinary new play based on the true story of Jacob Dunne, a young man whose single act of violence changed multiple lives forever. Directed by Adam Penford, Punch charts Jacob’s journey from reckless teenager to a man forced to face the ripple effects of his actions - and the unexpected compassion of his victim’s parents. Featuring a powerhouse ensemble including Alec Boaden (Masters of the Air), Julie Hesmondhalgh(Mr Bates vs The Post Office), Tony Hirst (Boiling Point), Shalisha James-Davis (I May Destroy You), Emma Pallant (Queenie), and David Shields (Black Mirror), this is a play “every single person should see” (WhatsOnStage). Deeply human and profoundly moving, Punch reminds us that forgiveness is not an absence of pain… it’s a choice born of courage and hope.

The Assembled Parties

Then, at Hampstead Theatre, Richard Greenberg’s The Assembled Parties returns in a luminous new production directed by Blanche McIntyre, following her recent hits Letters from Max, Apex Predator, and The Invention of Love. This witty, melancholic, and richly layered family drama unfolds over two Christmases - one in 1980, another twenty years later - inside the lavish Upper West Side apartment of former film star Julie Bascov, played by Tracy-Ann Oberman (The Merchant of Venice 1936). Alongside her are Jennifer Westfeldt (Kissing Jessica Stein, Friends With Kids), making her London theatre debut, and a superb ensemble that brings warmth, humour, and heartbreak to Greenberg’s tender exploration of time, privilege, and the ghosts of memory.

Hosted on Acast. See acast.com/privacy for more information.

This week Darren and Natalie explore three standout productions lighting up London’s stages - Entertaining Mr Sloane at the Young Vic, The Importance of Being Earnest in the West End, and MUSIK at Wilton’s Music Hall.

Entertaining Mr Sloane – Young Vic

Finally, Entertaining Mr Sloane storms into the Young Vic with a thrilling new production of Joe Orton’s scandalous classic. Directed by Nadia Fall, this darkly comic revival stars Tamzin Outhwaite as Kath, Jordan Stephens as the seductive Mr Sloane, and Daniel Cerqueira as Ed. Wickedly funny and deliciously subversive, it’s a sharp, stylish take on desire, manipulation and power games in 1960s Britain.

The Importance of Being Earnest – West End Transfer

Then it’s Oscar Wilde’s The Importance of Being Earnest, newly transferred to the Noël Coward Theatre. Directed by Max Webster, this revival features Olly Alexander as Algernon Moncrieff, Nathan Stewart-Jarrett as Jack Worthing, Hugh Dennis as Rev. Chasuble and Stephen Fry as the formidable Lady Bracknell. With dazzling wit, elegant staging, and a stellar cast, Wilde’s beloved comedy of manners feels as fresh and fabulous as ever.

MUSIK – Wilton’s Music Hall

First up, MUSIK sees the incomparable Frances Barber reprise her role as Billie Trix, the hard-living, truth-spilling icon created by Jonathan Harvey and Pet Shop Boys. Set against a backdrop of post-war Berlin and the glittering hedonism of 1980s New York, this sharp, hilarious, and surprisingly moving one-woman show is cabaret storytelling at its most intoxicating.

Hosted on Acast. See acast.com/privacy for more information.

This week Darren reviews Clarkston at Trafalgar Theatre - a beautifully observed, quietly powerful story about friendship, longing, and the search for meaning in small-town America.

Clarkston – Trafalgar Theatre

From Tony Award-winning writer Samuel D. Hunter (The Whale), Clarkston follows Jake, played by Heartstopper’s Joe Locke and Chris, as the brooding Ruaridh Mollica, two young men working dead-end jobs at a Costco on the edge of town. As their lives intertwine, the play explores identity, loneliness, and what it means to keep going when the world feels like it’s falling apart. With moving performances and pitch-perfect direction, this is one of the most heartfelt productions in the West End right now.

Just For One Day – The Live Aid Musical – Shaftesbury Theatre

Meanwhile, Natalie shares her thoughts on Just For One Day - The Live Aid Musical, a celebration of music’s power to unite the world. Featuring songs by Queen, U2, Elton John, and David Bowie, it brings the spirit of 1985 roaring back to life - reminding us that compassion, collaboration, and hope can still take centre stage.

Hosted on Acast. See acast.com/privacy for more information.

This week we’re celebrating three decades of one of the UK’s most exciting and influential theatre companies - Frantic Assembly. Known around the world for their bold physical storytelling and collaborative spirit, Frantic has transformed how theatre is made, studied, and experienced.

In this special anniversary episode, we dive into:

Ignition – their groundbreaking free talent development programme for young people, recently saved through a major fundraising campaign.

Lost Atoms – the brand-new 30th anniversary production by Anna Jordan, directed by Scott Graham, starring Ignition alumni Joe Layton and Hannah Sinclair Robinson.

BBC Proms collaboration – Frantic joins forces with Aurora Orchestra at the Royal Albert Hall for a memorised, dramatised performance of Shostakovich’s 5th Symphony – broadcast on BBC Four and iPlayer.

From nurturing underrepresented voices to staging unforgettable, heart-pounding productions, Frantic Assembly has spent 30 years pushing boundaries, opening doors, and inspiring the next generation of theatre-makers.

Tune in to celebrate their legacy, their future, and the stories that continue to move us all.

Hosted on Acast. See acast.com/privacy for more information.

This week, Darren goes backstage with Abigail Hood, the acclaimed writer behind Monster, a gripping and thought-provoking drama exploring the ripple effects of crimes committed in childhood, forgiveness, and the cycles of trauma.

Monster – Seven Dials Playhouse

Presented by Veritas Theatre Company and KEPOW! Theatre Company, Monster is a triple OFFIE-nominated and one OFFIE-winning production, directed by Kevin Tomlinson. Set across two decades, the play follows Kayleigh, a troubled teenager growing up in Glasgow, whose intense friendship with Zoe offers an escape from her abusive home. As events spiral tragically out of control - including Kayleigh taking the life of her teacher’s baby daughter—the play probes questions of culpability, rehabilitation, and whether someone raised in violence is destined to repeat it.

Drawing on extensive research into cases like Mary Bell, Jon Venables, and Robert Thompson, Monster interrogates society’s role in supporting vulnerable young people, the limits of forgiveness, and the possibility of redemption. The revived production features a six-strong cast, including two members of the original award-winning ensemble, bringing fresh perspectives to Hood’s searing script.

Backstage Interview with Abigail Hood

Darren sits down with Abigail Hood to discuss the inspiration behind Monster, her research into real-life cases, and the moral complexities that the play explores. Hood shares her reflections on what drives a child to commit acts of extreme violence, how such individuals can navigate life afterward, and the profound questions of guilt, forgiveness, and redemption that underpin her work.

Hosted on Acast. See acast.com/privacy for more information.

This week we dive into some of the most compelling productions in London’s theatre scene with The Cide and Not Your Superwoman. We celebrate live music with Ben Forster’s album launch, and Darren sits down with playwright Amy Rosenthal to discuss her new play The Party Girls.

Not Your Superwoman – Bush Theatre

Darren reviews this poignant and witty production that explores mother-daughter relationships, identity, and the experience of Caribbean heritage in contemporary Britain. The show stars Golda Rosheuvel and Letitia Wright in powerful performances that are both heartwarming and raw. Directed by Lynette Linton, Not Your Superwoman balances humour and emotional depth, highlighting the complexities of love, family, and generational conflict.

The Code – Southwark Playhouse

“This entire town is a cesspool, darling. Beautifully lit. Well appointed. But a cesspool nonetheless.” Set in Hollywood, 1950, The Code follows a fading star, a rising one, an agent with an agenda, and a legend who’s seen it all. Tallulah Bankhead stops in for a cocktail at the home of former screen idol turned interior designer Billy Haines, who may or may not be planning to disappear. Enter power agent Henry Willson and his protégé Chad Manford, setting the room alight. In a world where image is everything, can anyone break ‘the code’ without losing it all? Starring Olivier Award-winner Tracie Bennett and John Partridge, with Nick Blakeley and newcomer Solomon Davy, and directed by Tony nominee Christopher Renshaw, this show lays bare the unspoken rules of Hollywood, both then and now.

Ben Forster Album Launch

Natalie attends the launch of Ben Forster’s latest album, celebrating his remarkable journey in musical theatre and recording. Known for his performances in Jesus Christ Superstar, Phantom of the Opera and Rock of Ages, Ben brings a theatrical energy to his music that bridges stage and studio, offering fans an unforgettable live experience.

Interview – Amy Rosenthal, Writer of The Party Girls

Darren sits down with Amy Rosenthal to discuss The Party Girls, her new play exploring the lives of the infamous Mitford sisters. The show is directed by Richard Beecham and features stunning design by Simon Kenny and lighting by Aideen Malone. Amy discusses her inspiration, the ensemble performances, and the process of bringing this complex, witty, and emotionally charged family saga to life on stage.

Hosted on Acast. See acast.com/privacy for more information.