Trey Knowles' Messenger RNA is a sharp-witted comedy where he riffs on the bizarre idea of Nazi extraterrestrial chemists sneaking RNA into American DNA—an operation he jokingly attributes to Operation Paperclip. The audience laughs at the absurdity, until the punchline hits: what if RNA vaccines slipped in through everyday vegetables were really changing behavior? With a playful jab, Trey asks—if you start thinking like Trump, how do you know your DNA hasn't been swapped with 'Trump RNA'? It's a hilarious, eye-opening set that leaves the audience laughing and thinking. A must-hear comedy experience of Trey Knowles Messenger RNA.

Trey Knowles' Warning to the Skywatchers is an allegorical comedy carrying a hidden message aimed at the secret societies of the world. Through humor and allegory, Trey warns these “evil men” that their power and schemes will come to an end. He speaks of friends from another world—soldiers armed with advanced weaponry—who stand ready to defend humanity. This appeal is not just for himself but for his people, reminding the audience that without these otherworldly allies, secret societies would have already brought destruction to all humankind. Trey Knowles' Warning to the Skywatchers is a provocative and allegorical video that blends spiritual themes, conspiracy critique, and sci-fi elements. In this piece, Knowles warns secret societies—particularly those he claims operate within and beyond the U.S. government—that their power is fleeting. He speaks of “friends from another world,” likened to Superman, who possess advanced technology and are here to protect humanity from these shadowy forces. The term “Skywatchers” in his message refers to those who attempt to monitor or engage with these extraterrestrial allies. Skywatchers are Nazis. Knowles suggests that these watchers misunderstand their role and the nature of the beings they observe. He accuses them of trying to weaponize alien technology and of lacking both soul and understanding.

Trey Knowles' “White People Vs Extraterrestrial White People” is a sharp, funny comedy set where he hilariously breaks down the differences between everyday white people and their extraterrestrial counterparts living among us. One group genuinely cares about the planet and humanity—while the other couldn't care less.

In White People Are Innocent, Trey Knowles delivers a humorous take on race in America. He jokingly argues that white people aren't responsible for the mistreatment of Black and Indigenous communities—because it wasn't actually them. Instead, aliens disguised as white people were behind the oppression. Through this playful premise, Knowles encourages unity, love, and awareness that these disguised aliens may still be among us

In Wales Vs Congo, Trey Knowles delivers a hilarious comedy where he goes head-to-head with Satan, who shows up in Congo to steal and destroy. When Satan tries to bargain the world in exchange for Congo's resources, Trey boldly shuts him down and sends him packing back to Wales. This sharp, witty performance not only entertains but also exposes the “elephant in the room” lurking within, the one that is established in high places.

Trey Knowles' “Hate Chicago 60606” is a comedic routine in which he humorously explains his dislike for Chicago, focusing on what he sees as the city's sinfulness. He jokingly portrays the 60606 zip code as “the devil's zip code,” claiming it's a place where much wrongdoing occurs. Throughout the performance, Knowles highlights his frustrations with the city and even praises Donald Trump as someone who could help “clean up” the devil's work in Chicago.

"Blessed and Alive – September 2, 2025" by Trey Knowles is an allegorical comedy about a wealthy, corrupt ruler whose life was spared by God. Instead of showing mercy in return, the ruler took the lives of others. Through this parable, Trey Knowles explains his own fear of fishing, saying the devil does not spare lives but blows people out of the water."

Trey Knowles' “America is Like Julius Caesar” is a comedic take on America's character, likening the nation to Julius Caesar—proud, arrogant, and self-important. Through humor, Knowles highlights how America often acts in ways that contrast with God's humility, while also raising questions about where this attitude shows up and who originally shaped the nation.