'Walls Have Eyes' is Robin Gibb's fourth studio album, and the third in as many years in the 1980s. Coming so soon after 'Secret Agent', this album does feel like a natural successor to Robin's 1983 and 1984 solo efforts, but with a smooth, clean and refined production. The greater input from Barry with the songwriting and contributions, in comparison to Robin's previous albums, gives this album a strong "Bee Gees" feel, and as Stuart and Cristiano discuss, it could just be the missing album link for the Bee Gees between 'Living Eyes and E.S.P.'

Find us on social medias @wordsbeegeespodcast. Email us: wordsbeegeespodcast@gmail.com

Hosted on Acast. See acast.com/privacy for more information.

In 1985, Diana Ross released her sixteenth solo album, 'Eaten Alive'. The next instalment in the run of albums that the Gibbs wrote and produced for their chosen artists, 'Eaten Alive' allowed the Bee Gees the opportunity to pay homage to Motown, delve into mid-80s dance, and produce a set of ballad standards, all fit for Diana Ross. Stuart and Cristiano explore the album and and its development with the available demos, and reflect on its reputation forty years later.

Find us on social medias @wordsbeegeespodcast. Email us: wordsbeegeespodcast@gmail.com

Hosted on Acast. See acast.com/privacy for more information.

From learning lessons in love to escaping the ominous 'hunter', side two of Barry Gibb's 'Now Voyager' proves to be as eclectic as side one, whilst retaining the heart of Bee Gees music, with timeless Gibb love ballads such as 'Stay Alone' and 'One Night (For Lovers)'. Stuart and Cristiano conclude their thoughts on this album and of the film, and share listener thoughts and critical reviews.

Vocal split extracts created through LALAL.AI: Vocal Remover & Instrumental AI Splitter | LALAL.AI

Find us on social medias @wordsbeegeespodcast. Email us: wordsbeegeespodcast@gmail.com

Hosted on Acast. See acast.com/privacy for more information.