Today, our hosts dig into how stories can feel fresh without losing what readers love. They explore the idea of “same but different” across genres, sequels, and series—looking at how small shifts in structure, context, tone, or theme can create meaningful novelty. Drawing on examples from novels, film, television, and games, we unpack how patterns, expectations, and core questions shape reader experience. Our conversation also widens to encompass the larger question of how writers can evolve while still feeling recognizably like themselves.

Homework:

Choose two works from the same franchise or series. Break down what stayed the same and what changed, then reflect on which choices felt satisfying, surprising, or off-putting—and why.

ANNOUNCEMENTS:

2/15 Cruise Prices Increase

The final WXR cruise* sets sail for Alaska in September 2026—get your tickets now before prices increase on February 15th!

Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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Our hosts take on the Hero’s Journey—where it came from, why it endures, and why it can make writers uneasy. They break it down as a tool (and not a rule), exploring how pattern recognition works in storytelling without turning structure into a formula. Along the way, they discuss reluctant heroes, mentors, departures, and returns, using familiar examples from fantasy, film, and beyond. The conversation also digs into how stories can satisfy expectations—or deliberately invert them—without becoming predictable or tropey.

Homework:

Take a simple outline of the Hero’s Journey (we’ll include one in the liner notes). On an index card or Post-it, list as many stories, films, or shows as you can that follow this pattern, just to see how and where it shows up.

ANNOUNCEMENTS:

2/15 Cruise Prices Increase

The final WXR cruise* sets sail for Alaska in September 2026—get your tickets now before prices increase on February 15th!

Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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Plot isn’t a set of commandments—it’s a collection of patterns we’ve learned to recognize. This episode kicks off the season’s deep dive into deconstructing plots, asking what different story structures are really doing beneath the surface and why they work (or don’t). Our hosts unpack plot as a toolbox rather than a formula, exploring action plots vs. emotion plots, Western vs. non-Western structures, and how audience expectations shape everything from middles to endings. This conversation reframes plot as a way to pull readers through a story—not to box writers in.

Homework:

Pick a story you enjoy and gently reverse-engineer it. Go scene by scene and label each one simply as “good thing happened” or “bad thing happened.” Look for patterns you didn’t realize were there.

ANNOUNCEMENTS:

2/15 Cruise Prices Increase

The final WXR cruise* sets sail for Alaska in September 2026—get your tickets now before prices increase on February 15th!

Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Join Our Writing Community!

Writing Retreats

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Bluesky

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