As the podcast reaches the ever-elusive Episode 100, DJXP kicks off the landmark moment by playing OShauN’s new record “SGA” with no warning or context to get a live reaction from Trivelle. After some quick banter about OShauN putting together new music for his next project, XP asks how everyone feels about crossing the 100-episode milestone while sharing his own thoughts.

As the conversation expands, the group discusses how loving what you do in the podcast space is essential for sustainability, breaking through the noise of countless platforms, and eventually reaching the financial spaces that successful IP can occupy. When XP asks if everyone genuinely enjoys the process, Trivelle pushes back, arguing that passion alone is not sufficient or realistic in a capitalist society. He believes any venture seeking long-term staying power must be financially viable.

Examples come up around his departure from music, which led to personal financial success, while XP contends that Trivelle exited prematurely because he did not love it enough. After an exchange where Trivelle asserts that money is the ultimate marker of success in creative ventures, regardless of passion-driven wishful thinking, OShauN offers an alternative perspective, focusing on the necessity of loving the craft regardless of outcome. This leads into a broader discussion about whether love for creativity can even be measured, and whether talent itself is measurable.

The conversation then segues into the Diddy documentary. While only two of the three hosts watched all four episodes, they share commentary on key moments before shifting to Shedeur Sanders of the Cleveland Browns, his recent performance, and the destinations that could best position him to continue dominating.

Trivelle asks the group to reflect on their biggest music moments and takeaways from the year, along with who they consider Hip Hop’s MVP, with XP’s choice shocking the group. Favorite albums, top TV series, Netflix’s pending acquisition of Warner Bros., and other major film moments are discussed, alongside thoughts on 2026 releases and the rapid integration of AI into social media and consumer tech. The episode closes with DJXP asking OShauN why he wrote a song inspired by Shai Gilgeous-Alexander.

Episode 99 opens with Trivelle steering the conversation back to the podcast’s early, more provocative days. He boldly claims that whether she admits it or not every woman is aware when a man is interested in her. The group debates what defines a “crush”: is it simply feeling someone is attractive, or something that must be acted upon? From there they shift to music: they discuss Gunna’s back-to-back shows in Toronto at a 10,000-capacity venue. XP points out that’s impressive for an artist performing outside the continental U.S., especially given the efforts to “get him out the way” after the YSL trial and related gang-snitch allegations. Given those pressures, Gunna’s perseverance and ability to organize successful shows earns respect. They ask whether Young Thug could still pull off equal or greater shows in Toronto today debating venue size, promotion, and logistics. Trivelle compares Young Thug’s potential to the recent 3-night run by Vybz Kartel in Toronto, and they mention How Drake surprisingly performed Show 1 on his birthday. XP praises Kartel’s stage presence and overall performance. Then T asks whether Tyla could draw a strong venue in town. Shifting gears, they talk about one of the ongoing social-media controversies: after Elon Musk unveiled Twitter’s new location sharing feature, social-media “stan” accounts are in uproar especially the ones created or rose to prominence during the Kendrick Drake some posting reckless claims. OShauN argues that people who talk recklessly online should have to show their faces and account for their words in real life. They close out by giving love to Wale’s latest release via Def Jam Recordings, and expressing excitement about how the Toronto Raptors are playing lately. Check out Episode 99.

Episode 98 begins with the gang responding to reactions from their previous clips about the No Limit vs Cash Money VERZUZ battle, where the internet overwhelmingly called them crazy for even suggesting the matchup was close...let alone leaning toward Cash Money.

Things move on to the surprise Offset project that seemingly dropped out of nowhere. After some digging, and based on Offset’s own words, the mixtape was simply a ploy to “get out the deal.” The crew discusses other times in music history when the line between album and mixtape was blurred, especially when it comes to contract fulfillment.

DJXP then brings up a conversation Ja Rule had on 7PM in Brooklyn with Carmelo Anthony, where Ja said he doesn't take credit for starting the sing-rap trend in hip-hop...but does take credit for pioneering the singer/rapper duet formula. He also claimed his music aged better than 50 Cent’s while still giving 50 his flowers. The group debates their catalogs and the long-standing beef.

Next, they talk about Outkast’s legendary induction into the highly coveted Rock & Roll Hall of Fame. Before sharing their thoughts, they address the vocal flubs that occurred during Doja Cat’s tribute performance of “Ms. Jackson.”

Following last episode’s conversation about Ye, multiple new Kanye West sightings have popped up including him asking a rabbi for forgiveness and performing with Travis Scott in Japan leading to a discussion about his quiet re-emergence.

As Summer Walker’s new album drops, DJXP praises her marketing campaign before addressing backlash over her collaborating with Chris Brown.

The group then discusses the dangerous precedent of AI in music, especially surrounding Xania Monet and her viral interview with Gayle King....where Gayle bluntly told her, “but you can’t sing.”

The episode wraps with Grammy nominations, predictions on who will win key awards, and a Pluribus 2 reaction that leads to praise for Vince Gilliam and eventually for TV writer Taylor Sheridan.

On Episode 97, the crew starts with the uphill battle of maintaining a podcast as an entity in the creative space where others have thrived. They then move on to one of the big highlights of the last 14 days: the No Limit vs Cash Money battle signaling the return of Verzuz of sorts. Taking place in Las Vegas in collaboration with Apple Music and Universal Music Group-backed/NTWRK-newest acquisition Complex, the discussion then dives into who walked away with the crown. They also explore the widely spoken rumours of what Jay‑Z said about Verzuz in 2021—about no one being able to step in the ring with him. As the crew finds worthy adversaries for him, a Stevie Wonder x R. Kelly discussion surfaces as a potential R&B Verzuz topic—regardless of its merit. They cover Billboard’s new Hot 100 rule intended to get songs in and out faster, which leads into a conversation about Hip-Hop’s “official absence” from the Hot 100 since 1992. DJXP missteps by calling it the Billboard 200 (albums) and not factoring that into the hip-hop presence discussion. He boldly claims Kanye West is the reason for the decline, then provides his actual beliefs on the matter. A bright spot emerges as R&B makes a comeback in conversation and chart metrics with Muni Long (and “Folded” rounding out the top 15 Hot 100). They then praise older artists still making music and close out with a review.

Episode 96 starts off with the cast responding to their viral Dot Era/Drake clips on TikTok, as more people begin to realize that Kendrick Lamar’s post-beef GNX album is now widely referred to as the Dot Era. From there, a major discussion unfolds about Global Hip-Hop & R&B Superstars who currently qualifies and whether this level of global dominance and title can continue in the future given today’s musical landscape. For the purposes of this convo, a “Global Superstar” means someone with massive notoriety inside and outside of North America, consistent sales, sold-out arenas (or larger) across multiple continents, and true worldwide recognition to the average person. As “the Drake cast,” the crew also breaks down the recent dismissal of the defamation case vs UMG, shares their thoughts on Taylor Swift’s record-breaking 4 million first-week sales for The Life of a Showgirl, and debates whether Doechii’s drop in Spotify monthly listeners is odd or just normal side effects of music promotion. They also revisit Ticketmaster’s CEO claiming ticket prices “aren’t expensive enough,” then take a moment to pay respect to D’Angelo following his passing. The episode closes with a look at Timbaland’s AI experiment (which dropped the same day as the D’Angelo news) and a wild conversation sparked by Cam Newton asking women to list their past flings.

Episode 95 kicks off with a pledge from DJXP: each member of the pod must bring a project released within the last 365 days to highlight for listeners helping combat the algorithm that struggles to keep up with over one million songs uploaded to Spotify every week.

From there, the crew dives into Cardi B’s new album after finally hearing it (unlike the last episode when it had just dropped). They follow that with Doja Cat’s VIE, as DJXP gives his thoughts before everyone chimes in on Young Thug’s UY Scuti and YFN Lucci’s latest post-prison release. XP also breaks down Jeezy’s surprise mixtape Still Snowin’, which revisits his iconic sound alongside Don Cannon and DJ Toomp.

The conversation shifts to industry friendships/partnerships that turned sour and what types of friendships within it can come back and under what stipulations that can happen, before moving into Bad Bunny’s upcoming Super Bowl performance...the last halftime show under Jay-Z’s Roc Nation contract. The episode wraps up with Toronto topics: Vybz Kartel selling out two (now three) Scotiabank Arena dates via OVO promotion, and XP’s firsthand review of Druski’s controversial Toronto show, including what could have been handled better...You Might Wanna Sit Down 4 This.

Episode 94 begins with Trivelle asking his co-hosts why they didn’t attend the ever-popular and relevant TIFF (Toronto International Film Festival), even though OShauN is a trained actor and DJXP is a “producer.”

The gang then dives into music topics, starting with Cardi B turning up the heat on her promotional campaign for her sophomore release Am I The Drama, which dropped on Friday (before recording). They also discuss portions of her Gayle interview, including being pregnant for real this time and all the success she’s achieved with just one album. DJXP raises the point that with 2–3 mixtapes prior, the lines between albums and mixtapes can be blurred on technicalities. While verifying stats and discussing projects that felt album-esque though labeled as mixtapes, XP brings up the new Spotify global chart...which currently has only 4 hip-hop songs compared to 56 at this time last year.

The idea of all this happening during what some have called the “Dot Era” comes up, along with a comparison to Drake’s falling monthly numbers on Spotify. The gang shoots him some bail, offering reasons that aren’t necessarily nefarious. They then shift to how Drake still has a massive runway for promotion, leveraging multiple campaigns and collaborations to dominate across all facets of media and public consumption.

Following that, Trivelle recounts insights from What’s The Dirt’s Iceman 3 breakdown, suggesting that if even 70% of what’s claimed about Drake’s past three years being part of an elaborate plan is true, then Drake might be among the most brilliant minds in music. XP very briefly mentions Bieber’s Coachella headlining as the first done without traditional management (before it’s downplayed) and also briefly brings up NBA Youngboy’s tour, which OShauN and Trivelle then weigh in on.

After an awkward end to that segment, DJXP pivots to DaBaby’s controversial decision to use footage from a recent tragedy: Ukrainian immigrant Iryna Zarutska being stabbed by a deranged Black man while on her way home from work. DaBaby mixed actual footage from the three-week-old event with re-enactments, inserting himself as a hero saving her...sparking controversy. They toss the question to resident artist OShauN on whether he’d ever do something similar in his music. Debate arises around whether it was “too soon,” leading the hosts into a discussion of movies dramatizing tragedies and whether enough time usually passes between real-life calamities and Hollywood re-creations.

Trivelle shares anecdotes about watching racially traumatic films with his partner of a different race ...particularly 12 Years a Slave and the Jackie Robinson story...and questions whether Hollywood needs to continue retelling slavery stories or if that era has reached its peak.

XP then shows a clip of Alfonso Ribeiro (Carlton Banks) speaking at a music event in New York’s historic Tunnel venue, shedding light on why he felt typecast as Carlton despite having an upbringing far different from the character.

The episode closes with a conversation about father-son duo Larry Ellison and David Ellison, and their bid to take over the largest share of media.

Episode 93 starts off with Trivelle chronicling his weight loss journey and how it has changed his ability to cuddle, before the convo shifts to one of the biggest hip hop stories of the past week: the Young Thug leaked jail calls.

Convos with a litany of people, including 21 Savage, his now ex-girlfriend Mariah, and more, find Young Thug speaking on his disdain and issues with a plethora of Atlanta key players and music mainstays. These comments can be seen as either pent-up frustration or true feelings. At the time of recording, some of the bigger names had not yet been released, but the group discusses the lasting impact on the Atlanta scene...often seen as the most unified in hip hop, a reputation that’s fuelled their long musical run.

Another city that enjoyed a long run, Miami, comes up next with a retelling of Ace Hood’s unfortunate contract situation, in which Khaled had a hand. This leads the convo to previews of two new Khaled songs: the mega posse cut with dancehall and reggae legends Vybz Kartel, Buju Banton, Bounty Killer, and Movado titled “You Remind Me” and “Brother” featuring NBA Youngboy and Post Malone.

Cardi beating her court case follows, with the convo stemming from a recent interview where Billboard asked her about a “Big 3” that includes her, Nicki, and Meg Thee Stallion. While OShauN disagrees with the notion of a Big 3 being brought up in every comparative class, DJXP explains why there may be undue pressure on Megan Thee Stallion to be considered among hip hop’s top echelon ...pressure that may come more from her backing than necessarily her skill or versatility.

The gang then runs through the new track “Gyatt” featuring two former female rap rivals, Ice Spice and Latto, who buried the hatchet to get the clubs moving with their latest record.

Next up is the Drake and Bobbi Altoff interview, with everyone sharing their thoughts on how it went... some enjoying it, others explaining why they could’ve done without it. The convo then moves into sports stories, including Gilbert Arenas and Skip Bayless teaming up for a football show, and the scandal rocking the sports world involving Steve Ballmer and the Kawhi Leonard debacle. A fictitious tree-planting company, allegedly created to avoid salary cap restrictions, is revealed to have been paying Leonard his true value.

The Rock’s new movie gets a standing ovation, Will Smith signs a big-picture deal with Paramount, and a heated Reddit debate has OShauN fired up as a woman with a tattoo of her deceased boyfriend on her chest wonders why her new relationships always end prematurely.

This episode is jam-packed. Lock in… You Might Wanna Sit Down 4 This.