Titres dans Essais

“Imparting some piece of yourself—any part—is arduous and warrants some kind of commendation,” writes guest editor Wesley Morris in his introduction. Both personal and personable, the essayists in this volume use their own vulnerability to guide listeners on excursions that unfold on uncomfortable edges. From contemplating the nuances of memory to exploring the complexities of family, romance, gender identity, illness, and death, Morris’s selection of essays presents a roundup of the thinkers who masterfully grapple with the issues of our time.

In this powerful and wide-ranging collection of essays, Rebecca Solnit turns her attention to the war at home. This is a war, she says, "[W]ith so many casualties that we should call it by its true name, this war with so many dead by police, by violent ex-husbands and partners and lovers, by people pursuing power and profit at the point of a gun or just shooting first and figuring out who they hit later."

For anyone who could use proof that the world is full of good people, this beautifully illustrated book features 101 stories of human decency from Upworthy, the beloved social media brand that reaches more than 100 million people per month.

Slide "Further Under the Duvet", get yourself comfortable, and let Marian take you places you've never been before. Places like the Irish air-guitar championships, a shopping trip to Bloomingdales with a difference, and Cannes with a chronic case of Villa-itis. Along the way you'll encounter knicker-politics, fake tans, sticky-out ears and passionate love affairs both with make-up and Toblerones.

In September of 2022, twenty-five years after Leonard Peltier received a life sentence for the murder of two FBI agents, the Democratic National Committee unanimously passed a resolution urging President Joe Biden to release him. Peltier has affirmed his innocence ever since his sentencing in 1977—his case was made fully and famously in Peter Matthiessen’s best-selling In the Spirit of Crazy Horse—and many remain convinced he was wrongly convicted. A wise and unsettling book, Prison Writings is both memoir and manifesto, chronicling Peltier’s life in Leavenworth Prison in Kansas.

The Unusual Billionaires tells the story of eight, truly outstanding companies which delivered 10 percent revenue growth over the last 10 years and 15 percent return on capital employed. In simple words, these companies defeated 5000 other public listed companies to deliver high growth while maintaining profitability year-on-year for the last decade. How did these companies do it? Why couldn’t this be reciprocated by other companies? What are they doing differently?

Dans la veine de son célèbre Crépuscule des Idoles, ce recueil d'aphorismes qui ne fut jamais achevé par l'auteur—le projet initial fut abandonné en 1888—visait à exposer l'ensemble de sa doctrine dans un ouvrage synthétique. L'existence même de ce livre suscita de vives polémiques et aujourd'hui encore la fiabilité de certains passages reste à prouver, des études philologiques récentes ayant mis à découvert de nombreuses erreurs que n'aurait pu commettre Frédéric Nietzsche.

Bien que de nombreux penseurs se soient penchés sur la question de la valeur, il n'existe pas de somme exhaustive ni accessible à ce sujet. Pour remédier à cela, David Graeber nous invite à analyser la valeur dans ses différentes acceptions (sociologique, économique et linguistique) et à explorer les théories de l'échange au prisme de sa discipline, l'anthropologie, tout en convoquant les autres sciences sociales pour en amplifier la portée.

L'histoire de l'humanité, jusqu'à très récemment, a été une vaste entreprise d'archivage - une lutte contre la faillibilité de la mémoire humaine et les mâchoires oblitératrices de l'Histoire. Or, depuis quelques décennies, nous nous sommes dotés de technologies nous permettant de ne plus jamais oublier, voire de ne plus pouvoir oublier. Pourtant, notre mémoire collective semble de plus en plus dispersée, de moins en moins enracinée. Et si nous avions perdu quelque chose en route ?

In Bite by Bite, poet and essayist Aimee Nezhukumatathil explores the way food and drink evoke our associations and remembrances—a subtext or layering, a flavor tinged with joy, shame, exuberance, grief, desire, or nostalgia. Nezhukmatathil restores our astonishment and wonder about food through her encounters with a range of foods and food traditions. From shave ice to lumpia, mangoes to pecans, rambutan to vanilla, she investigates how food marks our experiences and identities and explores the boundaries between heritage and memory.

In When the Facts Change, Tony Judt's widow and fellow historian Jennifer Homans has assembled an essential collection of the most important and influential pieces written in the last 15 years of Judt's life, the years in which he found his voice in the public sphere. Included are seminal essays on the full range of Judt's concerns, including Europe as an idea and in reality, before 1989 and thereafter; Israel, the Holocaust and the Jews; American hyperpower and the world after 9/11.

When Peter Schjeldahl, The New Yorker’s art critic and the leading art writer of his generation, published his eye-opening autobiographical essay, “The Art of Dying,” in December 2019, he reported that he had lung cancer and had been given six months of life. Fortunately, his treatment was showing some improvement, and so, he wrote, “These extra months are a luxury that I hope to have put to good use.”

Chronicling Andrew Solomon's stint on the barricades in Moscow in 1991, when he joined artists in resisting the coup whose failure ended the Soviet Union; his 2002 account of the rebirth of culture in Afghanistan following the fall of the Taliban; his insightful appraisal of a Myanmar steeped in contradictions as it slowly, fitfully pushes toward freedom; and many other stories of profound upheaval, this book provides a unique window onto the very idea of social change.

When Paul Auster was asked to join NPR's Weekend All Things Considered program to tell stories, he turned the proposition on its head: he would let the stories come to him. He invited listeners to submit brief, true-life anecdotes about events that touched their lives.

Like Love is a momentous, raucous collection of essays drawn from twenty years of Maggie Nelson's brilliant work. These profiles, reviews, remembrances, tributes, and critical essays, as well as several conversations with friends and idols, bring to life Nelson's passion for dialogue and dissent. The range of subjects is wide—from Prince to Carolee Schneemann to Matthew Barney to Lhasa de Sela to Kara Walker—but certain themes recur.

A Room of One's Own is an extended essay, originally delivered in 1928 as two lectures at two of Cambridge University's women's colleges—Newnham College and Girton College. Through the use of several metaphors, lauded author Virginia Woolf explores the social injustices and structures that prevent women from engaging in free expression and contributing to literature.

Before Langston Hughes and his literary prowess became synonymous with American poetry, he was a seventeen-year-old on a train to Mexico City, seeking funds to pursue his passion. His early poems, beloved verses like “The Negro Speaks of Rivers,” were written without formal training, often on the back of napkins and envelopes, and were inspired by the sights and sounds of Black working-class people he encountered in his early life. Blues in Stereo is a posthumous collection of these early works, in which we see Langston Hughes like we’ve never seen him before.

A classic of reportage, Oranges was first conceived as a magazine article, but John McPhee kept encountering so much irresistible information that he wrote a book. It is perhaps the last word on the subject (the first came in 500 BC and is attributed to Confucius). McPhee writes about the botany, history, and industry of oranges, from the great orangeries of European monarchs to a fascinating profile of Ben Hill Griffin of Frostproof, Florida, who may be the last of the individual orange barons.

With makeup and an affected Elvis pout, Tucson’s Charlie Schmid was a crude parody of a bad-boy heartthrob. In 1964, he still had a hold on girls who’d follow him anywhere. He murdered three of them. It was the dawn of the free-love movement - perfect for a magnetic madman who’d also foreshadow its end a few years later in the malignant charisma of Charles Manson. The inspiration for a classic story by Joyce Carol Oates, Schmid, the most bizarre serial killer of any era, was the epitome of a narcissist flattered into believing he could get away with murder.

Our homes are more than an assemblage of bricks and glass, wood and nails. They are the keepers of our childhood memories, our milestones, and heartaches. They evolve as we do. As a family grows and eventually retracts, a home can change hands and begin again. We are the chapters in the book of a house. From Erin Napier, coauthor with her husband, Ben, of their memoir Make Something Good Today, comes a collection of essays walking us through every room in her home, telling the story of a family’s life, of the days that made their home the place she longs for when she’s away.