Titres dans Histoire et critique

Reflective and expansive, Mirror in the Sky situates Stevie Nicks as one of the finest songwriters of the twentieth century. This biography from distinguished music historian Simon Morrison examines Nicks as a singer and songwriter before and beyond her career with Fleetwood Mac, from the Arizona landscape of her childhood to the strobe-lit Night of 1000 Stevies celebrations.

La chanteuse et comédienne Morgan Touzé présente cinq pièces immersives 3D réalisées par son mari, le poète et pionnier du son binaural, Pascal Rueff. "Mon mari aime bien que j’incarne moi-même les personnages quand je voyage dans ses espaces-temps." dit-elle. Venez y plonger avec elle ! Ces voyages sonores, à écouter au casque, visitent vingt ans de prise de son 3D, du sud de la Crète à Tchernobyl.

La chanteuse et comédienne Morgan Touzé présente cinq pièces immersives 3D réalisées par son mari, le poète et pionnier du son binaural, Pascal Rueff. "Mon mari aime bien que j’incarne moi-même les personnages quand je voyage dans ses espaces-temps." dit-elle. Venez y plonger avec elle ! Ces voyages sonores, à écouter au casque, visitent vingt ans de prise de son 3D, du sud de la Crète à Tchernobyl.

La chanteuse et comédienne Morgan Touzé présente cinq pièces immersives 3D réalisées par son mari, le poète et pionnier du son binaural, Pascal Rueff. "Mon mari aime bien que j’incarne moi-même les personnages quand je voyage dans ses espaces-temps." dit-elle. Venez y plonger avec elle ! Ces voyages sonores, à écouter au casque, visitent vingt ans de prise de son 3D, du sud de la Crète à Tchernobyl.

La chanteuse et comédienne Morgan Touzé présente cinq pièces immersives 3D réalisées par son mari, le poète et pionnier du son binaural, Pascal Rueff. "Mon mari aime bien que j’incarne moi-même les personnages quand je voyage dans ses espaces-temps." dit-elle. Venez y plonger avec elle ! Ces voyages sonores, à écouter au casque, visitent vingt ans de prise de son 3D, du sud de la Crète à Tchernobyl.

Each week millions of Christians around the world use hymns composed by believers from every era and branch of Christianity to join voices in praise—singing psalms and hymns, making melody in their hearts to praise the Lord. Pastor Robert Morgan’s goal is to keep these traditional hymns vital and meaningful to all generations. Then Sings My Soul: Book 2 will help listeners reacquaint themselves with 150 additional beloved hymns of the faithful. These devotional-style stories show the emotion and drama behind the hymns of faith that have changed many lives throughout history.

Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyonce exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures—a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers.

Music plays such an important part in everyone’s life, but how much do we know about the history of music? How did music shape our civilization, and how was music itself shaped by the Catholic Church? Susan Treacy, an experienced professor of music, is an excellent guide to the history of music. Every Catholic should own at least one book on music.

From Nelson George, supervising producer and writer of the hit Netflix series The Get Down, this passionate and provocative book tells the complete story of Black music in the last 50 years, and in doing so, outlines the perilous position of Black culture within white American society. In a fast-paced narrative, Nelson George’s book chronicles the rise and fall of “race music” and its transformation into the R&B that eventually dominated the airwaves, only to find itself diluted and submerged as crossover music.

Paul Morley had stopped being surprised by modern pop music and found himself retreating into the sounds of artists he loved when, as an emerging music journalist in the '70s, he wrote for NME. But not wishing to give in to dreary nostalgia, endlessly circling back to the bands he wrote about in the past, he went searching for something new, rare and wondrous - and found it in classical music.

Beethoven imbibed Enlightenment and revolutionary ideas in his hometown of Bonn, where they were fervently discussed in cafes and at the university. Moving to Vienna at the age of 21 to study with Haydn, he gained renown as a brilliant pianist and innovative composer. In that conservative city, capital of the Hapsburg empire, authorities were ever watchful to curtail and punish overt displays of radical political views. Nevertheless, Beethoven avidly followed the meteoric rise of Napoleon.

An American institution, Sun Records has a history with many chapters: its Memphis origins with visionary Sam Phillips, the breakthrough recordings of Elvis Presley, and the studio's immense influence on the sound of popular music. But behind the company's chart toppers and legendary musicians there exists another story, told by Barbara Barnes Sims. In the male-dominated workforce of the 1950s, 24-year-old Sims found herself thriving in the demanding roles of publicist and sales promotion coordinator at Sun Records.

The heroic story of Pussy Riot, who resurrected the power of truth in a society built on lies. On February 21, 2012, five young women entered the Cathedral of Christ the Savior in Moscow. In neon-colored dresses, tights, and balaclavas, they performed a “punk prayer” beseeching the “Mother of God” to “get rid of Putin.” They were quickly shut down by security, and in the weeks and months that followed, three of the women were arrested and tried, and two were sentenced to a remote prison colony. But the incident captured international headlines, and footage of it went viral.

As Glenn Altschuler reveals in All Shook Up, the rise of rock 'n roll--and the outraged reception to it--in fact can tell us a lot about the values of the United States in the 1950s, a decade that saw a great struggle for the control of popular culture. Altschuler shows, in particular, how rock's "switchblade beat" opened up wide fissures in American society along the fault-lines of family, sexuality, and race.

Simon Critchley first encountered David Bowie in the early '70s, when the singer appeared on Britain's most-watched music show, Top of the Pops. His performance of "Starman" mesmerized Critchley: it was "so sexual, so knowing, so strange". Two days later Critchley's mum bought a copy of the single; she liked both the song and the performer's bright orange hair (she had previously been a hairdresser). The seed of a lifelong love affair was thus planted in the mind of her son, aged 12.

Children of the Stone chronicles Ramzi's journey - from stone thrower to music student to school founder - and shows how through his love of music he created something lasting and beautiful in a land torn by violence and war. This is a story about the power of music, but also about freedom and conflict, determination and vision.

Fun, bright, and playful, power pop is a sometimes adored, sometimes maligned, often misunderstood genre of music. From its heyday in the '70s and '80s to its resurgence in the '90s and '00s, power pop has meant many things to many people. In Go All the Way, today's best and brightest writers go deep on what certain power pop bands and songs mean and have meant to them. Whether they love or hate it, Go All the Way is a dive into the Beatles-inspired pop rock of the last five decades.

Imagine a world without the music of Stevie Wonder. A world without hits like “I Was Made to Love Her” and “Shoo-Be-Doo-Be-Doo-Da-Day.” That's the world we would live in had it not been for Sylvia Moy, a woman whose legacy has been carefully tucked away within the annals of music history—until now. It’s No Wonder examines the groundbreaking career of the pioneer who battled sexism and broke down barriers to become Motown’s first certified female in-house songwriter and producer.

In extensive interviews with scene pioneers and mainstays, including Chris Carrabba (Dashboard Confessional), Geoff Rickly (Thursday), Frank Iero (My Chemical Romance), Gabe Saporta (Midtown/Cobra Starship), and Max Bemis (Say Anything), veteran music journalist Michael Tedder has crafted a once-in-a-generation exploration of emo and The Scene that is as forthright as it is tenderly nostalgic, taking to task the elements of toxic masculinity and crass consumerism that bled out of the early 2000s cultural milieu and ultimately led to the implosion of emo's first home, MySpace.

Why Jazz Happened is the first comprehensive social history of jazz. It provides an intimate and compelling look at the many forces that shaped this most American of art forms and the many influences that gave rise to jazz’s post-war styles. Rich with the voices of musicians, producers, promoters, and others on the scene during the decades following World War II, this book views jazz’s evolution through the prism of technological advances, social transformations, changes in the law, economic trends, and much more.