Titres dans Histoire et critique

John Glatt tells the story of the Fillmores through the lives of Bill Graham, Janis Joplin, Grace Slick, Carlos Santana, and an all-star supporting cast. Chronicling the East and West Coast cultures of the late 1960s and early 1970s-New York City with its speed, heroin, and the Velvet Underground versus San Francisco with the LSD-drenched Summer of Love - Glatt reveals how Graham made it all possible. But why did Graham shutter both Fillmores within weeks of each other in 1971, during the height of their popularity?

The story of the Woodstock Music and Art Fair begins with Michael Lang, a kid out of Bensonhurst, Brooklyn, who liked to smoke a joint and listen to jazz. He would find his way to Florida, open a head shop, and produce his first festival - Miami Pop, featuring Jimi Hendrix, Frank Zappa, and others - then travel to Woodstock, where, after meeting Artie Kornfeld, his vision for a festival where folks could come and stay for a few days amid the rural beauty of upstate New York would become a reality.

“Psycho Killer.” “Take Me to the River.” “Road to Nowhere.” Few artists have had the lasting impact and relevance of Talking Heads. One of the foundational bands of downtown New York’s 1970s music scene, Talking Heads have endured as a musical and cultural force for decades, their unique brand of transcendent, experimental rock a lingering influence on popular music—despite having disbanded over thirty years ago. Now on the 50th anniversary of the band’s formation, acclaimed music biographer and contributor to The New Yorker Jonathan Gould offers the definitive story of Talking Heads.

Since 1925, the Grand Ole Opry has left an undeniable mark on American culture. What began as an impromptu performance of old-time fiddle tunes has transformed into the longest-running radio broadcast in US history, as well as a live performance for millions of country music fans each year. Replete with gorgeous illustrations and tributes from country music’s biggest names, 100 Years of Grand Ole Opry is a glorious, one-of-a-kind celebration, and a must-have for any country music fan.

When you listen to music, do you prefer lyrics or melody? Intricate harmonies or driving rhythm? The “real” sounds of acoustic instruments or those of computerized synthesizers? Drawing from her successful career as a music producer (engineering hits like Prince’s “Purple Rain”), professor of cognitive neuroscience Susan Rogers reveals why your favorite songs move you. She explains that we each possess a unique “listener profile” based on our brain’s reaction to seven key dimensions of any record: authenticity, realism, novelty, melody, lyrics, rhythm, and timbre.

In this artful memoir, Grammy Award-winning music producer Charlie Peacock flexes his literary chops and gives listeners the gritty backstage stories they crave: biographical anecdotes, geeky trivia, and how the hits were written and recorded (from jazz to rock and pop). Threaded throughout is Peacock’s unique ancestral and spiritual story—the roots. Like Coltrane, Dylan, and Bono before him, Peacock reveals a Christ-affection while refusing genres too small for his music.

Sacha Lord's journey is interwoven with the history and culture of the city of Manchester. Listeners will discover Manchester’s vibrant music scene(s) and the challenges it has faced over the decades. The book takes the listener behind the scenes of Sacha's groundbreaking events, including his early nights at the legendary Haçienda club, the establishment of Warehouse Project and Parklife. Sacha's never-told stories are fascinating and entertaining, covering a three-decade structure through 1990s, 2000s and 2010s.

An original journalist for The Source, Dan Charnas built a celebrated career in the rap industry. In The Big Payback, he chronicles the rise of the hip-hop culture and shows how it became so powerful in a matter of decades. Charnas also profiles many of the movers and shakers in this burgeoning cultural movement, offering unprecedented access to an industry that continues to shake the globe.

New York Times-bestselling author Elijah Wald, one of the most wide-ranging and respected writers on blues and popular music, traces the beginnings of the music that became our national soundtrack. Using Morton’s life and songs as a connecting thread, Jelly Roll Blues suggests an alternate history of blues and jazz, surveying a world of Black and working class culture that at times seems startlingly modern.

Since 1991, only three albums have sold more than 15 million copies---Metallica (Metallica), Come on Over (Shania Twain), and Jagged Little Pill, by Alanis Morissette. JLP won Grammys, Junos, and stayed in the Billboad 200 for more than a year. Megan Volpert works through Alanis Morissette's career via JLP, her best-known record. Each chapter dives into one of the 13 tracks from the album, dissecting that song while connecting to later work that extends the relevant theme.

Fascinating, far-reaching, and definitive, THE LAST GREAT DREAM is the ultimate guide to a generation-defining countercultural movement, an Underground 101 course for newcomers and aficionados alike.

On New Year's Eve, 1970, Paul McCartney told his lawyers to issue the writ at the High Court in London, effectively ending The Beatles. You might say this was the last day of the pop era. The following day, which was a Friday, was 1971. You might say this was the first day of the rock era. And within the remaining 364 days of this monumental year, the world would hear Don McLean's "American Pie", The Rolling Stones' "Brown Sugar", The Who's "Baba O'Riley", Zeppelin's "Stairway to Heaven", and more.

When singer Amy Winehouse was found dead at her London home in 2011, the press inducted her into what Kurt Cobain's mother named the 27 Club. "Now he's gone and joined that stupid club," she said in 1994, after being told that her son had committed suicide. Kurt's mom was referring to the extraordinary roll call of iconic stars who died at the same young age. The Big Six are Brian Jones of the Rolling Stones, Jimi Hendrix, Janis Joplin, Jim Morrison of the Doors, Kurt Cobain and, now, Amy Winehouse.

The epic, rollicking, up-and-down life of Muddy Waters—who went from Mississippi farmhand to musical legend, invented electric blues, and created the template for the rock-and-roll band and its wild lifestyle—is chronicled with rare vividness in Robert Gordon’s widely praised biography.

In the second of four volumes, Alan Cross reveals the fascinating stories behind the music, focusing on the following top performers: Joy Division, New Order, The Cure, Depeche Mode, U2, Brian Eno, Skinny Puppy, and The Pixies.

In January 1959, Berry Gordy borrowed $800 from his family and founded the Detroit-based record company that in less than a decade was to become the largest Black-owned business in the United States. It also became one of the most productive and influential producers of popular music anywhere in the world. The Story of Motown is the story of Berry Gordy's triumph over powerful, established financial interests, entrenched popular taste, bigotry, and racism.

From the author's first glimpse of a magical recording studio in the mid-1960s up through a busy career that continues to the present day, this rollicking story can only be told by those that were there. As the young tape operator on sessions for the Rolling Stones, Jimi Hendrix, and Joe Cocker at the famed Olympic Sound Studios in London, Phill learned the ropes from experienced engineers and producers such as Glyn Johns and Eddie Kramer.

Award-winning civil rights historian Ray Arsenault describes the dramatic story behind Marian Anderson’s concert at the Lincoln Memorial - an early milestone in civil rights history - on the 70th anniversary of her performance. On Easter Sunday 1939, the brilliant vocalist Marian Anderson sang before a throng of 75,000 at the Lincoln Memorial in Washington - an electrifying moment and an underappreciated milestone in civil rights history.

Unlike all previous versions of rock 'n' roll history, this book omits almost every iconic performer and ignores the storied events and turning points everyone knows. Instead, in a daring stroke, Greil Marcus selects 10 songs recorded between 1956 and 2008 and then proceeds to dramatize how each embodies rock 'n' roll as a thing in itself in the story it tells, inhabits, and acts out - a new language, something new under the sun.

Although we have heard the music of J. S. Bach in countless performances and recordings, the composer himself still comes across only as an enigmatic figure in a single familiar portrait. As we mark the 250th anniversary of Bach's death, author Christoph Wolff presents a new picture that brings to life this towering figure of the Baroque era. This engaging new biography portrays Bach as the living, breathing, and sometimes imperfect human being that he was, while bringing to bear all the advances of the last half-century of Bach scholarship.