Titres dans Enseignement et techniques

When you listen to music, do you prefer lyrics or melody? Intricate harmonies or driving rhythm? The “real” sounds of acoustic instruments or those of computerized synthesizers? Drawing from her successful career as a music producer (engineering hits like Prince’s “Purple Rain”), professor of cognitive neuroscience Susan Rogers reveals why your favorite songs move you. She explains that we each possess a unique “listener profile” based on our brain’s reaction to seven key dimensions of any record: authenticity, realism, novelty, melody, lyrics, rhythm, and timbre.

Mental health is on everyone’s minds these days. People are looking for a something to help but don’t know what to do. Pioneering a program to meet this need head on, the author found a way to reach students and give them the tools they need through a medium they already experience daily: music. This is a practical guide for using songwriting for personal fulfillment that backs up its assertions with research-based evidence from multiple fields of study: physics, psychology, anthropology, music therapy, evolutionary biology, and the wisdom of centuries of music makers.

One fateful evening, journalist Eric Siblin attended a recital of Johann Sebastian Bach's Cello Suites and began an epic quest that would unravel three centuries of intrigue, politics, and passion. Winner of the Mavis Gallant Prize for Nonfiction and the McAuslan First Book Prize, The Cello Suites weaves together three dramatic narratives: the disappearance of Bach's manuscript in the 18th century; Pablo Casals's discovery and popularization of the music in Spain in the late-19th century; and Siblin's infatuation with the suites in the present day.

Comment l'apprentissage de la musique agit-il sur notre cerveau ? Quels effets a-t-il sur la curiosité, l'attention et la mémorisation ? Quel impact sur la lecture ou le raisonnement mathématique ? Faut-il, pour apprendre et faire des progrès, qu'un enfant ait l'oreille musicale ? Et s'il chante faux ?

Opera is the fastest growing of all the performing arts, attracting audiences of all ages who are enthralled by the gorgeous music, vivid drama, and magnificent production values. If you've decided that the time has finally come to learn about opera and discover for yourself what it is about opera that sends your normally reserved friends into states of ecstatic abandon, this is the book for you.

I created this audiobook to offer a process that you can implement, regardless of changes in tools and technology. I want this audiobook to be as relevant in 25 years as when I wrote it. Although there will be some technical jargon, my goal is to break things down in simple English. I never liked user manuals much, and I don't want this book to read like one. This should feel more like a friend having a normal conversation with you. I am not that different from you, and I wasn't born with any natural gift in music making.

Music, Lyrics, and Life is the songwriting class you always wish you'd taken, taught by the professor you always wish you'd had. It's a deep dive into the heart of questions asked by songwriters of all levels, from how to begin journaling to when you know that a song is finished. With humor and empathy, acclaimed singer-songwriter Mike Errico unravels both the mystery of songwriting and the logistics of life as a songwriter.

In this groundbreaking union of art and science, rocker-turned-neuroscientist Daniel J. Levitin explores the connection between music - its performance, its composition, how we listen to it, why we enjoy it - and the human brain. Levitin draws on the latest research and on musical examples ranging from Mozart to Duke Ellington to Van Halen.

Ear training is one of the most rewarding skills you can develop, and it’s one that you can work on every day. Which makes total sense: Music is an aural experience, after all. Ear training helps you turn the music you hear into music you make on your guitar. This works for your own musical ideas, too: When you dream up a great riff or chord progression, you naturally want to sit down and play it right away. Ear training helps you do just that.

Gertrude McFuzz wishes she had two feathers....

Grab your chance to own this two book bundle by Tommy Swindali. Covering Everything you need to know about electronic dance music production, mixing, and DJing. This bundle includes: Electronic Dance Music Production: The Advanced Guide on How to Produce Music for EDM Producers and In the Mix: Discover the Secrets to Becoming a Successful DJ.

Mary Gauthier was 12 years old when she was given her Aunt Jenny’s old guitar and taught herself to play with a Mel Bay basic guitar workbook. Music offered her a window to a world where others felt the way she did. Songs became lifelines to her, and she longed to write her own, one day. Then, for a decade, while struggling with addiction, Gauthier put her dream away and her call to songwriting faded. It wasn’t until she got sober and went to an open mic with a friend did she realize that she not only still wanted to write songs, she needed to.

Author and journalist Tim Falconer - a self-confessed “bad singer” - is one of only 2.5 percent of the population that has been afflicted with amusia - i.e., he is scientifically tone-deaf. Bad Singer chronicles his quest to understand the brain science behind tone-deafness and to search for ways to retrain the adult brain.

No Bull Music Theory for Guitarists is the groundbreaking guitar theory book for guitar players. Now, guitarists of all levels can understand most of the music theory they'll ever need, without the confusion. Easy-to-understand language, explanations, and practical examples mean you can understand in hours music theory concepts that can confuse guitar players for years. No music reading or theory knowledge required!

The Art of Is contains breath-of-fresh-air thinking about how to cultivate the kind of game-changing creativity everyone seeks. Stephen Nachmanovitch shows exactly how the passion and immediacy of improvisation can be cultivated and how, in fact, we all improvise all the time - whether we are driving or deep in conversation.

Is your dream to write a beautiful song full of emotions? Is it your goal to create a fast-paced, energizing track? With the help of this book, you can turn your dreams into reality. Many people just think songwriting is too complicated and never even attempt to achieve their goals. If you want to write and perform a song for any reason whatsoever but just can't seem to get started, then this book is most definitely for you.

Struggling with vocal strain? Frustrated with limited range? Tired of sounding like a karaoke version of your favorite artists? Master Your Voice isn't just another singing book—it's a transformative journey that combines cutting-edge vocal science with artistic expression to help you discover the true voice you were born to share with the world.

Whether you're a total beginner or a seasoned pro, Singing 101: Vocal Basics and Fundamental Singing Skills for All Styles and Abilities gives you the essential tools to build a strong, healthy voice. Learn how to sing with accurate pitch, lasting stamina, beautiful tone, and optimal technique, based on centuries of proven vocal wisdom and updated with the latest scientific insights on voice production.

This audiobook reveals how the greatest singers in the world practice and develop their voices.

In Powerhouse Singing Techniques, vocal coach James Cohen reveals it all: how to develop one's voice to its full potential. After teaching thousands of students, Cohen has discovered what really works, and he explains it all in simple terms anyone can understand and follow. The methods and techniques in this book will work for anyone, using any method or voice teacher.

Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and cognitive science, Cox advances his theory of the "mimetic hypothesis", the notion that a large part of our experience and understanding of music involves an embodied imitation in the listener of bodily motions and exertions that are involved in producing music.