Titres dans Théâtre

Drawing on her knowledge as director, actor, and teacher, Packer traces the chronological evolution of Shakespeare's female characters and examines Shakespeare's own journey and growth as a writer from feckless misogynist in his youth to committed lover in his middle years to unrepentant feminist in his final years.

There has never been a show business book quite like The Show Won't Go On, the first comprehensive study of a bizarre phenomenon: performers who died onstage. From the comedy magician who dropped dead on live television to the amateur thespian who expired during a play called The Art of Murder, the book is a celebration of lives both famous and obscure, as well as a dramatic and accurate recounting of events leading to the moments they died "doing what they loved."

While there are plenty of books about the mechanics of writing, this is the first time an insider has detailed the invaluable TV executive perspective. As key pieces of the entertainment puzzle, executives hold institutional wisdom that seldom gets disseminated outside network walls. The Executive Chair breaks down the business from the gatekeeper’s point of view, illuminating the creative process used by those who ultimately make the decisions.

William Shakespeare understood power: what it is, how it works, how it is gained, and how it is lost. In The Hollow Crown, Eliot A. Cohen reveals how the battling princes of Henry IV and scheming senators of Julius Caesar can teach us to better understand power and politics today. The White House, after all, is a court—with intrigue and conflict rivaling those on the Globe's stage—as is an army, a business, or a university. And each court is full of driven characters, in all their ambition, cruelty, and humanity.

No one was sure if America was ready for a show featuring nuanced, thoughtful portrayals of Black characters―and the potential fallout was terrifying. But from the first jazzy, syncopated beats of composers Noble Sissle and Eubie Blake, New York audiences fell head over heels. This is the story of how Sissle and Blake, along with comedians Flournoy Miller and Aubrey Lyles, overcame poverty, racism, and violence to harness the energy of the Harlem Renaissance and produce a runaway Broadway hit that launched the careers of many of the twentieth century’s most beloved Black performers.

And So We Walked is a frank, heartwarming, and inspiring story about a contemporary Cherokee woman and her father who embark on an incredible 900-mile journey along the Trail of Tears to truly understand her own identity and the conflicts of her nation. The play recounts the six-week journey, which retraced the path her great-great-grandparents took in the 1830s during the forced relocation of 17,000 Cherokee from their homelands.

Lydia (Aja Naomi King) and Henry (Jason Butler Harner)’s dinner guests (Madeline Brewer and William Jackson Harper) are about to arrive when Henry’s spontaneous marriage proposal threatens to burn the evening to a crisp. Wine bottles and years of unspoken tensions are uncorked, and before the evening is through, Lydia must confront her long-held fears and feelings if she’s going to commit to a future with Henry.

The quiet porch of a rest home for the aged explodes with emotion when prim Fonsia Dorsey sits down to play gin rummy with the cynical Weller Martin. Fonsia is drawn to Weller, but she just can't stop winning at cards, while Weller bemoans the bad luck that is ruining his game and has dogged him throughout his life. Tragic yet uproariously funny, this Pulitzer Prize-winning drama examines themes of individual responsibility and society's mistreatment of the aged. A co-production with The Smithsonian Associates and Voice of America.

When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime, of course. Classic films now become audiobooks, with many featuring the original stars from way back when. Here's Suspicion starring Joan Fontaine and Brian Aherne.

A lively introduction to opera, from the Renaissance to the twenty-first century There are few art forms as visceral and emotional as opera -- and few that are as daunting for newcomers. A Mad Love offers a spirited and indispensable tour of opera's eclectic past and present, beginning with...

Everyone wants to be a writer, and they want to know what they can do to make that dream come true. However, most aspiring writers do not understand how to position themselves so they are ready when presented with an opportunity. They identify themselves as writers but have no writing samples, or their websites and social media talk all about their paintings or music but say nothing of who they are as writers.

On April 4, 1968, Martin Luther King Jr. was assassinated outside of his room at the Lorraine Motel in Memphis. What happened inside room 306 on the evening of April 3 is the subject of Katori Hall's The Mountaintop. Hours after King's final speech, punctuated by his immortal line "I've been to the mountaintop", the celebrated reverend forms an unlikely friendship with a motel maid as they talk into the early hours of what will be his final day.

As a young schoolboy, David Essex dreamed of becoming a professional footballer and was signed up by his beloved West Ham United. But as a teenager, he developed a passion for music, which set him on a very different path, and ultimately led to superstardom. It wasn't, however, an easy start. Scraping a living on the edges of show business was a hard slog, and he endured many disappointments. Then, aged 23, he went along to an audition for a new musical called Godspell and won the role (Jesus) that shot him to fame.

Carey Perloff, Artistic Director of San Francisco's legendary American Conservatory Theater, pens a lively and revealing memoir of her 20-plus years at the helm and delivers a provocative and impassioned manifesto for the role of live theater in today's technology-infused world. Perloff's personal and professional journey - her life as a woman in a male-dominated profession, as a wife and mother, a playwright, director, producer, arts advocate, and citizen in a city erupting with enormous change.

The Key and Tone Clusters are two one-act plays by 2009 Man Booker Nominee Joyce Carol Oates. The Key is a hilariously perverse encounter between a vacationing suburban housewife, recently separated from her husband, and a prosperous businessman. Tone Cluster is a chilling comedy that takes the form of an interview between a middle-aged, middle-class American couple and the media.

A radio adaptation of Alan Bennett's short autobiographical play, originally directed by Nicholas Hytner for the National Theatre. Alan looks back on his early life with affection and sadness, revisiting some of the themes and conversations of his memoir 'A Life Like other People's'. Both he and his mother are seduced by the idea that other people's lives are much richer and fulfilling than their own.

In Wendy and the Lost Boys best-selling author Julie Salamon explores the life of playwright Wendy Wasserstein's most expertly crafted character: herself. The first woman playwright to win a Tony Award, Wendy Wasserstein was a Broadway titan. But with her high- pitched giggle and unkempt curls, she projected an image of warmth and familiarity. Everyone knew Wendy Wasserstein. Or thought they did.

Following his development from moody Oklahoma teenager to the method-trained star to the eccentric recluse of his later years, Patricia Bosworth offers a penetrating look at Marlon Brando’s evolving persona: the volcanic Stanley Kowalski in A Streetcar Named Desire, the sensitive rebel in The...

Guys & Dolls...The Boyfriend...How to Succeed in Business Without Really Trying...Can-Can... These are just a few of the many Broadway shows produced by the legendary Cy Feuer, who, in partnership with the late Ernest H. Martin, brought to life many of America's most enduring musicals. Cy Feuer was at the center of these creations, as well as the films based on two of Broadway's most exceptional musicals, Cabaret and A Chorus Line. He was the man in charge, the one responsible for putting everything together, and - almost more important - for holding it together.

GOOD MORNING AMERICA BUZZ PICK The Pulitzer Prize–winning playwright and co-writer of In the Heights tells her lyrical story of coming of age against the backdrop of an ailing Philadelphia barrio, with her sprawling Puerto Rican family as a collective muse. “Quiara Alegría Hudes is...