Titres dans Danse

Thalia Mara's story spans the history of dance in the twentieth century and the rise of the arts in her adopted city of Jackson, Mississippi. As an adolescent Mara (1911–2003) studied with renowned Russian teacher Adolph Bolm, who recommended she go at age sixteen to Paris for further study. During a tour in Europe and South America, she met her partner in dance and life, Arthur Mahoney, and they dazzled the world with their breathtaking performances during the 1930s and '40s. The two were named codirectors of Jacob's Pillow in 1947, gracing the cover of Life magazine that year.

Der Tango in den 2020er Jahren wird zur Obsession für Herbert, Monique, Julia, Danae und Marie. Dieser Tanz zieht seine Energie aus der Erde und wird ihr Leben neu ausrichten, ohne dass sie es ganz erfassen und merken. Sie erliegen seiner Verführungskraft und müssen daran reifen und scheitern, aufstehen und lieben. Sie sehen sich im hohen Alter an einem idealen, geradezu idealisierten Ort am Tangotisch in einem Seniorenschloss wieder. Ihre Geschichten kreisen um den Tango und um die Liebe.

Through her experiences in the Merce Cunningham Dance Company, Marianne Preger-Simon offers a rare account of exactly how Cunningham taught and interacted with his students. She describes the puzzled reactions of audiences to the novel non-narrative choreography of the company’s debut performances. She touches on Cunningham’s quicksilver temperament, lamenting his early frustrations with obscurity and the discomfort she suspects he endured in concealing his homosexuality and partnership with composer John Cageyet she celebrates above all his dependable charm, kindness, and engagement.