Résultats pour "Anthony Burgess" dans Fiction littéraire

Kenneth Toomey is an eminent novelist of dubious talent; Don Carlo Campanati is a man of God, a shrewd manipulator who rises through the Vatican to become the architect of church revolution and a candidate for sainthood. These two men are linked not only by family ties but by a common understanding of mankind's frailties. In this epic masterpiece, Anthony Burgess plumbs the depths of the essence of power and the lengths men will go for it.

A Dead Man in Deptford re-imagines the riotous life and suspicious death of Christopher Marlowe. Poet, lover, and spy, Marlowe must negotiate the pressures placed upon him by theatre, Queen, and country. Burgess brings this dazzling figure to life and pungently evokes Elizabethan England.

Nothing Like the Sun is a magnificent, bawdy telling of Shakespeare's love life. Starting with the young Will, the novel is a romp that follows Will's maturation into sex and writing. It is at the same time a serious look at the forces that midwife art, the effects of time and place, and the ordinariness that is found side by side with extraordinariness of genius.

Dans un monde dystopique furieusement proche du nôtre, le jeune Alex s'ingénie à commettre le mal sans le moindre remords : en compagnie de ses drougs, il se livre à la bastonnade, au viol et à la torture sur fond de musique classique. Bientôt incarcéré, il subit un traitement chimique qui le rend allergique à toute forme de violence.

Elizabeth Strout “animates the ordinary with an astonishing force,” wrote The New Yorker on the publication of her Pulitzer Prize–winning Olive Kitteridge. The San Francisco Chronicle praised Strout’s “magnificent gift for humanizing characters.” Now the acclaimed author returns with...

F.X. Enderby travels to Indiana in order to impress the Hoosiers with his musical script on the career of Shakespeare and falls in love with a nightclub singer.

Relocated to New York for The Clockwork Testament, or, Enderby's End, Enderby has to defend himself and his first film scenario, which he based on a poem by Gerald Manley Hopkins but - shades of Burgess's A Clockwork Orange - was transmogrified into an X-rated movie.

Cyrano is a brash, strong-willed man of many talents whose whimsical aptitude for the spoken word is overshadowed by an attribute that is iconic, outrageous, and gigantic - his nose. How can the curiously snouted Cyrano ever hope to win the affections of the beautiful Roxane?

Inside Mr. Enderby introduced to a captivated audience Burgess's dyspeptic poet, whose uniquely idiosyncratic, scatological brand of verse even won the genuine approval of T. S. Eliot. In his first clash with the outside world, Enderby is extracted from his lavatorial sanctuary by the professional widow Vesta Bainbridge in a most peculiar romance.

A novel in verse form, Byrne echoes and takes further many of the preoccupations of Burgess's earlier fiction. It tells the story of a rampant Irish artist who, in the early days of the century, goes rapidly to the bad and ends up within Hitler's Third Reich.