Résultats pour "Autism" dans Famille et relations

It's 1950 and Mickey Tussler - the now-famous pitching prodigy with autism and a golden arm - is back for another baseball season in this third installment of Frank Nappi's critically acclaimed Legend of Mickey Tussler series. Talk of Mickey's legendary exploits on the field has grown since his improbable debut two years prior, as have the fortunes of Murph and the rest of the lovable ragtag Brew Crew. Now Mickey, Murph, and Lester find themselves heading to Bean Town to play for the Boston Braves.

It’s 1949 and 18-year-old pitching phenom Mickey Tussler is back with the rejuvenated minor league Brewers in the sequel to The Legend of Mickey Tussler (the basis for the television movie A Mile in His Shoes). Despite Mickey’s proclamation that he will never play baseball again after last season’s violent conclusion, his manager - and now surrogate father - Arthur Murphy cajoles the emotionally fragile, socially awkward boy with autism into giving it another shot.

In the late 1940s, the minor league Milwaukee Brewers are foundering yet again and manager Arthur Murphy is desperate. When he sees 17-year-old Mickey Tussler throwing apples into a barrel, he knows he has found the next pitching phenom. But not everyone is so hopeful. Mickey’s autism - a disorder still not truly understood even today - has alienated the boy from the world, and he is berated by other players and fans. Mickey faces immense trials in the harsh and competitive world of baseball while coping with the challenges inherent to his disorder.

Margo Zimmerman is gay, but she didn’t know until now. An overachiever at heart, Margo is determined to ace her newly discovered gayness. All she needs is the right tutor. Abbie Sokoloff has her own gayness down to a science. But a flunking grade in US History is threatening her acceptance to her dream school. All she needs is the right tutor. Margo agrees to help Abbie get her history grade up in exchange for “Queer 101” lessons. But as they spend more and more time together, Margo realizes she doesn’t want just any girl—she wants the girl.

When Isabel Williams moves to Liverpool, she criticises seemingly everything in Eloise Byrne’s life – her city, her accent, her trademark boldness – so if, when she catches Isabel staring, Eloise feels her pulse race, it must be because they hate each other. It surely couldn’t be for any other reason, could it?