Résultats pour "H P Lovecraft" dans Suspense

"Ce bas-relief était un rectangle grossier de moins d'un pouce d'épaisseur et d'environ cinq pouces sur six, manifestement récent. Les dessins, pourtant, n'avaient rien de récent, ni dans leur harmonie, ni dans ce qu'ils suggéraient. En effet, si les fantaisies du cubisme et du futurisme ont été nombreuses et désordonnées, elles n'ont pas souvent répété la régularité secrète qui se dissimule dans le graphisme préhistorique. Or, pour l'essentiel, ces dessins paraissaient bien être les symboles d'une écriture."

"La seule chose qui rachète notre époque est qu'elle est fichtrement trop stupide pour fouiller de près dans le passé. Qu'est-ce que les archives, les plans et les guides vous disent de North End ? Bah ! A première vue, je vous garantis que je puis vous mener dans une quarantaine de petites rues et autant de lacis de petites ruelles dont moins de dix personnes vivantes connaissent l'existence, à part les étrangers qui y grouillent. Et qu'est-ce que ces métèques en savent ?"

Dès les premiers mots de cette nouvelle, le contexte est posé. Le narrateur va nous raconter les circonstances qui l'ont entraîné à tirer sur son meilleur ami...

The Alchemist, written by H.P. Lovecraft in 1908, is one of his earliest works, showcasing his budding talent for atmospheric storytelling and his lifelong fascination with themes of ancestral guilt, curses, and the occult. Set in a decaying, isolated castle in the heart of medieval France, this gothic tale is steeped in the dark traditions of vengeance and supernatural retribution.

There are Lovecraft stories that roar with cosmic terror — ancient gods, unknowable entities, the madness of knowledge. And then there is What the Moon Brings. This short, haunting piece is not a tale in the traditional sense, but a dream — or rather, a descent. It belongs to that strange and shadowy corner of Lovecraft’s imagination where logic erodes, and we are left adrift in a realm shaped by mood, moonlight, and the whisper of things not quite seen. First published in 1923, What the Moon Brings reads like a surreal reverie drenched in symbolism.

The Descendant, written by H.P. Lovecraft in 1927, is a brief and tantalizing fragment that hints at a larger, untold story steeped in ancient horrors, forbidden knowledge, and the weight of ancestral guilt. Unpublished during Lovecraft’s lifetime, this unfinished piece explores themes central to his mythos, such as the peril of delving into arcane mysteries and the fragile boundary between human understanding and cosmic terror.

The Doom That Came to Sarnath, written by H.P. Lovecraft in 1919 and first published in The Scot in 1920, is a haunting tale of arrogance, hubris, and cosmic retribution. Set in Lovecraft’s fictional dreamland, the story weaves a narrative of an ancient city’s rise and catastrophic fall, showcasing his talent for crafting rich, otherworldly settings imbued with mystery and terror.

The Cats of Ulthar, written by H.P. Lovecraft in 1920, is a short yet striking tale that showcases his ability to blend dark fantasy with moral allegory. First published in Tryout in 1920, the story is a haunting meditation on justice, retribution, and the mystical bond between cats and the arcane. It occupies a unique place in Lovecraft’s body of work, weaving a fable-like narrative that retains the eerie undertones characteristic of his writing.

Cool Air, written by H.P. Lovecraft in 1926, is a chilling tale that masterfully blends gothic horror with the scientific and psychological themes characteristic of Lovecraft's work. First published in Tales of Magic and Mystery in 1928, this story explores the fragility of human life and the lengths to which one might go to preserve it, set against the backdrop of a decaying New York City apartment.

The Book is an enigmatic and fragmentary story written by H.P. Lovecraft in 1933, left incomplete and unpublished during his lifetime. It stands as a tantalizing glimpse into the core of Lovecraft’s mythos, where forbidden knowledge and ancient horrors intertwine to create a sense of cosmic dread. Though brief, the piece carries the essence of Lovecraft's obsession with the dangers of delving into mysteries beyond human comprehension.

The Crawling Chaos is a haunting, surreal tale born from the collaboration between H.P. Lovecraft and writer Winifred V. Jackson. First published in 1921, this story combines Lovecraft’s eerie prose with a dream that Jackson herself experienced, which served as the story’s foundation. In an interesting twist, the two writers published under pseudonyms, with Jackson as “Elizabeth Berkeley” and Lovecraft as “Lewis Theobald, Jun.”

A shadow of degeneration, tainted ancestry and forbidden mystery hangs over the New England town of Innsmouth. The narrator of this novella by H. P. Lovecraft, a college student touring the detaining berg, discovers far more then he bargained for. Normal citizens tend to disappear, while the indigenous residents are taking on a fish-like appearance. Strangers are definitely not welcome in this rotting town where heathen ceremonies are said to take place. And could it be that the narrator is starting to resemble his grandmother and dead uncle Douglas?

The Beast in the Cave, written by H.P. Lovecraft in 1905 when he was just 14 years old, is one of his earliest forays into the world of macabre fiction. Despite its brevity and the youthfulness of its author, this tale demonstrates Lovecraft's early talent for crafting an atmosphere of suspense and his fascination with the grotesque and the unknown.

The Curse of Yig, a horror tale by H.P. Lovecraft, delves into the folklore and dark superstitions of the American Midwest. The story follows the narrator, an investigator intrigued by tales of a curse surrounding Yig, the snake god of Native American lore. As the narrator delves into the history of this malevolent deity, he encounters unsettling accounts of madness, transformation, and death. Central to the story is the tragic tale of settlers Walker and Audrey Davis, whose fear of snakes and belief in Yig’s curse leads them down a path of terror and doom.

The Evil Clergyman is a brief but chilling work by H.P. Lovecraft, written in 1933 and published posthumously in 1939. Unlike many of Lovecraft's stories that delve into cosmic horror and elaborate mythologies, this tale presents a deeply personal and mysterious vision, drawing readers into an unsettling encounter with the unknown. Originally conceived as a vivid nightmare that Lovecraft recounted in a letter to fellow writer Bernard Austin Dwyer, this story unfolds with an eerie immediacy that reflects its dreamlike origins.

The tale follows an unnamed narrator, an intern at a mental hospital, who becomes intrigued by a patient, Joe Slater, a troubled man from the backwoods of the Catskills. Slater’s violent outbursts and visions of a celestial battle suggest a connection to a higher, otherworldly plane. Using a fictional “etheric wave” device, the narrator attempts to link his consciousness with Slater’s, embarking on a journey into an ethereal world where thoughts and dreams take on cosmic significance.

Quand le jeune précoce et brillant Edward Derby, introverti et solitaire, trouve enfin une jeune fille prête à l'épouser, sa décision est vite arrêtée : elle sera sa compagne. Mais quelques semaines à peine après le mariage, on s'étonne pourtant d'un changement de comportement radical chez le jeune homme... Qu'est-il donc arrivé à Derby ? La chose sur le seuil marque un tournant dans l'œuvre de Lovecraft. Une nouvelle très noire à faire frémir même les plus endurcis.

Written in the summer of 1926, it was first published in Weird Tales, February 1928. It is the only story written by Lovecraft in which the extraterrestrial entity Cthulhu himself makes a major appearance. It is written in a documentary style, with three independent narratives linked together by the device of a narrator discovering notes left by a deceased relative.

H.P. Lovecraft's most famous story in an amazing audio experience! “The Old Ones ruled the earth aeons before the rise of man. Traces of their cyclopean cities can still be found on remote islands, buried amid the shifting desert sands, and in the frozen wastes of the polar extremes. Originally they came to this world from the stars. They sleep now, some deep within the earth or beneath the sea. When the stars are right they shall again walk the earth.”

The Diary of Alonzo Typer is a haunting story crafted by H.P. Lovecraft in collaboration with writer William Lumley. Written in 1935, it unfolds in the form of a found manuscript—a diary belonging to Alonzo Typer, an investigator who vanishes after exploring an eerie, abandoned mansion steeped in mysterious and occult history. This story combines Lovecraft’s fascination with ancient evils, forbidden knowledge, and crumbling old New England settings with Lumley’s intense interest in mysticism and the supernatural.