Résultats pour "Homer" dans Art et littérature

No one knows whether Homer was a real person, but there is no doubt that the epic poems assembled under his name are foundations of Western literature. The Iliad and the Odyssey—with their tales of the Trojan War, Achilles, Odysseus and Penelope, the Cyclops, the beautiful Helen of Troy, and the petulant gods—have inspired us for over two and a half millennia and influenced writers from Plato to Virgil, Pope to Joyce, and Dante to Margaret Atwood.

about growing up in a town that’s slowly fading away.

Homer and his close buddies, who call themselves the Rocket Boys, are high school seniors in 1959. Their rocket building experiments amaze the locals, thanks to top-quality moonshine for fuel, “liberated” materials, and Homer’s self-taught understanding of higher math. But no matter how brilliant their experiments are, they can do little to help preserve Coalwood’s way of life.

It's fall, 1959, and Homer "Sonny" Hickam and his fellow Rocket Boys are in their senior year at Big Creek High, launching handbuilt rockets that soar thousands of feet into the West Virginia sky. But in a season traditionally marked by celebrations of the spirit, Coalwood finds itself at a painful crossroads. The strains can be felt within the Hickam home, where a beleaguered Homer, Sr., is resorting to a daring but risky plan to keep the mine alive, and his wife, Elsie, is feeling increasingly isolated from both her family and the townspeople.

In 1860, at the age of twenty-four, Winslow Homer (1836-1910) sold Harper’s two dozen wood engravings, carved into boxwood and transferred to metal plates to stamp on paper. One was a scene that Homer saw in his hometown of Boston, showing Frederick Douglass speaking about freedom and a crowd of abolitionists being thrown from a church; at their front is Frederick Douglass, declaring “the freedom of all mankind.” He is at the heart of the image, face turned skyward and right arm reaching out like a Roman orator.

In the summer of '61, Homer "Sonny" Hickam, a year of college behind him, is dreaming of sandy beaches and rocket ships. But before Sonny can reach the seaside fixer-upper where his mother is spending the summer, a telephone call sends him back to the place he thought he had escaped, the gritty coal-mining town of Coalwood, West Virginia. There, Sonny's father, the mine's superintendent, has been accused of negligence in a man's death.

In February 1943, a group of journalists - including a young wire service correspondent named Walter Cronkite and cub reporter Andy Rooney - clamored to fly along on a bombing raid over Nazi Germany. Seven of the 64 bombers that attacked a U-boat base that day never made it back to England. A fellow survivor, Homer Bigart of the New York Herald Tribune, asked Cronkite if he’d thought through a lede. "I think I’m going to say," mused Cronkite, “that I’ve just returned from an assignment to hell."

In this literary detective story, Robert Kanigel gives us a long overdue portrait of an Oakland druggist's son who became known as the "Darwin of Homeric studies." So thoroughly did Milman Parry change our thinking about the origins of Homer's Iliad and Odyssey that scholars today refer to a "before" Parry and an "after." Kanigel describes the "before", when centuries of readers, all the way up until Parry's trailblazing work in the 1930s, assumed that the Homeric epics were "written" texts, the way we think of most literature.

In the decades between the Great Depression and the advent of cable television, when daily newspapers set the conversational agenda in the United States, the best reporter in the business was a rumpled, hard-drinking figure named Homer Bigart. Despite two Pulitzers and a host of other prizes, he quickly faded from public view after retirement. Few today know the extent to which he was esteemed by his peers. Get the Damn Story is the first comprehensive biography to encompass all of Bigart's journalism, including both his war reporting and coverage of domestic events.

From an acclaimed classicist comes a witty, unusual, and fascinating "biography" of Homer's fictional Bronze Age hero, Odysseus. In this entertaining book, Charles Beye fills out the story of this extraordinary figure while at the same time portraying Odysseus' evolution through the course of a strange and adventuresome life, at times so remote, at times so immediate in the contemporary perspective.