Résultats pour "M C Beaton" dans Romantisme

Life is not easy for the poor relations of England’s upper crust, but fate and clever schemes bring them together. Lady Fortescue and Colonel Sandhurst hatch a plan: What if they were to transform her decrepit Bond Street home into a posh hotel, offering their guests the pleasure of being waited upon by nobility? With the help of other down-and-out aristocrats, they do just that, and London’s newest hotel, The Poor Relation, is born. The establishment is an immediate hit with London’s most illustrious citizens, save the Duke of Rowcester....

The poor relations, those genteel paupers of society who live on little more than their dignity, have banded together and started The Poor Relation hotel, hoping to be bought out by their embarrassed relations - but as the hotel prospered, they began to enjoy the fruits of their labor. Now once more they are in need of funds. To stoop to crime in their days of poverty was one thing, but to turn to it again when they have enjoyed a certain amount of success is quite another. But they all agree: the hotel must go on.

Eliza Budley is a beautiful widow whose husband gambled away his fortune. Lady Fortescue reminds the others that, to be fair, Mrs. Budley has no relatives on whom she can call. Gentle Mrs. Budley thinks she has escaped her fate until Sir Philip comes up with a plan: He has heard that the elderly Marquess of Peterhouse is senile, a widower, extremely rich, and unlikely to remember whether Mrs. Budley is a relative or not. So off Mrs. Budley goes. But the marquess turns out to be not so old, hardly senile, and, in fact, quite handsome.

Owing to an unfortunate wager made by Sir Philip, the poor relations are once again scrounging around for a plan for solvency. This time it is Colonel Sandhurst to the rescue. After happening on Sir Randolph’s lovely daughter Frederica, who is running away to escape an awful marriage to Lord Bewley, the Colonel devises a plan to force Sir Randolph to settle his bill for six month’s stay and to save Frederica from her fate. The clever plan is thwarted when Lord Bewley shows up at the drop point instead of Sir Randolph.

Life is finally looking up for the poor relations. The Prince of Wales’ coat of arms gleams over the hotel entrance. All but one of the rooms are filled by the open-handed Prince Hugo and his entourage. They have finally reached a position comfortable enough to allow them to consider offers to buy the hotel. The poor relations’ hard-earned success, however, is in stark contrast to the plight of their latest guest, Lady Jane Fremney. The slight, beautiful youngest daughter of the Earl of Durby has been cast out of her family for refusing to marry the man her father has chosen.

Just when everything at the Poor Relation Hotel seems to be running smoothly, Sir Philip brings in another poor relation, Mrs. Budge. When Sir Philip presents his paramour, Lady Fortescue swears great oaths and says the woman is probably related to half the costermongers in London and certainly does not possess one rich relative. Mrs. Budge does nothing but eat all day and refused to do any work around the hotel. Worst of all, Miss Tonks seems to be taking the romance between Sir Philip and Mrs. Budge quite hard.

Arranging a season for an unruly young lady whose habit is to enter drawing rooms by sliding down banisters presents a challenge at best - especially since the hoydenish Mira has a sister of incomparable grace and beauty. Mira isn’t at all daunted by the local society and its ridiculous marriage mart. Her heart belongs to Lord Charles, who has been the object of her dreams ever since she was a child. But alas, Charles has eyes only for her ever-perfect sister, Drusilla.

When Amy and Effy Tribble, two charming but impoverished spinster sisters, lose out on a much needed inheritance, they place an advertisement in The Morning Post and hire themselves out as professional chaperones. Vowing to prepare even the most difficult misses for marriage, the Tribble sisters will spend a London season on each client in this delightful Regency series, The School for Manners. Felicity Baronsheath, their first assignment, turns out to be more of a challenge than they ever imagined.

« Parents d'une jeune fille turbulente, insolente et indisciplinée ? Engagez deux dames bien nées pour lui enseigner les bonnes manières et raffiner le matériau le plus brut. Nous tirons le meilleur du pire. » Être pauvre n'empêche pas d'avoir de riches idées ! Privées d'un héritage qui leur aurait assuré une belle rente, Amy et Effie Tribble, deux charmantes aristocrates ruinées, proposent leurs services en tant que chaperons professionnels. L'annonce passée dans le Morning Post attirera une clientèle fortunée, elles en sont sûres.

With little to live on but her romantic daydreams - which frequently starred the dashing Marquess of Fleetwater - Jean Lindsay lived a rather dismal life with her nasty, drunken uncle. Jean was always the object of ridicule, that is, until news of her unexpected inheritance spread. Suddenly her worn dresses became "quaint" and her forthright manner turned magically to "charming", but to Jean's horror, someone wanted her dead!

Certainly the two should never have met. The handsome, wealthy Marquess of Rockingham was the most notorious man in London, as infamous for his violent temper as he was for his intemperate ways. Miss Lucinda Westerville was a country vicar's daughter, as innocent as she was lovely and as proper as a young lady could possibly be. Yet when this improbably matched pair met at a glittering social ball, they had struck the dubious bargain to become man and wife.

When Fiona Macleod is sent by her guardian aunt and uncle to spend a London season with the Tribble sisters, it is something of a last resort. At nineteen, Fiona is a beautiful and wealthy Scottish heiress, yet for some mysterious reason, her several proposals of marriage over the past few years have all fallen through at the last moment. Amy and Effy Tribble, professional chaperones whose School for Manners has recently made them the talk of fashionable London society, are always short of cash and gladly take on Fiona as a new client.

The Misses Penelope Yarwood, Euphemia Perkins, and Letitia Helmsdale all smugly informed her that the Marquess of Cleveden was at once the most eligible and the most elusive catch in the London marriage mart. Society's most dazzling beauties had failed to win him over yet, and a newcomer like Fiona didn't stand a ghost of a chance of having him look at her twice.

Lord Percy Hunterdon despaired: He had inherited a Gothic horror of an estate along with a pair of 15-year-old brats to marry off. It was no secret to him that finding husbands for these two vile young ladies would require the utmost expertise: the care of a governess of superior caliber.

Followers of the series will notice in this volume some personality changes in the odd assortment of retainers who keep the infamous house at 67 Clarges Street, in London’s Mayfair, at the ready for whatever entrepreneur will rent it as a launching pad into the London social season. This time the renters are an unlikely couple, the Goodenoughs, apparently father and daughter; she a great beauty, he silent and mysterious. Their secrets eventually become known to the downstairs troupe, but the indomitable butler Rainberd rallies the support forces.

Miss Harriet Brown, daughter of a Methodist minister, is the embodiment of propriety and Christian charity - too much so, perhaps, for her own good. The virtues Harriet possesses are far from fashionable, but Amy and Effy Tribble, chaperones-for-hire, feel confident that their new charge will attract a worthy vicar or two before the end of the season. First, though, they must vanquish confirmed rake and gambler Lord Charles Marsham, catch though he is, who seems perversely determined to woo Harriet.

Lovely but penniless Harriet Metcalf is aghast when a nobleman’s will names her guardian of his snobbish twin daughters when they come out during the next London Season! But is innocent Harriet wily enough for the intrigues of the ton—or its two most eligible bachelors, the Marquess of Huntingdon and Lord Vere?

"Oh to be as beautiful as Euphemia!" plain Jane Hart sighs when she joins her sister Euphemia at Number 67 Clarges Street for the season. Then Lord Tregarthan might notice her, as she had noticed him and forever lost her heart to the most eligible bachelor of the town. But Euphemia’s fate is to flirt through balls and into the arms of a marquis, while Jane’s is to stay home, amusing herself with snooping into the strange death of Miss Clara Vere-Baxton, a former tenant of Number 67.

Maria Kendall is stunningly beautiful, impeccably mannered, effortlessly graceful - in short, a perfect candidate for marriage. Thus all of polite London society is astonished that she is the latest charge of Amy and Effy Tribble, eccentric spinsters specializing in making matches for unmarriageable misses. But when Maria’s suitors - among them the roguish and exceedingly aristocratic Duke of Berham - meet her vulgar and boorish parents, proposals of marriage invariably vanish.

When Henrietta Bascombe opens a confectionary shop in order to turn her pittance of an inheritance into a fortune, her friends are shocked to hear of such a well-bred lady going into trade. The earl of Carrisdown is both drawn to and repelled by her shop girl status. Undaunted, Henrietta proceeds to hang out the traditional confectioners' sign of a golden pineapple and soon finds a set of beautiful women in her employ, drawing the attention of earl of Carrisdown's younger brother and best friend.