Résultats pour "Richard Adams" dans Sciences sociales et politiques

In this invaluable contribution to the continuing debate about religious belief, David Adams Richards offers an exhilaratingly fresh perspective and a voice more impassioned, heartfelt, and sometimes furious, than anything written about God by an atheist. David Adams Richards, one of Canada’s most beloved and celebrated authors, has been wrestling with questions of morality, faith, and religion ever since he was a child.

In this groundbreaking history of the modern American metropolis, Richard Rothstein explodes the myth that America's cities came to be racially divided through de facto segregation - that is, through individual prejudices, income differences, or the actions of private institutions like banks and real estate agencies. Rather, he incontrovertibly makes clear that it was de jure segregation - the laws and policy decisions passed by local, state, and federal governments - that actually promoted the discriminatory patterns that continue to this day.

This book throws light on many features of the American character. Its concern is not merely to portray the scorners of intellect in American life, but to say something about what the intellectual is, and can be, as a force in a democratic society.

Americans were shocked to learn that one of our own had fought for the Taliban. Emerging froma gruesome battle at the end of the Afghan War onto the evening news, the so-called American Taliban would become linked inextricably to the CIA paramilitary who interrogated him, All-American Hero Mike Spann, who died in that battle, beaten and tortured to death. Public opinion was one of outrage

In artist Paul Klee’s The Twittering Machine, the bird-song of a machine acts as bait to lure humankind into a pit of damnation. Leading political writer Richard Seymour argues that this is a chilling metaphor for our relationship with social media. Former social media executives tell us that the system is an addiction machine. We are users, waiting for our next hit as we like, comment and share. We write to the machine as individuals, but it responds by aggregating our fantasies, desires and frailties into data, and returning them to us as a commodity experience.

Renowned psychoanalytic philosopher Richard Boothby puts forward a novel theory of religion inspired by Jacques Lacan's theory of das Ding, the disquieting, inaccessible dimension of fellow human beings. This notion of an unfathomable excess, originally encountered in the figure of the mother, led Lacan to break with Freud's formulation of the Oedipus complex and underlies Lacan's distinctive conception of unconscious dynamics. Leaning on this account, Boothby shows how our sense of the sacred arises from our relation to what we do not know.

Benjamin Franklin's autobiography is one of the greatest autobiographies of all time, but it was incomplete. Franklin ended his life's story in 1757, when he was 51. He lived another 33 eventful years, serving as America's advocate in London, Pennsylvania's representative in the Continental Congress, and America's wartime ambassador to France. Now, at last, we get the rest of the story, in Franklin's own words.

Why has John Quincy Adams been largely written out of American history when he is, in fact, our lost Founding Father? Overshadowed by both his brilliant father and the brash and bold Andrew Jackson, John Quincy Adams has long been dismissed as hyper-intellectual. Viciously assailed by Jackson and his populist mobs for being both slippery and effete, Adams nevertheless recovered from the malodorous 1828 presidential election to lead the nation as a lonely Massachusetts congressman in the fight against slavery.

The Founding Fathers series, edited by Arthur M. Schlesinger, Jr., examines the presidencies of George Washington, John Adams, Thomas Jefferson, and James Madison.

The novel and fiery thesis of Break It Up is simple: the United States has never lived up to its name - and never will. The disunionist impulse may have found its greatest expression in the Civil War, but as Break It Up shows, the seduction of secession wasn't limited to the South or the 19th century. With a scholar's command and a journalist's curiosity, Kreitner takes readers on a revolutionary journey through American history, revealing the power and persistence of disunion movements in every era and region.

Actor and award-winning travel writer Andrew McCarthy's featured story recounts his quest to uncover his family's Irish history while 25 other prominent writers tell their own heartfelt stories of connection. Spanning the globe, these stories offer personal takes on journeying home, whether the authors are actively seeking long-lost relatives, meeting up with seldom-seen family members, or perhaps just visiting the old country to get a feel for their roots.

Mania surrounding messianic prophets has defined the national consciousness since the American Revolution. From Civil War veteran and virulent anticapitalist Cyrus Teed, to the dapper and overlooked civil rights pioneer Father Divine, to even the megalomaniacal Jim Jones, these figures have routinely been dismissed as dangerous and hysterical outliers. After years of studying these emblematic figures, Adam Morris demonstrates that messiahs are not just a classic trope of our national culture; their visions are essential for understanding American history.

Though they had different backgrounds, skills, and ideas, the Founding Fathers came together to forge a new nation and persevered against the odds to achieve America's independence. In this edition, the editors of Encyclopaedia Britannica examine the life and contributions of Thomas Jefferson and John Adams.

The Adventures of Harry Lime (broadcast in the United States as The Lives of Harry Lime) is an old-time radio program produced in the United Kingdom during the 1951 to 1952 season. Orson Welles reprises his role as Harry Lime from the celebrated 1949 film The Third Man. The radio series is a prequel to the film and depicts the many misadventures of con-artist Lime in a somewhat lighter tone than that of the film.