Titres dans Littérature et fiction

A young writer moves from the country to the city and falls in love with another woman for the very first time. From the start, the relationship is doomed; Finn is nineteen years older, wears men’s clothes, has a cocky smirk of a smile . . . and a long-term girlfriend. With startling clarity and breathtaking tenderness, Chloé Caldwell writes the story of a love in reverse: of nights spent drunkenly hurling a phone against a brick wall; of early mornings hungover in bed, curled up together; of emails and poems exchanged at breakneck speed

When dreams and expectations clash in a flurry of sparks, an actress and an aristocrat find themselves searching for common ground. Lady Victoria Penchant has had enough scandal for one lifetime, and she’s sworn off drama for good. But when she makes an unexpected return to her family’s castle during high tourist season, drama is exactly what she finds—in the form of a Hollywood film crew and their sharp-tongued, stunning star, Sophia LeBlanc.

London, 1918. Billy Prior is working for Intelligence in the Ministry of Munitions. But his private encounters with women and men - pacifists, objectors, homosexuals - conflict with his duties as a soldier, and it is not long before his sense of himself fragments and breaks down. Forced to consult the man who helped him before - army psychiatrist William Rivers - Prior must confront his inability to be the dutiful soldier his superiors wish him to be.

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

After witnessing a mob hit, surgeon Jack Francisco is put into protective custody to keep him safe until he can testify. A hitman known only as D is blackmailed into killing Jack, but when he tracks him down, his weary conscience won't allow him to murder an innocent man. Finding in each other an unlikely ally, Jack and D are soon on the run from shadowy enemies.

By day, Joe is a hotel accountant, invisibly sitting behind their desk and playing by the rules. By night, donned in sequins, they take to the stage as Misty Divine, a star of the London drag scene. But when Misty’s drag mother, Lady Lady, is found dead in her dressing room beside a poisoned box of chocolates, Misty and her fellow performers become the prime suspects.

Presenting an original audiobook performance of the Pulitzer Prize-winning play, starring the cast of the National Theatre's 2018 Broadway revival.

Cherry Hendricks might be down on her luck, but she can write the book on what makes something funny: she’s a professional clown who creates raucous, zany fun at gigs all over Orlando. Between her clowning and her shifts at an aquarium store for extra cash, she’s always hustling. Not to mention balancing her judgmental mother, her messy love life, and her equally messy community of fellow performers. Things start looking up when Cherry meets Margot the Magnificent—a much older lesbian magician—who seems to have worked out the lines between art, business, and life.

College sophomore Ethan Follett never says what's on his mind and never wants to rock the boat. Out in the open, things couldn't be better, but secretly Ethan yearns for some real excitement in his life. He finds it in cocky frat boy Greg Sanderson, who challenges every rigid, preconceived notion Ethan lives by. Soon, their sparring relationship turns sexual, and these enemies-with-benefits "get their freak on" all over campus. Yet the more Ethan comes out of his shell, the more Greg retreats into his, working overtime to keep his ladies' man public persona intact.

Kyran Loyal is the last heir to the lost throne of a forgotten planet, the figurehead of a nomadic people fleeing the galactic tyranny of a brutal regime. Davia Sifane is the unrecognized daughter of an imperial despot. When happenstance pits them against each other in battle, neither expects the outcome: they are the only two people to survive. Marooned on a barren moon, their only hope of survival is to rely on each other, but what they learn will either kill them or change the galaxy forever.

Kentucky was only ever going to be a summer job. Come fall, Blue Riley would be back in North Carolina, in college. But one job led to another, one town led to another, and one woman led to another. Now, after twenty years Blue faces the hardest question of all - is it time to go home?

I am complex. My love is all-encompassing. And when it comes to my heart, there is only one rule: Don’t mess with what’s mine. Until the age of seven, I was Joel Alexander Donovan, son of Jimmy. The man who terrorized a town and made its citizens fear the very ground he walked on. Including me, the day I realized that ground ran red with blood. At age 18, I became Priest. A man without a past. A man determined to right the wrongs of my father. A man who never believed anyone could love the son of such a monster.

This set contains six complete best-selling mystery and suspense novellas by one of the leading authors of male/male crime and mystery fiction.

Phoebe Forde has a new home and new name and is newly thirty. An Irish transplant and PhD candidate, she’s overeducated and underpaid, but she's finally settling into her new life in Copenhagen. Almost three years into her gender transition, Phoebe has learned to move through the world carefully, savoring small moments of joy. After all, a woman without a past can be anyone she wants. But an unexpected visit from her ex-girlfriend Grace brings back memories of Dublin and the life she thought she’d left behind.

Learning to be in a committed relationship has been easy for Spencer. In fact, too easy. Andrew has fit into his life seamlessly. Spencer's let go of his insecurities and hang-ups, and he and Andrew are enjoying where things are headed. For the first time in years, Spencer's life is unbelievably perfect.
Andrew overthinks everything. So when Spencer gets a phone call from Australia, he's certain Spencer will push him away. But instead of driving them apart, maybe it will solidify what they already have.

Lillith has always possessed the ability to feel the grief of the people around her. But now she can harness it and put it to use as well. That said, her recent exploits have labeled her a monster and a villain, specifically "the Mage of Mourning." This title is a nod to both the carnage she leaves in her wake and the tools she implements in the process. But Lillith doesn't need a good reputation. She doesn't even need this life. And she certainly doesn't need to keep her hands free of blood.

Suffering from writer's block and frustrated with his tentative relationship with hot but closeted LAPD Homicide Detective Jake Riordan, gay bookseller and mystery writer Adrien English travels to northern California where he finds a body in his front drive. By the time the sheriffs arrive the body has disappeared, and Adrien once again finds himself playing amateur sleuth. But when the game turns deadly, Adrien turns to Jake. Jake may be confused about some things, but keeping his lover alive is not one of them - no matter what the cost.

Prince Ernest Ire will do anything to please his controlling father. Even if that means using his god-given magic to sway the minds of everyone he has ever met. But everything changes when he is infected with the deadly poison of a Mer bite, and his magic is stolen.

When his grandfather dies, Jay travels south with his family to the property they’ve inherited, a once flourishing farm that has fallen into disrepair. The trees are diseased, the fields parched from months of drought. Jay’s father, Jack, sends him out to work the land, or whatever land is left. Over the course of these hot, dense days, Jay finds himself drawn to Chuan, the son of the farm’s manager, different from him in every way except for one.

Driven by the glory he'll earn from the Royal Horticultural Society for such an achievement, Gregor ignores the flaws in his plan: that intelligence cannot be controlled; that plants cannot be reasoned with; and that the only way his plant-beast will flourish is if he uses a recently deceased corpse for the substrate. The experiment-or Chloe, as she is named-outstrips even Gregor's expectations, entangling their strange household. But as Gregor's experiment flourishes, he wilts under the cost of keeping it hidden from jealous eyes.