Titres dans Littérature ancienne, classique et médiévale

The Apology of Socrates, written by Plato, is a Socratic dialogue of the speech of legal self-defense which Socrates spoke at his trial for impiety and corruption in 399 BC. Specifically, the Apology of Socrates is a defense against the charges of "corrupting the youth" and "not believing in the gods in whom the city believes, but in other daimonia that are novel" to Athens.

The stars and constellations are among the few remaining objects that appear to us just as they appeared to our distant ancestors. From anywhere on Earth, a person may view the celestial panorama simply by stepping outside at night and gazing upward. This nonfiction narrative presents the tales of the 48 classical constellations, compiled from literature spanning a thousand years from Homer to Claudius Ptolemy. These age-old tales have captured the human imagination from ancient times to the present.

The Song of Roland is acknowledged today as the first masterpiece of French vernacular literature and one of the world’s greatest epic poems. Written down around the year 1090, The Song of Roland finely crafted verses tell of the betrayal and defeat of Charlemagne’s beloved nephew at the Pass of Roncevaux in the Pyrenees and of the revenge subsequently sought on his behalf.

The Meditations are a series of private reflections written in Greek by a Roman emperor immersed in the administration of an empire beset by wars on its frontiers and natural disasters in its interior. It is the work of a great man seeking philosophical and spiritual solace in the midst of human chaos and uncertainty. This beautiful piece of ancient literature has been the companion of many leaders over the centuries who turned to inner reflection in times of unrest. Its Stoic philosophy has been much admired and emulated.

This tale of a man who, when tinkering with magic, becomes changed into an ass is one of the most entertaining and remarkable stories from classic Latin literature. It is funny, bawdy and completely approachable - but also shows life from the point of view of a beast of burden in the Roman Empire of the second century CE.

Step into a world where wit is sharp, glances speak volumes, and the dance of manners conceals deeper truths. Pride and Prejudice isn't just a novel—it's a perfectly tuned social symphony composed by one of literature's most insightful observers, Jane Austen. This timeless classic captures the tension between pride and vulnerability, societal expectation and personal desire, all through language as elegant as the world it critiques. In its pages—and now in your ears—you'll encounter unforgettable characters whose joys, flaws, and revelations still echo today.

Beware the gossips! Lady Sneerwell and her hireling, Snake, are certainly up to no good in this timeless send-up of hypocritical manners. Thanks to their scandal-mongering, the comely Lady Teazle must fend off the slanderous barbs that have caught the ear of her elderly husband - as well as every other gossip in London! What follows is a torrent of mistaken identities and sex-crazed scheming in which the upper classes have never looked so low class.

The Odyssey is the greatest adventure story ever written, and one of the great epic masterpieces of Western literature For almost 3,000 years, it has been a storehouse of ancient Greek folklore and myth. It is also our very first novel, if we think of it in terms of romantic plot development, realistic characterizations, frequent change of scene, and heroic dramatic devices.

Li Po (AD 701-762) lived in T'ang Dynasty China, but his influence has spanned the centuries: the pure lyricism of his poems has awed readers in China and Japan for over a millennium, and through Ezra Pound’s translations, Li Po became central to the modernist revolution in the West. However ethereal in spirit, his poems remain grounded in the everyday experience we all share. He wrote 1,200 years ago, half a world away, but in his poems we see our world transformed.

Shakespeare's drama tells the story of a young man who can only come into his own upon his father's death and the father who longs for immortality. Using only Shakespeare's words, this adaptation tells the deeply personal story of Prince Hal's coming of age and his relationships with two father figures: the mistrustful King Henry IV and the hilarious, irrepressible Falstaff. A Court Theatre Production.

"Elizabeth I of England is threatened by the survival of her Catholic cousin, Mary Stuart. Wrestling with her own conscience, the queen agonizes over Mary's fate, amidst fears for her own life. Court intrigue has never been more gripping than in this 'acute study in the art of double-dealing politics'.” (The New York Times)

The great tragedy by Athenian playwright Sophocles, a tale of a woman's duty and a king's pride. Antigone promised a proper burial to her late brother, but doing so will disobey an ordinance of King Creon and risk invoking his wrath. Translation by F. Storr.

Homer's Iliad is the famous epic poem set among the tales of Troy. Its subject is the anger of the hero Achilles and its consequences for the warring Greeks and Trojans. Unlike other books on the Iliad, this one combines the detailed expertise of a historian with the sensitivity of a teacher of it as poetry. Lane Fox goes on to consider hallmarks of the poem, its values, implicit and explicit, its characters, its women, its gods and even its horses. He argues repeatedly for its beautiful observation and addresses its parallel use of what is, to us, the natural world.

From the time of Homer himself in about 750 BCE - the epic has been the most highly regarded of literary genres. It is rivaled only by tragedy, which arose a bit more than two centuries later, as the most respected, the most influential, and, from a slightly different vantage point, the most prestigious mode of addressing the human condition in literary terms. The major epics are the big boys, the works that, from the very outset, everyone had heard of and everyone knew, at least by reputation.

"Les Métamorphoses" d'Ovide (43 avant J-C-7 après J-C) constituent une œuvre épique de douze mille vers composée en 15 Livres. Deux cent quarante-six fables racontent les transformations d'hommes, de dieux ou de héros en animaux, plantes ou minéraux par la magie ou la volonté des dieux. On y reconnaît des légendes antiques, comme le jugement de Pâris, ou les mythes de Phaéton conduisant le char du Soleil, celui de Persée et Andromède, ou encore ceux des Argonautes et du roi Midas.

The Iliad, together with The Odyssey, is one of two ancient Greek epic poems traditionally attributed to Homer. The work is commonly dated to the 8th or 7th century BC, and many scholars believe it is the oldest extant work of literature in the Greek language, making it the first work of European literature. The story concerns events during the 10th and final year in the siege of the city of Troy by the Greeks.

Odysseus has been away from Ithaca, the Greek city-state under his rule, for ten years while fighting in the Trojan War. After the fall of Troy, Odysseus begins the long journey home to his wife and son; however, his journey is plagued by misfortune as the gods feud over his fate, leaving the Ithacans to believe that he has died. In the myths and legends that are retold here, Fagles has captured the energy and poetry of Homer's original in a bold, contemporary idiom, and given us an Odyssey to read aloud, to savor, and to treasure for its sheer lyrical mastery.

By the time Shakespeare came to write Macbeth - almost certainly in 1605/1606 - he had already completed three of the great tragedies with which modern audiences are so familiar: Hamlet (1601), Othello (1603), and King Lear (1605). Each of those plays gives us an eponymous hero who is in some significant way flawed, but for whom we also inevitably feel deep sympathy, whatever his errors or crimes. But in MacBeth, Shakespeare has chosen for his tragic hero a man guilty of the most terrible crime imaginable to a Jacobean audience, that of regicide - the murder of a king.

The fabulously rich Timon believes all his friends to be as open-hearted and generous as himself. When his wealth suddenly evaporates, however, he discovers the truth and his altruism turns to a bitter hatred of mankind. Stirred up by the cynical Apemantus, Timon retreats to the woods where he plots the destruction of Athens, the city that had formerly seemed to embody everything pleasurable and civilized. The cosmic scope of his hatred is communicated in a series of powerful and disturbing dramatic tableaux.

To fully experience the ecstatic poetry of the Middle and Near East, you must hear it as originally intended: stirred ablaze by inspired music and rhythms before a live audience. In I Want Burning, Coleman Barks fuses his passionate scholarship with a deep feeling for the poetry of Rumi, Hafiz (a 14th-century Sufi mystic, called "one of the jewels in the necklace of Persian poetry"), and Lalla (an exquisite Kashmiri female poet of the 14th century).