Titres dans Adaptations et performances audio

When his son gets a school assignment on heroes, John seizes the chance to teach him all about the great figures of the Latino world. But once he sets out on his irreverent crash course across three continents and 3,000 years of history - from conquistadores to cumbia, Montezuma to Menudo, and taking on the characters in all of it - he uncovers provocative truths that shock even him.

Eine verwitterte Flaschenpost bringt Carl Mørck und Assad zu ihrem dritten Fall. Darin enthalten: ein Hilferuf auf einem verblassten Zettel, geschrieben mit menschlichem Blut. Die Botschaft darin ist offenbar das letzte Lebenszeichen zweier Jungen, die Jahre zuvor entführt worden waren. Doch wer sind diese Jungen? Warum haben ihre Eltern nie eine Vermisstenanzeige aufgegeben? Sind sie womöglich noch am Leben? Ihre Ermittlung führt Carl Mørck und seinen Assistenten Assad religiöser Fanatiker und bis über ihre persönlichen Grenzen hinaus.

An Edward G. Robinson Festival is a collection of tributes, parodies, and rarities of the great film actor-written, produced, and performed by Joe Bevilacqua. Bonus tracks feature remastered classic radio dramas. This set includes "If We All Talked Like Allen Jenkins", "Murder is a Merry-Go-Round", "The Reflection", "Hobo Hawk", "Willaby Meets the Godfather", "The Man who Wanted to be Edward G. Robinson", "The Trap", and "Key Largo".

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

We've all seen that lone shopping cart sitting on the edge of a parking lot. Who goes and gets it and brings it home? The cart wrangler, of course.

Brimming with easy humor, fantasy, and wisdom, David Ossman - of Firesign Theatre fame - gives the performance of a lifetime in this theatrical full-length monologue backed by a crack Kansas City jazz trio and recorded before a live audience at the Brick in downtown Kansas City, Missouri, on June 6, 2018.

Mixing voice, eclectic jazz, and sound effects, this performance breaks sound-art boundaries and may even break your heart.

Die Tischordnung beim Diner, der verschwiegene Wink einer Gräfin, die Art, in der ein Minister sein Monokel einklemmt oder eine Herzogin ihren heimlichen Liebhaber vorstellt, die Charaktereigenschaften der Kutscher - all diesen Vorgängen widmete Marcel Proust seine Aufmerksamkeit. In diesem Schlüsselwerk erzählt Proust von einer schockierenden Entdeckung: Der Baron von Charlus, sein guter Bekannter, ist homosexuell. Und nicht nur er: In der lasterhaften Welt der besseren Gesellschaft gibt es kaum einen braven Familienvater, der nicht verstohlene Blicke auf hübsche Jünglinge wirft.

A deliciously black satirical comedy about the dinner party from hell. The fastidious host, Paige, decides to throw a dinner party in honour of her husband, Lars, who is celebrating the success of his pop psychology book, Beyond Belief. She carefully plans a surprise menu that will mark the occasion and anxiously checks with the waiter she has employed to make sure that everything is perfectly prepared. Her lucky guests include a postfeminist vegetarian artist, a distinguished microbiologist, a TV journalist and an uninvited guest who ends up staying for dinner.

A BBC Radio 4 full-cast production of one of the earliest plays by Alan Bennett. The 1970s are a time of change, but Labour MP George Oliver feels stuck in one place: distrusting the ‘mawkish mentality’ of the young and fearing the encroaching life of the middle-aged, with little to look forward to but the imminent end of a not-very-interesting road.

L'opera fa parte del progetto "AutoreVole: audiodrammi in teatro" in cui autori di fama nazionale si sono confrontati con la drammaturgia radiofonica. Allestiti in teatro, gli audiodrammi permettono agli spettatori - dotati di radiocuffie - di "vedere la radio". Gaia Convento Bruni è una donna con le idee chiare. Si è creata una sorta di mondo perfetto dove gestisce con mano ferma marito e figlio e il ruolo della famiglia in paese. Si ritiene una persona di buon senso e non si ferma di fronte a nulla per impedire che qualcosa possa turbare la quiete della sua esistenza.

Ein deutschlandweiter Stromausfall sorgt für einen Ausnahmezustand im ganzen Land. Godspeed hat es geschafft, die gesamte Bevölkerung in Panik zu versetzen. Die SE Glashaus läuft auf Notstrom und die Zeit arbeitet gegen sie. Es wird immer deutlicher, dass Godspeed die Tat von langer Hand geplant hat. Doch was will er erreichen?

Prinz Hamlet von Dänemark wird nach einer dramatischen Flucht inklusive Schiffbruch am Strand des mystischen Landes Illyria angeschwemmt. Hier herrscht König Macbeth mit seiner Lady und versucht mit aller Kraft, eine Rebellion in Schach zu halten und den aufrührerischen Emporkömmling Richard III in seine Schranken zu weisen. Ist Hamlet der lang ersehnte Schattenkönig, den die Prophezeiung vorausgesagt hat?

Der Science-Fiction-Klassiker als ungekürztes Hörspiel. Von Orson Scott Card selbst bearbeitet und von Oliver Rohrbecks Lauscherlounge-Team im Hörspielstudio Xberg mit einem fast 100köpfigen Figurenensemble produziert. Das Hörspiel besticht durch außergewöhnliche Charaktere, aufwendige Geräuschkulissen und einer beeindruckende Geschichte. In der nahen Zukunft wird die Erde von einer feindlichen Alien-Rasse attackiert...

London, um 1330. Der Tuchhändlerlehrling Jonah Durham wächst bei seinem tyrannischen Vetter Rupert auf, der ihm das Leben zur Hölle macht. Einzig seine Großmutter erkennt sein Talent und seine Intelligenz. Sie vermacht ihm ein stattliches Vermögen, das es ihm ermöglicht, nicht nur das Haus seines Vetters zu verlassen, sondern auch als jüngstes Mitglied der Geschichte in die Gilde der Tuchhändler aufgenommen zu werden.

"B-Sogno" è un doppio sogno. Due figure. Due visioni. Due solitudini. Storie quotidiane come frammenti di una realtà filtrata dal sogno, scosse da un paesaggio sonoro che amplifica e distorce. Un dittico onirico in cui si mescolano due esistenze, due vite, due luoghi.

Drawing upon his childhood memories of West Texas, artist, musician, and writer Terry Allen has created this magical, multi-layered evening in the tradition of Southern story-telling. As Allen explains, “Dugout is a love story; an investigation into how memory is invented."

This is the fourth and final Tim Sample album to be originally released on the Bert and I label. Recorded before an enthusiastic standing-room-only crowd on the opening night of the brand new Caribou, Maine, Performing Arts Center in 1989, this is classic Tim Sample humor. If you want to introduce your friends to Maine humor, this is an excellent place to start.

In Lunchroom Tales, Bill Harley and his band - the Troublemakers - return to the Delaware Trails Elementary School where Bill once roamed the halls as a student. They kick off their show with the song "Everyone's a Little Bit Different" - but soon, memories get the best of Bill, and he begins to recount adventures and disasters from his former days of glory (or was it torture?). Meet Mr. Hambleman, the custodian (not janitor!) and Mrs. Nottingham, the terrifying 3rd grade teacher (are teachers human, or are they a different species?), explore super cool places like the back of the bus, and enjoy Harley's engaging recreation - through song and story - of what it feels like to be a kid in school.

Over the years, this has proven to be one of Tim’s consistently best-selling audios. This material was recorded on tour in 1992, and Pumping Irony was the first release on Tim’s own record label. The first nine stories were recorded at the University of Maine in Machias; the rest was captured while Tim was touring “out west”, specifically at The Lebanon (N. H.) Opera House. This recording includes the first mention of Tim’s real-life band from the 1970s, The Dubious Brothers.

Recorded at The State Theatre of Maine at Lakewood in the spring of 1983, footage from this performance became the basis of Tim’s first prime-time TV special on Maine PBS. Released on vinyl LP in the fall of 1983, Downeast Standup was the first of four Tim Sample solo albums to be produced on the Bert and I label in the 1980s. Now widely considered a classic of 20th century Maine dialectal storytelling, this recording contains Tim’s signature story "Saturday Night at Moody’s Diner".