Titres dans Journalistes, rédacteurs et éditeurs

In One City, One Shot, former journalist Jonathan Horn explains the steps he took to go from earning $40 per article at a weekly newspaper to trusted on-air TV reporter—all while staying rooted in his hometown of San Diego. With honesty, humor, and sharp storytelling, Horn brings listeners behind the scenes of local news: the chaos of breaking stories, the heartbreak of tragedy coverage, the scramble of daily deadlines, and the newsroom camaraderie that holds it all together.

An unvarnished and immersive dive into the world of conspiracy theories, propaganda, and disinformation from Alex Jones’ former righthand man at Infowars. At twenty-four-years old, Josh Owens was a college dropout who had already been listening to Alex Jones for five years. Originally drawn...

Il revisionista è un formidabile ritratto, affollato di esseri umani, del nostro Paese dal dopoguerra a oggi. Ed è anche il racconto autobiografico dell'avventura umana e intellettuale di Pansa, alla ricerca di verità dimenticate o scomode.

«Una notte ho sognato un demone che mangiava i libri di casa mia.» E al risveglio, questo sogno diventa per l'autore un rovello: un ipotetico demone come sceglierebbe i titoli da aggredire? E quali sarebbe necessario salvare? Ma la cosa più importante che fanno i classici è renderci la vita insieme più intensa e più semplice, insegnandoci senza averne l'aria lezioni importantissime: cos'è l'identità, cos'è la politica, come si forma la coscienza di un popolo – e come esplode la sua ribellione.

Urchin at War is the first volume in the 1517 Publishing's Urchin Series about the extraordinary life story of a kid and high school dropout who became a sought-after newsman, who covered the Kennedy assassination and the Vietnam War, and ended up being a Lutheran lay theologian.

For more than thirty years, Andy Rooney had the last word on the most-watched television program in history. "A Few Minutes with Andy Rooney"—a segment on 60 Minutes—aired from 1978 to 2011. A man of wit, gruffness, and common sense, Rooney spoke candidly about what drove him—and us—crazy, what brought us joy, and what made us human. Hear the man himself as he reads some of his finest newspaper essays, offering his observations on a variety of topics, including politics and politicians, the economy, doctors, sex, clothes, football, toilet paper, ice cream, and cough drops.

Turning Pages: The Adventures and Misadventures of a Publisher is the well-told story of forty years in the publishing business. For twenty-four of those years, John Sargent ran one of America’s largest publishing companies. Rather than a straight chronological narrative, Sargent uses the best stories of those years to give us an intimate look inside book publishing. In weaving these stories together, he brings the listener with him through triumph and despair, and a very interesting daily life.

Madrid, 1936. In a city blasted by civil war, six people meet and find their lives changed forever.

When Jean Hannah Edelstein's world overturned, she was forced to confront some of the big questions: how do we cope with grief? How does life change when we realise we're not invincible? Does knowing our likely fate make it harder or easier to face the future? This Really Isn't About You is a book about finding your way in life. Which is to say, it's a book about discovering you are not really in charge of that at all.

Vinícius Dônola é a cara e a voz que o grande público conhece por suas reportagens de televisão, transmitidas pelas principais emissoras do país. Histórias das histórias que contei narra os bastidores de uma breve seleção das mais de mil matérias que o jornalista apresentou ao longo de sua carreira. No livro, Dônola relembra casos marcantes, como a premiada denúncia sobre a execução de um fugitivo pela polícia, à luz do dia, em frente a um movimentado shopping do Rio de Janeiro na década de 1990.

This meticulously researched and thought-provoking book dives deep into the fascinating world of Carlson's ascent to prominence, providing a comprehensive analysis of his career trajectory and the circumstances surrounding his departure from Fox News.

A memoir of danger, oppression, and international politics by a survivor of the Eritrean dictatorship. A view into a secretive country and the uneasy alliances of Africa, and a story of family resilience.

Les morts sont des invisibles, ils ne sont pas des absents. Dehors, il fait 5 °C, le temps est gris et venteux. Dans un instant, le prêtre va célébrer la messe d'enterrement de maman. Une coccinelle se pose sur ma main. D'où vient-elle, en ce mois de janvier ? Quelques semaines plus tard, une deuxième coccinelle surgira, et d'autres encore... J'aimerais imaginer que c'est maman qui se manifeste, et, pourtant, le doute m'assaille. La prudence voudrait que je n'y croie pas, mais, au fil du temps, de nouveaux signes – un papillon, une biche, une bague... – m'entraînent dans un monde parallèle.

In the 1940s, she was a New York Times best-selling author—of Mormon novels. In the 1950s, she won a Newbery Medal, the highest honor in children’s literature. But today, hardly anyone knows her name.

El 25 de noviembre de 1987, Adriana Eslava sufrió un atentado que le cambiaría la vida. Recibió un disparo a menos de un metro de distancia, que le destruyó la órbita y el ojo derecho, y la obligó a llevar un parche desde ese momento. Sin embargo, en lugar de derrumbarse, encontró la fuerza y el valor necesarios para salir adelante e inspirar a todas las personas que la rodean.

Peter Henniker-Heaton was a classics scholar, a spiritual thinker, a civil servant, a Punch magazine humorist, a member of astronautical societies, a student of Christian Science who experienced a complete healing of paralysis, and an Englishman who lived in America. He embraced all his identities. He wrote about these things for decades in his poetry and other writings. The smallest things, as well as the largest, seemed to amuse and astonish and delight him.

Tre continenti, cinque capitali, venti traslochi e mai il tempo di annoiarsi. Enrico Franceschini riassume così quarant’anni come corrispondente di un grande giornale in giro per il mondo: dagli Stati Uniti alla Russia, dal Medio Oriente all’Europa, passando per Centroamerica, Afghanistan, Cina, Giappone e Nordafrica, per scrivere di elezioni e terremoti, di Olimpiadi e colpi di Stato, di Hollywood e terrorismo, di notti folli alla Trump Tower di Manhattan in compagnia di Federico Fellini e banchetti in frac a Buckingham Palace ospite della regina.

Don Paterson is one of our most acclaimed contemporary poets, possessed of "an infinite sensitivity to the world" (Zadie Smith). But his current standing gives few hints of his hilariously misspent youth. An indifferent student prone to obsessions (with girls at school and . . . origami), Paterson nevertheless made clear early on his immense gift for observation. In Toy Fights, he vividly re-creates the customs of the Scottish working class, from the titular childhood game ("basically twenty minutes of extreme violence without pretext") to the virtues of the sugary sweet known as tablet.

Burl is the story of one man’s unlikely rise from the coal mines of Appalachia to the pinnacle of journalism. After being diagnosed with a fatal kidney disease as a child, Burl Osborne pioneered home dialysis treatment and became the 130th person to undergo a live kidney transplant in 1966—then an unproven, high-risk operation. While managing his challenging illness, Burl distinguished himself early as a writer and reporter with The Associated Press, eventually rising to the top of the wire service’s executive ranks.

Every photograph is a frozen moment, a story waiting to be told. A wedding photograph of a secret marriage. A dapper man who may be a lost relative. Three women covered in funeral shrouds. A brother. A father. A sonogram. These are six of the seventeen that comprise an album of photographs and their stories—nonfiction short stories found and told by a group of Columbia Journalism students. Perhaps in discovering these stories you may set off to find your own photographs, and with them, the stories they tell.