Titres dans Théâtre

Tom Stoppard is a towering and beloved literary figure. Known for his dizzying narrative inventiveness and intense attention to language, he deftly deploys art, science, history, politics, and philosophy in works that span a remarkable spectrum of literary genres: theater, radio, film, TV, journalism, and fiction. His most acclaimed creations - Rosencrantz and Guildenstern Are Dead, The Real Thing, Arcadia, The Coast of Utopia, Shakespeare in Love - remain as fresh and moving as when they entranced their first audiences.

Listen as stage and screen performer Jason Gotay (Gossip Girl, Evita) brings his breathtaking vocals and gift of storytelling to a musical narrative about his journey to self-acceptance. With soulful interpretations of musical theater selections and pop favorites, the Bring It On: The Musical actor walks us through transformational moments of his past while paying homage to the fierce women who have inspired him.

To everyone's dismay, an older widower falls in love with his young secretary in this unlikely romance.

In BE TRUE, DeVon Franklin takes the stage in his most vulnerable and groundbreaking work yet—blending spiritual insight, raw emotional honesty, and theatrical storytelling to share his evolution through one of the most difficult chapters of his life. In a bold departure from the pulpit and silver screen, Franklin opens the door to his most intimate truths, from the pain of public heartbreak to the clarity of personal rebirth. Franklin combines storytelling, spiritual insight, and emotional transparency in a performance that is as soul-stirring as it is unforgettable.

Tennessee Williams: Mad Pilgrimage of the Flesh gives intimate access to the mind of one of the most brilliant dramatists of his century, whose plays reshaped the American theater and the nation's sense of itself. This astute, deeply researched biography sheds a light on Tennessee Williams's warring family, his guilt, his creative triumphs and failures, his sexuality and numerous affairs, his misreported death, even the shenanigans surrounding his estate.

Starring James Marsters, this classic comedy of manners from 1773 is still widely performed and studied. Love, lies, and dysfunctional families. Sound like your last family gathering? Try this one on for laughs. Two randy young gents, Charles and George, set out to woo the alluring and upper-crust Kate and Constance. But inexperienced Charles is shy and clumsy around upper-class ladies, so it’s the barmaid who catches his eye. But is she really who she seems?

After matching online, two strangers—played by Heléne Yorke (The Other Two) and Michael Zegen (The Marvelous Mrs. Maisel)—meet in real life. The vibe is off, and the conversation is a mess. Yet something is keeping them in their seats. What begins as a typical date off the apps spirals into something unexpected.

Theatrical agent Michael Whitehall spent a career pushing others into the spotlight. He had been involved behind the scenes with the careers of many prominent actors, including Colin Firth, Richard Griffiths, Daniel Day-Lewis, Tom Courtenay, Ian Ogilvy, Judi Dench, Edward Fox, Michael Fassbender, Angela Thorne and Nigel Havers.

The fabulously rich Timon believes all his friends to be as open-hearted and generous as himself. When his wealth suddenly evaporates, however, he discovers the truth and his altruism turns to a bitter hatred of mankind. Stirred up by the cynical Apemantus, Timon retreats to the woods where he plots the destruction of Athens, the city that had formerly seemed to embody everything pleasurable and civilized. The cosmic scope of his hatred is communicated in a series of powerful and disturbing dramatic tableaux.

The 1990s was a decade of profound change on Broadway. At the dawn of the '90s, the British invasion of Broadway was in full swing, as musical spectacles like Les Miserables, Cats, and The Phantom of the Opera dominated the box office. But Andrew Lloyd Webber’s Sunset Boulevard soon spelled the end of this era and ushered in a new wave of American musicals, beginning with the ascendance of an unlikely show by a struggling writer who reimagined Puccini’s opera La Bohème as the smash Broadway show Rent

This book charts the personal and professional journey of Greg Doran, Artistic Director of the Royal Shakespeare Company, from 2012 until 2022. My Shakespeare uniquely captures the excitement, energy, surprises, joys and agonies of working on the greatest of plays; sheds new light on these plays through Doran’s own research and discoveries made in the rehearsal room; and gives unprecedented access into the craft, life and loves of this exceptional director.

This book is ideal for anyone keen to understand how contemporary plays and playwrights work, particularly those wanting to write for the stage themselves. Drawing heavily on contemporary practice, it considers moments from a range of plays, with a focus on those from the National Theatre's repertoire. The book embraces a range of different dramaturgical structures and styles popular today; plays by a diverse selection of writers; and the current openness of dramatic form.

On Broadway, this fresh take on the Greek myth of Orpheus and Eurydice has become a modern classic. Heralded as “The best new musical of the season” by The Wall Street Journal and “Sumptuous. Gorgeous. As good as it gets” by The New York Times, the show was a breakout hit, with its poignant social commentary and spellbinding music and lyrics. In this audiobook, Anaïs Mitchell takes listeners inside her more than decades-long process of building the musical from the ground up.

Here is a diverse and fascinating story of the Theatre, from the first tragedies and comedies of Ancient Greece to the high-tech mega-musicals of the late 20th century. It is an absorbing listen, encompassing ancient tales, medieval theatre, Commedia dell'Arte, the great dramas of the Elizabethan age, and more.

All he wants to do is let the perfect man in, but can he overcome his unhinged neighbor, a seductive cult, a self-obsessed vampire, and a cat intent on dragging him to hell?

They stand at the apex of the great age of songwriting, the creators of the classic Broadway musicals Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music, whose songs have never lost their popularity or emotional power. Even before they joined forces, Richard Rodgers and Oscar Hammerstein II had written dozens of Broadway shows, but together they pioneered a new art form: the serious musical play.

Ever felt overwhelmed at the idea of making a professional video? Whether it's for work, social media, or content marketing, diving into video production can be daunting. But did you know? The average online user watches more videos than reading texts or browsing images. In fact, over 70 percent of online traffic is video content. Despite its growing popularity, only a few master the art of high-quality video production.

Henry may be the wittiest playwright of his generation, but he’s hopelessly naïve when it comes to understanding love and infidelity. Writing about betrayal is one thing, living with it is another. After Henry leaves his wife for another woman, he’s confronted with being the cuckold himself. Both dazzlingly clever and emotionally naked, Henry’s search for the “the real thing” in art and love demonstrates beautifully why both are worth the effort in the end.

Razzle Dazzle is a provocative, no-holds-barred narrative account of the people, money, and power that reinvented an iconic quarter of New York City, turning its gritty back alleys and sex shops into the glitzy, dazzling Great White Way - and bringing a crippled New York from the brink of bankruptcy to its glittering glory.

In 2017, New Yorker staff writer D.T. Max began working on a major profile of Stephen Sondheim that would be timed to the eventual premiere of a new musical Sondheim was writing. Sadly , that process – and the years of conversation – was cut short by Sondheim’s own hesitations, then the global pandemic, and finally by the great artist’s death in November 2021.