Titres dans Indigenous

Reimagining James Fenimore Cooper’s nineteenth-century text The Last of the Mohicans from the contemporary perspective of an urban Nisga’a person whose relationship to land and traditional knowledge was severed by colonial violence, Jordan Abel explores what it means to be Indigenous without access to familial territory and complicates popular understandings about Indigenous storytelling.

An old man's hazy memory and a Polaroid snapshot are all Chee has to go on, but they are enough to send him deep into an underworld of murder and revenge when a shootout erupts between two strangers at the Shiprock Wash-O-Mat. One man dies, and the other drives off but not before showing old Joseph Joe a photograph of the man he is looking for. It's not much of a lead for Sergeant Chee, but it's enough to put him on the killer's trail.

Oregon State Trooper Gabriel Hawke is part of the Fish and Wildlife Division in Wallowa County. He not only upholds the law but protects the land of his ancestors.

Kidnapped from the Earth People as a child, White Ash learns the way of the Sun People as she grows into a beautiful woman. But the disturbing dreams that made her an outcast in her old tribe are becoming stronger and they foretell a frightening future of bitter cold, war and famine. When a hostile tribe massacres her adopted family, White Ash is raped and left near death, but is miraculously saved by a brave shaman...and falls in love with him. Together they set out on a dangerous journey to steal a magical object - but they soon face a ruthless enemy who wants White Ash for his own.

Seule femme dans un monde d’hommes qui lui est hostile, Marie est conductrice de train minier dans le Nord québécois. Un soir de tempête, son convoi s’immobilise. Déraillement ? Elle se précipite au-dehors pour mesurer les dégâts et se retrouve face contre neige, blessée. Elle est recueillie par un mystérieux ermite, envoûtant et lettré. Sur fond de préoccupations environnementales, de tensions entre Blancs et autochtones, se tisse une histoire d’amour

In 1964, Little Big Man gave us the reminiscences of Jack Crabb - a white orphan raised among the Cheyenne - who returns to "civilized" society, where (among other things) he tangles with Wyatt Earp and Wild Bill Hickok, and ends up as the only white survivor of Custer's Last Stand. At the end of Little Big Man, Jack's supposed death at age 111 cut short his tale.

A real-life historical figure, the woman known as Malinalli, Malintzin, La Malinche, Doña Marina, and Malinalxochitl was the Nahua interpreter who helped Spanish conquistador Hernán Cortés communicate with the native people of Mexico. When indigenous leaders observed her marching into their cities, they believed she was a goddess—blessed with the divine power to interpret the Spaniards’ intentions for their land. Later, historians and pop culture would deem her a traitor—the “Indian” girl who helped sell Mexico’s future to an invader.

Blackfoot storyteller Alex Soop plunges us into a shocking well of imagination in this collection of short stories, Midnight Storm Moonless Sky. From hauntings on the Highway of Tears to fearful gatherings of ghosts and the sorrows of racism, Soop combines the social anxieties of Indigenous life with spellbinding flights and frights of speculative fiction. Through these enthralling stories of reality mixed with terror, listeners get a wicked glimpse into the genre of Indigenous horror.

Best-selling writing team and archaeologists W. Michael and Kathleen O’Neal Gear offer this compelling second novel in their Battle for America series. In 1539, Black Shell, his wife Pearl Hand, and their fellow exiles try to make a stand against the invasion of the Kristianos and their leader Hernando de Soto. But de Soto doesn’t plan to back down easily.

Rodeo cowboy Joe Willie Wolfchild, riding an explosive bull called See Four and moments away from becoming World Champion, suffers a devastating accident. His parents and grandparents use all their native wisdom to ease him out of his subsequent bitter depression, but without success. Meanwhile, in a distant city, a troubled young kid named Aiden plans a holdup that goes wrong and lands himself in jail.

A phone call in 1975 changes Moon Mathias’s life forever, as a voice on the line tells him his dead brother’s baby daughter—a child Moon never knew existed—is waiting for him in Southeast Asia. A task he believes beyond his meager talents is pulling Moon to Vietnam. In a chilling world of mystery and silence, disguise and deception, he’ll risk everything for the sake of one little girl—and discover a Moon Mathias who’s a better man than he ever thought he could be.

One Good Story, That One is a collection steeped in native oral tradition and shot through with Thomas King's special brand of wit and comic imagination. These highly acclaimed stories conjure up Native and Judeo-Christian myths, present-day pop culture, and literature while mixing in just the right amount of perception and experience.

As a window into the magic and potential of the Northwest Territories, Richard Van Camp's fourth short-story collection is hilarious and heartbreaking. A teenaged boy confesses to a vicious assault on a cross-dressing classmate; Lance tells the sensual story of becoming much closer to his wife's dear friend Juanita; while a reluctant giant catches up with gangsters Torchy and Sfen in a story with shades of supernatural and earthly menace.

Following the disappearance of his only son and the death of his beloved wife, Richard Morgan is falsely imprisoned and exiled to the penal colonies of 18th-century Australia. His life is shattered, but Morgan refuses to surrender, overcoming all obstacles to find unexpected contentment and happiness in the harsh early days of Australia's settlement. From England's shores to Botany Bay and the rugged frontier of a hostile new world, Morgan's Run is the epic tale of love lost and found, and the man whose strength and character helped settle a country and define its future.

When high school senior Charlotte agrees to babysit the Wilbanks twins, she plans to put the six-year-olds to bed early and spend a quiet night studying: the SATs are tomorrow, and checking the Native American/Alaskan Native box on all the forms doesn’t mean jack if you choke on test day. But tomorrow is also Halloween, and the twins are eager to show off their costumes—Ron is a nurse, in an old-fashioned white skirt-uniform, and Desi has an Authentic Squaw costume, complete with buckskin and feathered headdress. Excitement is in the air.

Catalina de Cerrato is being raised by her widowed father, Don Alonso, in 1551 Guatemala, scarcely thirty years since the Spanish invasion. A ruling member of the oppressive Spanish hierarchy, Don Alonso holds sway over the newly relegated lower class of Indigenous communities. Fiercely independent, Catalina struggles to honor her father and her late mother, a Maya noblewoman to whom Catalina made a vow that only she can keep: preserve the lost sacred text of the Popol Vuh, the treasured and now forbidden history of the K’iche’ people.

After a hunting trip one fall, a family in the far reaches of so-called Canada’s north return to nothing but an empty space where their home once stood. Finding themselves suddenly homeless, they have no choice but to assimilate into settler-colonial society in a mining town that has encroached on their freedom.

The Road Home lies in the shadows of Manifest Destiny and Wounded Knee; it is etched into the landscape of an old man’s memory and into the stubborn dreams of a young man’s heart. In one of Jim Harrison’s greatest works, five members of the Northridge family narrate the tangled epic of their history on the expanses of the Nebraska plains. They strive to understand their fates, to reconcile with demons of the past, to live in accordance with the land, and to die with grace.

Winner of the McNally Robinson Aboriginal Book of the Year and the Aboriginal Fiction Book of the Year—a collection of twenty short stories told in Thomas King's classic, wry, irreverent, and allegorical voice.

Walt thinks he might find the answers he's looking for among the ruins of an old Native American boarding school—an institution designed to strip Native children of their heritage. He has been haunted by the image of the Fort Pratt Industrial Indian Training School ever since he first saw a faded postcard picturing a hundred boys in uniform, in front of a large, ominous building—a postcard that was given to him by Jimmy Lane, the father of Jeanie One Moon.