Résultats Éditeur "Blackstone Publishing" dans Autochtone

Cash and Sheriff Wheaton make for a strange partnership. He pulled her from her mother's wrecked car when she was three. He's kept an eye out for her ever since. It's a tough place to live - northern Minnesota along the Red River. Cash navigated through foster homes, and at 13 was working farms. She's tough as nails, five feet two inches, blue jeans, blue jean jacket, smokes Marlboros, drinks Bud Longnecks. Makes her living driving truck. Playing pool on the side.

Lily is a photojournalist in search of the “animal people” who supposedly haunt the city’s darkest slums. Hank is a slumdweller who knows the bad streets all too well. One night, in a brutal incident, their two lives collide - uptown Lily and downtown Hank, each with a quest and a role to play in the secret drama of the city’s oldest inhabitants. For the animal people walk among us. Native Americans call them the First People, but they have never left, and they claim the city for their own.

Her name is Renee Blackbear, but what most people call the 19-year-old Ojibwe woman is Cash. She lived all her life in Fargo, sister city to Minnesota’s Moorhead, just downriver from the Cities. She has one friend, the Sheriff Wheaton. He pulled her from her mother’s wrecked car when she was three. Since then, Cash navigated through foster homes and at 13 was working farms, driving trucks.

The Road Home lies in the shadows of Manifest Destiny and Wounded Knee; it is etched into the landscape of an old man’s memory and into the stubborn dreams of a young man’s heart. In one of Jim Harrison’s greatest works, five members of the Northridge family narrate the tangled epic of their history on the expanses of the Nebraska plains. They strive to understand their fates, to reconcile with demons of the past, to live in accordance with the land, and to die with grace.

Buck, government name Michael Fineday, Ojibwe name Miskwa’ doden (Red Deer), is on the brink of suicide. He has just been served divorce papers by his wife, Naomi, who is fed up with his savior complex and the danger it often attracts to their door. Living on the border of Shakopee Mdewakanton Sioux Community reservation, Buck makes a living as a boatbuilder and carpenter. He spends his days alone, trying to win the trust of a feral cat … until a semi-feral girl shows up, fascinated by the canoe Buck is building.

In the Old Country, they called them the Gentry: ancient spirits of the land, magical, amoral, and dangerous. When the Irish emigrated to North America, some of the Gentry followed...only to find that the New World already had spirits of its own, called manitou and other such names by the Native tribes. Now generations have passed, and the Irish have made homes in the new land, but the Gentry still wander homeless on the city streets. Gathering in the city shadows, they bide their time and dream of power.

Sparkling with magical realism, this book follows nine seemingly separate stories that dovetail in an unexpected and profound climax. It begins with a mysterious pow-wow to be held inside a colossal tipi, 3.5 miles tall and three miles wide, which suddenly appears on the outskirts of a small town. Advertising fliers blanket the area and all of Indian country, billing itself as "The Pow-Wow of all Pow-Wows." There is a stipulation to the pow-wow though: only full-blooded Native Americans are allowed to dance, drum, or attend the grand event.

It is impossible to be unaware of the effect of development, invariably at the hands of outsiders, upon the lands, inhabitants and very nature of faraway climes. Hunter School shows us first-hand the immediate and long-reaching effects of such changes upon an indigenous people. The fabric of the community is changed, its balance and its self-sufficiency undermined, and confusion reigns. A common theme running throughout this charming but important book is that of a young man learning about himself and his heritage from the past, elders, ancestors, and nature itself.

Solitario Cisneros thought his life was over long ago. He lost his wife, his family, even his country in the late 1870s when the Rio Grande shifted course, stranding the Mexican town of Olvido on the Texas side of the border. He’d made his brooding peace with retiring his gun and badge, hiding out on his ranch, and communing with horses and ghosts.

Strange lights are spotted over the high desert of northern New Mexico. Unmarked helicopters fly to and from Archuleta Mesa on the Apache Reservation. A ranch foreman is found dead. And, after nearly a decade, livestock are being killed and mutilated, again. Deputy Cliff Lansing is running for his first term as sheriff. In the midst of his campaign, the one-time rancher has to deal with divorce, the loss of a friend, and the gaggle of UFO enthusiasts who have descended on San Phillipe County.

In this spare novelette, acclaimed flash-fiction writers James Claffey and Tara Lynn Masih collaboratively create an original tale of loss and love, as The Bitter Kind deftly alternates between Stela, the daughter of a ship’s captain, burdened by her family secrets, and Brandy, a Chippewa orphan, haunted by ghost wolves and spirits. The authors cross genres and borders between historical and contemporary, speculative and realistic, presenting two unforgettable characters on a journey toward their inevitable, fateful destination.