Résultats Éditeur "Naxos AudioBooks" dans Biographies et mémoires

Bach ist ein Zentralgestirn der Musikgeschichte. Manche verehren ihn gar als den "Lieben Gott der Musik". Aber auch der Schöpfer der Matthäus-Passion war ein Mensch wie jeder andere, und sein Leben verlief nicht immer harmonisch. Die neue Hörbiografie erzählt seine ganze Geschichte.

Franz Schubert was regarded chiefly as a composer of domestic music, and during his all-too-brief life managed to publish only a quarter of his works. Without patronage and without ever becoming well known or a virtuoso, how did Schubert manage to achieve unprecedented expressivity in song composition, or to create his chamber, symphonic and piano masterpieces? And how did he reconcile the warring elements of his tempestuous personality?

Albert Maltz’s novel captures the racial tension of America and the failure of the American dream. As time ticks along with indifference, the inmates of Washington’s District Jail now spend their lives numbed by a daily routine behind bars, shut out of society. Each prisoner has a story: some are charged with assault, murder and manslaughter, others with forgery, robbery and larceny; others still were simply born to certain parents at a certain time in a certain country.

The Great Gate of Kiev resounds to the tumultuous bell rings that end Pictures an an Exhibition, one of the most magnificent and virtuosic of all piano pieces. However, to some of his contemporaries, Modest Mussorgsky was ‘insane’ and ‘a perfect idiot’. Born into a wealthy land-owning family, what drove this tormented man and why did he suffer psychological breakdowns and alcoholism? How did he achieve his command of the realist idiom in his stage works? d, of course, Pictures at an Exhibition.

Begun in 1797, when William was at the height of his poetic powers, The Grasmere and Alfoxden Journals provide invaluable insight into the daily lives of Dorothy and William Wordsworth, William’s friendship with Samuel Taylor Coleridge and the incidents that inspired some of his greatest poems. Richly immersive and intimately domestic, the Journals transport the listener to life in the Lake District 200 years ago as Dorothy describes the Lake District countryside, her garden and neighbours, keeping house, going on walks, and the people she meets along the way

Nicolas Nabokov, a Russian-born composer and cultural diplomat, befriended many of the 20th century’s greatest musicians and artists. With delightful anecdotes and personal reflections, his memoir is a truly unique historical document that enriches our understanding of the Cold War’s impact on culture.

In 1892, Gertrude Bell visited Persia (now Iran) shortly after the appointment of her uncle, Sir Frank Lascelles, as British minister in Tehran. Three years later came Persian Pictures, Gertrude Bell’s first written work, which presents a series of vivid sketches of Persian culture and society at the time. Bell explores various cities and landscapes, and encounters local characters along the way, providing a unique perspective on Persian life and customs.

Handel’s Music for the Royal Fireworks and Water Music, two of his greatest orchestral achievements, have become synonymous with mid-18th-century England and with the pomp, ceremony and tradition of British royalty. But is this music necessarily synonymous with Handel? Where did his eclecticism and experimentalism come from? How and why did he conquer the emerging genre of the English oratorio and what were the circumstances that allowed him to become one of opera’s greatest composers?

The Bayreuth Festspielhaus stands today as a testament to Richard Wagner’s ambition and self-importance—a theatre designed and built solely for the performances of his immersive ‘music dramas’. From the influence of Beethoven to the transcendental properties of his greatest music, Wagner’s work became a cornerstone of European musical culture, but what kind of journey took him towards this remarkable achievement?

The unresolved and ambiguous details of Robert Schumann’s psychological decline and death have tended to dominate his biography. Yet in his time Schumann was lauded as a protean Romantic literary genius whose writings, as a music critic, poet, novelist and dramatist, eclipsed his musical creativity. How did Schumann reconcile these elements? Does his music suggest he suffered from bipolar disorder? How did his pianist wife, Clara, influence his compositions?