Résultats Éditeur "Penguin Audio" dans LGBTQ2S+

In January 1959, Art Copleston was escorted out of his college accounting class by three police officers. In a motel room, blinds drawn, he sat in front of a state senator and the legal counsel for the Florida Legislative Investigation Committee, nicknamed the “Johns Committee.” His crime? Being a suspected homosexual. And the government of Florida would use any tactic at their disposal—legal or not—to get Copleston to admit it.

We talk about achieving 'LGBTQ+ equality', but around the world, LGBTQ+ people are still suffering discrimination and extreme violence. How do we solve this urgent problem, allowing queer people everywhere the opportunity to thrive? In We Can Do Better Than This, 35 voices explore this question. Through deeply moving stories and provocative new arguments on safety and visibility, dating and gender, care and community, they map new global frontiers in the fight for LGBTQ+ rights.

At fifteen years old, Daphne Scholinski was committed to a mental institution and awarded the dubious diagnosis of Gender Identity Disorder. For three years and more than a million dollars of insurance, the problem was “treated”—with makeup lessons and instructions in how to walk like a girl. With a new epilogue by Scholinski, whose name is now Dylan and who identifies as nonbinary, this revised edition of The Last Time I Wore a Dress looks back at those experiences and their life since.

These piercing, surprising poems look to familial history, rituals of faith, and the natural world to explore how the intersecting cultures of Blackness and queerness relate to each other. As the collection evolves, the listener is challenged and empowered to seek expansiveness in spaces that have not previously been excavated, reckon with the complexities of interpersonal relationships, and explore memory as a catalyst for self-determination.

Amanda Dean would say she's an okay artist and a loyal friend, but what she’s best at is falling in love. A self-proclaimed bi disaster who has had her heart broken more times than she cares to count, Amanda can’t help opening herself up. As she gets ready on the day she's waited a lifetime for, memories of her past loves run through her mind, with one glaring red sign blinking above them—is this “the one”?

Ellen is tired of being overshadowed at work. Tired of watching less competent, entitled suits take the promotions she’s earned. But when one of them pushes her too far, things take a murderous turn. And it turns out the darker Ellen goes, the shinier her future starts to look. Business can be murder, but it turns out murder can also be good business for Ellen.

When Emmett de Monterey is eighteen months old, a doctor diagnoses him with cerebral palsy. Words too big for his 25-year-old artist parents and their happy, smiling baby. Growing up in South East London in the 1980s, Emmett is spat at on the street and prayed over at church. At his school for disabled children, he's told he will be expelled if the rumours are true, if he's gay; at his mainstream school, teachers refuse to schedule his classes on the ground floor, and he loses a stone from the effort of getting up the stairs.

Up-and-coming stage actress Margaret Shoard has just taken a bow as Lady Macbeth, the role she has always believed was destined for her. At home, she plays wife to her best friend Wesley, even if she doesn’t hold his sole attention romantically. After a public breakdown threatens all she holds dear, Margaret’s doctor prescribes her uppers—just a little help to get through the days.