Résultats Éditeur "Audible Studios for Bloomsbury" dans Littérature et fiction

Matt, Daniel and Paul were childhood friends. Now in their 30s, they've lost touch and have only one thing in common: their mothers. Little do they know that, having spent a cardless Mother's Day discussing how their emotionally dysfunctional offspring should be settling down, Carol, Gillian and Helen have decided to pay their wayward sons a visit. On the same day, they turn up on their sons' doorsteps, uninvited and unannounced. Their plan is to reestablish the mother-son bond by moving in for one week. Just a week. Surely that's not a lot to ask....

Letters, postcards, notes and telegraphs from the great and the good, the notorious and the downright wicked, shine a spotlight on a range of historical events and movements providing an immediate link to the immediate and much more distant past. This audiobook includes letters from: Sir Arthur Conan Doyle, Mikhail Gorbachev, Lucien Freud, Barbara Hepworth, Nelson Mandela, Caitlin Thomas, Mary Whitehouse, Gandhi, George Washington among many others.

The building was once home to families, friends, children, couples, love, life. Now almost every flat is empty, the inhabitants forced out by developers. Only a few of the inhabitants have fought back. And they have been joined by passionate student protestor and would-be journalist Ella, who is leading a high-profile media campaign to protect those who refuse to leave. But Ella is in trouble. Because now there are more than six people in the building, but one of them is lying in a lift shaft with a broken neck....

A fresh and fascinating reappraisal of the first half of the 20th century from one of our foremost historians. 'War, comrades,' declared Trotsky, 'is a great locomotive of history.' He was thought to be acknowledging the opportunity the First World War had offered the Bolsheviks to seize power in Russia in 1917. Peter Clarke explores the crucial ways in which war can be seen as a prime mover of history in the 20th century through the eyes of five major figures.

Adaptation is everything. Inge Lohmark is well aware of that; after all, she's been teaching biology for more than 30 years. But nothing will change the fact that her school is going to be closed in four years: in this dwindling town in the eastern German countryside, there are fewer and fewer children. Inge's husband, who was a cattle inseminator before the reunification, is now breeding ostriches. Their daughter, Claudia, emigrated to the U.S. years ago and has no intention of having children. Everyone is resisting the course of nature that Inge teaches every day in class.

Keith Corcoran has spent his entire life preparing to be an astronaut. At the moment of his greatness, finally aboard the International Space Station, hundreds of miles above the Earth’s swirling blue surface, he receives word that his 16-year-old daughter has died in a car accident, and that his wife has left him. Returning to Earth, and to his now empty suburban home, he is alone with the ghosts, the memories, and feelings he can barely acknowledge, let alone process.

Michael Chabon once said, “I scan the tables of contents of magazines, looking for Antonya Nelson's name, hoping that she has decided to bless us again.” And now she has blessed us again, with a bounty of the stories for which she is so beloved. Her stories are clear-eyed, hard-edged, beautifully formed. And in Funny Once, their flawed humanity is made beautiful, perfectly observed by one of America’s best short story writers.

The Truth About Death, the title novella of this virtuosic collection, is a masterpiece of sardonic humor that confronts Death head-on and emerges bloody but unbowed. Simon, an undertaker, embalms his own father and faces his own death. Louisa, Simon's mother, makes peace with her husband over his dead body in a cooler in the basement of the funeral home. Simon contemplates the mystery of death over a plate of spaghetti cacio e pepe in Rome with an Italian undertaker.

Meet Karl Floor: friendless, motherless, put-upon, living with his loudmouth stepfather and pretending to take satisfaction from teaching high school math. Karl returns home one day to discover his apartment being robbed by a beautiful woman named Sylvia. So begins a strange and mostly inadvertant saga: Karl, now in love with this unexpected woman, finds himself introduced to her friends and family, making promises to her, defending her honor (which she definitely has) against assailants (which she only might have).

Key West, 2016. Sea levels are rising, coral reefs are dying. In short, everything is going to hell. It's here that two young filmmakers find something to believe in: an old sailor who calls himself Daniel Defoe and claims to be 560 years old. In fact, old Dan is in the prime of his life - an incredible, perhaps eternal American life. The story unfolds over the course of a millennium, picking up in the 16th century in the Viceroyalty of New Granada and continuing into the 26th. Some things remain constant throughout the centuries, and being on the edge of ruin may be one.

It is December; Christmas is approaching and the magic of one of Europe’s most beautiful cities beckons. A father looks for himself in the past, struggling to deal with a recent divorce, his teenage son in tow. A single, selfless mother accompanies her only daughter and friends for a weekend-long bachelorette party. And a husband treats his wife to a birthday weekend away, somehow heightening her anxieties and insecurities about age, desire, and motherhood.

On the day of Joseph Conrad's death, in 1924, the Colombian-born José Altamirano begins to write and cannot stop. Many years before, he confessed to Conrad his life's every delicious detail - from his country's heroic revolutions to his darkest solitary moments. Those intimate recollections became Nostromo, a novel that solidified Conrad’s fame and turned Altamirano’s reality into a work of fiction. Now Conrad is dead, but the slate is by no means clear. Nostromo will live on and Altamirano must write himself back into existence.

Bandy Dorner, home from Vietnam, awakes with his car mired in a canal, his cabin reduced to ashes, and his pregnant wife preparing to leave town with her lover. Within moments, a cop lies bleeding in the road. Eighteen years later, Bandy's son - a stranger bearing his name - returns to the town, where the memory of his father's crime still hangs thick. When an accident brings the family - paroled father, widowed mother, injured son - back together, the three must confront their past, and struggle against their fate.

On a searing summer Friday, Eddie Chapman has been stuck for hours in a traffic jam. There are accidents along the highway, but ambulances and police are conspicuously absent. When he decides to abandon his car and run home, he sees that the trees along the edge of a stream have been burnt, and the water in the streambed is gone. Something is very wrong. When he arrives home, the power is out, and there is no running water. The pipes everywhere, it seems, have gone dry.

Meet Charlie. People think he's crazy. But he's not. People think he's stupid. But he's not. People think he's innocent...He's the Gamal. Charlie has a story to tell, about his best friends Sinead and James and the bad things that happened. But he can't tell it yet, at least not 'til he's worked out where the beginning is. Is the beginning long ago when Sinead first spoke up for him after Charlie got in trouble at school for the millionth time? Or was it later, when Sinead and James followed the music and found each other?

Before Twilight and True Blood, even before Buffy and Anne Rice and Bela Lugosi, vampires haunted the 19th century, when brilliant writers everywhere indulged their bloodthirsty imaginations, culminating in Bram Stoker's legendary 1897 novel, Dracula. Michael Sims brings together the very best vampire stories of the Victorian era - from England, America, France, Germany, Transylvania, and even Japan - into a unique collection that highlights their cultural variety.

It is the summer of 1940, and Lisbon, Portugal, is the only neutral port left in Europe - a city filled with spies, crowned heads, and refugees of every nationality, tipping back absinthe to while away the time until their escape. Awaiting safe passage to New York on the SS Manhattan, two couples meet: Pete and Julia Winters, expatriate Americans fleeing their sedate life in Paris; and Edward and Iris Freleng, sophisticated, independently wealthy, bohemian, and beset by the social and sexual anxieties of their class.

It is 1967, and as America's allies hesitate over whether to send more troops to Vietnam, and the strains of "All You Need is Love" echo from Abbey Road, students take to the streets of Wellington, New Zealand, to protest the war. Among them are Race, Candy, Chadwick, and FitzGerald, and their elusive, electrifying friend Morgan Tawhai. They are young and hopeful, and the world is all before them. Forty years later, in Washington, DC, Race's son Toby is navigating his own path across a landscape still trembling with the reverberations of 9/11.

Charlie, a curious boy with a dangerous Dictaphone habit, eavesdrops on the eccentric guests of the Mirage Hotel as the African nation of Bwalo prepares for the annual appearance of its Glorious Leader Tafumo. Sean, an Irishman who's given his heart (and the best part of his liver) to Bwalo, struggles to write the great African novel - if only his crazed fiancée and fierce thirst would stop distracting him.

Tanya Tania is a story about two young women coming of age in two countries that are coming of age. Tanya Talati in Karachi and Tania Ghosh in Bombay, daughters of college best friends, write to each other of what cannot be said to anyone else: a mother who has gone from quiet to silent, sex that has become a weapon, a servant with unforgettably soft hands and a country beginning to play with religion.