Résultats Éditeur "Tantor Media" dans Judaïsme

Why does Israel exist? Why is it worthy of remaining a critical ally of the United States? Why have critical race theorists identified Israel and the US as the most pernicious examples of "settler colonialism"? Answers to these questions were developing during the first term of President Trump. But they were abandoned by the Biden-Harris Administration, imperiling Israel and the United States. In The Battle for the Jewish State, Victoria Coates shows how the conflict in Israel is not a regional issue to be resolved through an interminable diplomatic peace process.

Born in Germany in 1922, Colin Anson's (Claus Ascher) childhood was marked by the trials of Nazism. His father was arrested by the Gestapo in 1937 and transported to Dachau, where he died shortly after. Colin, aged just seventeen, escaped to Britain in the Kindertransport. As soon as he was old enough, Colin volunteered in the Pioneer Corps. Then, in 1942, he was recruited for the elite commando unit X-Troop. Colin took part in the invasions of Sicily and Italy in 1943, where he sustained a near-fatal injury. But just months later, he returned to duty.

Kabbalah is a tradition that is closely related to Judaism, but which has links also with Ancient Egyptian religion and currents all across the Near and Middle East. Outwardly it was studied and taught principally by Rabbis, but in fact on a more secret level its development was also taken forward by Moslem scholars, Renaissance princes, alchemists of all kind, and magicians. It found its expression in the tarot deck and in the esoteric teachings of Aleister Crowley and Dion Fortune.

In 1902, Morris and Rose Michtom invented the Teddy Bear in the back room of their Brooklyn candy store. Together they launched the Ideal Toy Corporation, joining a set of other poor, first-generation Jewish toymakers. Playmakers reveals how the toy industry created the idealized American childhood: an enchanted world, full of wild creatures and eternal struggles between good and evil, with endless realms of fantasy and beauty.

The Jews: 5,000 Years and Counting is packed with Jew-facts, Jew-figures, and the original, never-before-seen documents from those who lived through Jewish history. Hear the transcript of the Biblical Patriarchs' and Matriarchs' Group Therapy Session! Sneak a peek at Moses's Secret Diary, or check out the awkward "I'm dumping you" text chain from Spain to the Jews in 1492! Collect and trade Rabbi Action Cards!

Prior to the Holocaust, Moshe Gildenman lived a simple life as a cultural leader in his hometown of Korets, Ukraine. When the Nazis murdered 2,200 Jews in his peaceful community, including his wife and daughter, Moshe responded not with prayer and grieving but with a cry for revenge.

Throughout the history of the Western world, Jews have suffered various forms of exclusion, stigmatization, and discrimination that have forced them always to be aware of their particular situation. The Jews became a community under siege and, as Shlomo Sand argues, Judaism was shaped by the hostile gaze of Christian civilization.

History teaches that antisemitism is a disease which begins with the Jews but does not end with them. Once antisemitism is unleashed, it knows no bounds and can attack the very fabric of society. This deadly strain of hatred often turns against other minority groups too, not to mention foundational democratic values, beginning with equal rights and equal protection before the law. Therefore, antisemitism should be viewed as a universal human rights issue of importance to all, and not solely as a parochial Jewish or Israeli concern.

The violin has formed an important aspect of Jewish culture for centuries, both as a popular instrument with classical Jewish musicians—Jascha Heifetz, Yehudi Menuhin, Itzhak Perlman—and also a central factor of social life as part of the enduring Klezmer tradition. But during the Holocaust, the violin assumed extraordinary new roles within the Jewish community. For some musicians, the instrument was a liberator; for others, it was a savior that spared their lives. Music historian James A. Grymes tells the amazing, horrifying, and inspiring story of the violins of the Holocaust.

Drawing on twelve years of research in dozens of archives in Austria, Germany, Israel, and the United States, this book tells the story of five Jewish people—a merchant, a homemaker, a real estate broker, and two teenagers—who bravely resisted persecution and defended themselves in Nazi Germany.

On a snowy winter day in 1945 at age twelve, Marika Roth barely escaped her own death only to witness the execution of hundreds of Jews by the side of the Danube. Running, starved and shoeless, through the streets of Budapest, All the Pretty Shoes is the story she survived to write.

In October 1942, SS guards at the Sachsenhausen concentration camp violently disbanded a rehearsal of a secret Jewish choir led by conductor Rosebery d'Arguto. Many in the group did not live to see morning, and those who survived were deported to Auschwitz-Birkenau. Only one of its members survived the Holocaust. Yet their story survives, thanks to Aleksander Kulisiewicz. An amateur musician, he was not Jewish, but became friends with d'Arguto in Sachsenhausen. D'Arguto tasked him with a mission: to save the musical heritage of the victims of the Nazi camps.

Three young Jewish sisters from Leipzig, Germany huddle together in the cold darkness of night waiting for their smugglers to rescue them and bring them to freedom in Belgium. Their mother, in a state of shock following Kristallnacht, is left behind, sedated in a psychiatric hospital. November 1938 begins the four year ordeal of the seven member Kroch family who endure unfathomable conditions in their fight for survival: imprisonment in French internment camps, hiding in a tiny tool shed, and adapting to the deplorable conditions of a Nazi prison.

In 1945, Ditha Bruncel was living with her parents in the small town of Lossen, in Upper Silesia. Close Jewish friends had vanished, swastikas hung from every building, and neighbors were disappearing in the middle of the night. At the same time, more than fifteen hundred British and Commonwealth airmen were being marched out of Stalag Luft VII. Twenty-three of these prisoners managed to escape from the marching column—and by chance hobbled into Lossen. One among them, Warrant Officer Gordon Slowey, was the man Ditha was destined to meet and fall in love with.

Jason Sommer's father, Jay, is ninety-eight years old and losing his memory. More than seventy years after arriving in New York from WWII-torn Europe, he is forgetting the stories that defined his life, the life of his family, and the lives of millions of Jews who were affected by Nazi terror. Observing this loss, Jason vividly recalls the trip to Eastern Europe the two took together in 2001.

Poland, 1943. It was the last refuge of the desperate, a warren of sewers underneath their city. Above, as the Nazis destroyed the ghetto of the city of Lvov, a small band of Jews escaped into a grim network of tunnels, living for fourteen months with the city's waste, the sudden floods, the fumes and the damp, the rats, the darkness, and the despair.

A teenage girl, guilty only of being Jewish, is saved from the fate that awaits her family and hidden by her parents' Catholic friends—who pay the ultimate price for their bravery. So much was risked and so much lost but the legacy of their courage and trust lives on through the surviving generations. Now, at last, their story can be told . . .

Most popular accounts of the Holocaust typically cast Jewish victims as meek and ask, "Why didn't Jews resist?" But we know now that Jews did resist, staging armed uprisings in ghettos and camps throughout Nazi-occupied Europe. In Hope and Honor, Rachel L. Einwohner illustrates the dangers in attempting resistance under unimaginable conditions and shows how remarkable such resistance was. She draws on oral testimonies, published and unpublished diaries and memoirs, and other written materials produced both by survivors and those who perished.

The clock was ticking on the Nazi plan to annihilate the last group of the Hungarian Jewry. After nearly suffocating in an underground bunker, Auschwitz prisoners Ceslav Mordowicz and Arnost Rosin escaped and told Jewish leaders what they had seen. Their testimony in early June, 1944, corroborated earlier hard-to-believe reports of mass killing in Auschwitz by lethal gas and provided eyewitness accounts of record daily arrivals of Hungarian Jews meeting the same fate. It was the spark needed to stir a call for action to pressure Hungary's premier to defy Hitler.

In the dramatic years between 1870 and the end of World War II, a number of prominent French Jews-pillars of an embattled community-invested their fortunes in France's cultural artifacts, sacrificed their sons to the country's army, and were ultimately rewarded by seeing their collections plundered and their families deported to Nazi concentration camps. In this rich, evocative account, James McAuley explores the central role that art and material culture played in the assimilation and identity of French Jews in the fin-de-siecle.