Résultats Éditeur "Macmillan Audio" dans Littérature et fiction

The Baroness, an infamous exploitation film long thought destroyed by Nazi fire, is discovered fifty years later. When lonely archivist Ellen Kramer—deeply closeted and pathologically repressed—begins restoring the hedonistic movie, it unspools dark desires from deep within her. As Ellen is consumed by visions and voices, she becomes convinced the movie is real, and is happening to her—and that frame by frame, she is unleashing its occult horrors on the world. Her life quickly begins to spiral out of control.

To be a Docile is to be kept, body and soul, for the uses of the owner of your contract. To be a Docile is to forget, to disappear, to hide inside your body from the horrors of your service. To be a Docile is to sell yourself to pay your parents' debts and buy your children's future. Elisha Wilder’s family has been ruined by debt, handed down to them from previous generations. His mother never recovered from the Dociline she took during her term as a Docile, so when Elisha decides to try and erase the family’s debt himself, he swears he will never take the drug.

After a lifetime of taking care of his impossible but irresistible sister and his cherished niece, Tom is ready to put himself first. An architect specializing in tiny houses, he finally has an opportunity to build his masterpiece—“his last shot at leaving a footprint on the dying planet.” Assuming, that is, he can stick to his resolution to keep the demands of his needy family at bay. Naturally, that’s when his phone rings.

Follow professional fairy-tale fixer Zinnia Gray as she helps women get the endings they deserve! First, Sleeping Beauty in A Spindle Splintered, fractured and reimagined. And then, Snow White's Evil Queen in A Mirror Mended!

The Kingdom of Sand features a nameless narrator who has survived the death of his friends to AIDS and the loss of his parents to old age and tragedy. Now he must witness the slow demise of a friend just a shade older than he is. Semi-anonymous sexual encounters, gallows humor, and classic films are his tools for staving off the dying of the light. In prose that’s in turn mordantly funny and hauntingly elegiac, Andrew Holleran takes the listener from a video porn shop off Route 301 to the memory of parties in Washington, DC.

Private Detective Evander “Andy” Mills has been drawn back to the Lavender House estate for a missing person case. Pat, the family butler, has been volunteering for a book service, one that specializes in mailing queer books to a carefully guarded list of subscribers. With bookseller Howard Salzberger gone suspiciously missing along with his address book, everyone on that list, including some of Andy's closest friends, is now in danger.

Shagun knows he will never be the kind of son his father demands. After the sudden deaths of his beloved twin sisters, Shagun flees his own guilt, his mother’s grief, and his father’s violent disapproval by enrolling at an all-boys boarding school. But he doesn’t find true belonging until he encounters a traveling theater troupe performing the Hindu myths of his childhood. Welcomed by the other storytellers, Shagun thrives, easily embodying mortals and gods, men and women, and living on the road, where his father can’t catch him.

It is 1953 and Pearlie, a dutiful young housewife, finds herself living in the Sunset District in San Francisco, caring not only for her husband's fragile health but also for her son, who is afflicted with polio. Then, one Saturday morning, a stranger appears on her doorstep, and everything changes. All the certainties by which Pearlie has lived and tried to protect her family are thrown into doubt. Does she know her husband at all? And what does the stranger want in return for his offer of a hundred thousand dollars?

In the near future water falls from the sky whenever someone lies (either a mist or a torrential flood depending on the intensity of the lie). This makes life difficult for Matt as he maneuvers the marriage question with his lover and how best to "come out" to his traditional Chinese parents.

A fiercely original debut from Leigh N. Gallagher, Who You Might Be takes listeners from 1990s Southern California to a UFOlogist holdout in Nevada, the graffiti playground of Detroit, and a self-important New York art scene in an unflinching examination of how life’s most unexpected turns—and the people we meet along the way—shape who we become.

At age sixteen, Fahad hopes to spend the summer with his mother in London. His father, Rafik, has other plans: hauling his son to Abad, the family’s feudal estate in upcountry, Pakistan. Rafik wants to toughen up his sensitive boy, to teach him about power, duty, family—to make him a man. He enlists Ali, a local teenager, in this project, hoping his presence will prove instructive.

In her stunning debut, written in protest to an absence of representation, Marsh recalls her early life and the attendant torments of a butch Black woman coming of age in America. In lush, powerful, and vulnerable verses, dayliGht unpacks traumas to unearth truths, revealing a deep well of resilience, a cutting sense of irony, and an astonishing fresh talent.

Carl Phillips' new poetry collection, Pale Colors in a Tall Field, is a meditation on the intimacies of thought and body as forms of resistance. The poems are both timeless and timely, asking how we can ever truly know ourselves in the face of our own remembering and inevitable forgetting. Here, the poems metaphorically argue that memory is made up of various colors, with those most prominent moments in a life seeming more vivid, though the paler colors are never truly forgotten.

Conrad Aybinder is a boy with a secret; 16 and ready for anything. A chemistry genius, he has spent the summer on an independent-study project with his favorite teacher, Sammy Tampari. Sammy is also Conrad’s first love. But the first day of senior year, the students are informed that Mr. Tampari is dead. Rumors suggest an overdose. How can it be? Drugs are for unhappy people, Conrad is sure, not for people who have fallen in love.

Unsinkable and wrecked by grief, motherless and aimless and looking for connection, Helen Dedleder is a girl with a gift she doesn't want to use and a pack of friends who are all just helping each other get by. So cut off from the rest of the world that even the internet is blocked (never mind traffic in and out), Rosary, California, is run by evangelicals but was named by Catholics. It’s a town on very formal relations with its neighbors, one that boasts an oil refinery as well as a fairly sizable population of teenagers.

At age 33, Penelope “Pepper” Bradford has no career, no passion, and no children. Her intrusive parents still treat her like a child. Moving into the Chelmsford Arms with her fiancé Rick, an up-and-coming financier, and joining the co-op board give her some control over her life - until her parents take a gut dislike to Rick and urge Pepper to call off the wedding. When, the week before the wedding, she glimpses a trail of desperate text messages from Rick’s obsessed female client, Pepper realizes that her parents might be right.

In Tokyo, the son works as an English tutor, drinking his nights away with friends at a gay bar. He’s entangled in a sexual relationship with a married man, and while he has built a chosen family in Japan, he is estranged from his family in Houston, particularly his mother, whose preference for the son’s oft-troubled homophobic brother, Chris, pushed him to leave home. Then, in the weeks leading up to Christmas, ten years since they’ve last seen each other, the mother arrives uninvited on his doorstep.

Singapore, 1972: Newly independent and grappling for power in a fast-modernizing world. Here, gangsters in Chinese secret societies are the last conduits of their ancestors' migrant gods, and the back alleys where they fight are the last place magic has not been assimilated and legislated away.

Carl Phillips has aptly described his work as an “ongoing quest”; Then the War is the next step in that meaningful process of self-discovery for both the poet and his listener. The new poems, written in a time of rising racial conflict in the United States, with its attendant violence and uncertainty, find Phillips entering deeper into the landscape he has made his own: a forest of intimacy, queerness, and moral inquiry, where the farther we go, the more difficult it is to remember why or where we started.