Résultats Éditeur "Random House Audio" dans Littérature et fiction

Chauncey Greer is the owner of Cute Boy Card Company, a thriving company in Atlanta. As a teenager, he was a member of a popular boy band, but left in disgrace when word got out that he and his band mate D were more than good friends. Chauncey is a free spirit, on the brink of 40 with a body admired by both men and women. Not into being categorized, Chauncey's been known to hook up with men and women, but he's found that women ask too many questions, so he's just focusing on the fellas.

When the revered children's book author Mort Lear dies accidentally at his Connecticut home, he leaves his property and all its contents to his trusted assistant, Tomasina Daulair, who is moved by his generosity but dismayed by the complicated and defiant directives in his will. Tommy knew Morty for more than four decades, since meeting him in a Manhattan playground when she was 12 and he was working on sketches for the book that would make him a star.

Jonah Mixon-Webster works at the intersections of space and the body, race and region, sexuality and class. Stereo(TYPE), his debut collection of poetry, is a reckoning and a force, a revision of our most sacred mythologies, and a work of documentary reporting from Mixon-Webster’s hometown of Flint, Michigan, where clean tap water remains an uncertainty and the aftermath of racist policies persist.

Der dritte Band der großen Green Creek-Saga. Nach dem Tod seiner Mutter zog Werwolf Robbie Fontaine von Rudel zu Rudel. Doch nirgends fand er das Zuhause, das er sich so sehr wünschte; stets war er kurz davor, die Kontrolle über seinen Wolf zu verlieren. Im Rudel von Alpha-Wölfin Michelle Hughes fühlt er sich endlich angekommen und genießt als ihr Stellvertreter hohes Ansehen. Als in Maine Gerüchte über ein abtrünniges Rudel und den Einsatz wilder Magie laut werden, beauftragt Michelle Robbie, die Verräter zur Strecke zu bringen.

Der vierte Band der großen Green Creek-Saga. Um sich auf die Suche nach dem Mann zu machen, der ein großes Loch in seinem Herzen hinterlassen hat, verlässt Werwolf Carter Bennett die Geborgenheit seines Rudels. Doch die Einsamkeit setzt Carter stärker zu, als er jemals gedacht hätte, und mehr als einmal ist er kurz davor, den Verstand zu verlieren. Je näher er seinem Ziel Gavin Livingstone kommt, desto tiefer dringt er in die geheimnisvolle Geschichte seines Rudels vor. Eine Geschichte, die eng mit der der Familie Livingstone verbunden ist.

In the thick of winter 2020, when so many books were buried beneath the catastrophe of the COVID-19 news cycle, one unlikely debut seemed to cut through the noise. Jamie Hood’s How to Be a Good Girl was an inventive and hybrid work of self-making, mingling diary entries, poetry, literary criticism, and love letters to interrogate the archetype of the “good girl,” and the ideas of femininity, passivity, desire, and trauma that come with it.

Ein queerer Urban Fantasy Roman. Vampire sind Monster. Dessen wird sich der 2000 Jahre alte Boris erneut bewusst, als er für die Ausbildung zum Kriminalbeamten gezwungen wird, wieder frisches Blut zu trinken. Ambrosia hat ihn für viele Jahrzehnte menschlich gemacht, ihm ermöglicht zu atmen – aber Menschlichkeit hilft ihm im Kampf gegen Untote, Werwesen und Dämonen nicht weiter. Es ist vor allem seine eigene Art, gegen die es zu kämpfen gilt. Ein Vampirclan verbreitet Angst und Terror in der Stadt.

With searing intelligence and great sensitivity, the poems of Kelly Caldwell—many addressed to Cass Donish, her partner in the years before her suicide at thirty-one, swim through a complex matrix of transformations: mental illness, divorce, gender transition, and self-discovery. But they wrestle, too, with the poet’s painful relationships with her family of Christian missionaries, who refused to affirm her identity.

In Your Dazzling Death, Cass Donish courageously summons the poems to witness their own state of “obliteration,” widowed by suicide and isolated as a global pandemic is unfolding. Elegizing their partner, the poet Kelly Caldwell, they insist that the intimate, ongoing conversation with a beloved mysteriously continues after loss.

In m. mick powell’s polyphonic, haunting debut, a chorus of voices conjures up intimate pop herstories to map how the poet’s queer Black girlhood was molded by their memory. With tender reverence, powell meditates on the deaths of her own beloveds while reflecting on the many stages of an icon’s life: How did these women challenge conventional representations of Black femininity and transform the musical landscape? How did they navigate abuse and alienation in the limelight? How do the mythologies that survive them establish afterlives of queer femme possibility?

While god is sending her signs through Instagram and Spotify demanding she break up with her girlfriend, Norma meets with a new therapist for one reason: she really needs to write again. With only one chapter missing in her manuscript, Norma is desperate to know if she needs to leave her girlfriend in order to write The Last Story. The new therapist diagnoses Norma with Depersonalization/Derealization Disorder, but Norma isn’t having it. It’s just Oblivion.

Alex Dimitrov embraces a life on the edge in New York and the finely wrought poetry that can come out of it as he explores sex, drugs, parties, pleasure, and God in the 2020s, and looks back to a coming-of-age in the 1990s that still informs who his generation is and will be. His unabashed and drivingly musical poems are a call against repression, a rebuke of cultural norms and shame, and a celebration of human authenticity—even if to live under such philosophies is dangerous.

It's 1975 in Austin, and the Rush Creek Saloon, five miles west of town, is a bar without a crowd. But when a strange new house band takes the stage, the hippies roll in and the good ole boys find their way back. Told in a trio of voices—a guitarist chasing what may be his last shot at success; a bar owner trying to see a future in her lifeless marriage; and a young kid from East Texas desperate for kinship, or at least something to take the damn edge off—Walk Softly on This Heart of Mine delivers a riotous love song to an enigmatic city.