Résultats Éditeur "Blackstone Publishing" dans Littérature et fiction

Brought to her uncle’s decaying Oxfordshire estate when she was a child, Grace has grown up on the periphery of a once-great household, an outsider in her own home. Now a self-possessed and secretive young woman, she has developed unusual predilections: for painting, particularly forgery; for deception; for other girls.

Adam Binder has lost what matters most to him. Having finally learned the true identity of the warlock preying on his family, what was supposed to be a final confrontation with the fiend instead became a trap that sent Adam’s beloved Vicente into the realm of the dead, where none living are meant to be. Bound by debt, oath, and love, Adam blazes his own trail into the underworld to get Vicente back, and to end the threat of the warlock once and for all. But the road to hell is paved with far more than good intentions.

Keera is a killer. As the King’s Blade, she is the most talented spy in the kingdom. And the king’s favored assassin. When a mysterious figure moves against the Crown, Keera is called upon to hunt down the so-called Shadow. She tracks her target into the magical lands of the Fae, but Faeland is not what it seems—and neither is the Shadow. Keera is shocked by what she learns and can’t help but wonder who her enemy truly is: the King that destroyed her people or the Shadow that threatens the peace.

From one of Britain's most celebrated writers of color, Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of black British women. Winner of the 2019 Booker Prize and short-listed for the Gordon Burn Prize, Girl, Woman, Other paints a vivid portrait of the state of post-Brexit Britain, as well as looking back to the legacy of Britain's colonial history in Africa and the Caribbean.

Part manifesto, part memoir, This Wound Is a World is an invitation to “cut a hole in the sky / to world inside”. Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder their sadness and pain without giving up on the future. His poems upset genre and play with form, scavenging for a decolonial kind of heaven where “everyone is at least a little gay”.

Find the second star from the right, and fly straight on ’til morning, all the way to Neverland, a children’s paradise with no rules, no adults, only endless adventure and enchanted forests—all led by the charismatic boy who will never grow old. But Wendy Darling grew up. She has a husband and a young daughter called Jane, and a life in London. But one night, after all these years, Peter Pan returns. Wendy finds him outside her daughter’s window, looking to claim a new mother for his Lost Boys. But instead of Wendy, he takes Jane.

Horror movies hold a complicated space in the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. It Came from the Closet features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer’s Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.

When Phoebe, goddess of the moon, is killed by the knights of the sun god, Hyperion, all who follow her are branded heretics. With Phoebe gone, the souls of the dead are no longer ferried to the underworld, and instead linger on as shades who feast on the blood of the living. Raef is a child of the night. He lives in the shadows, on scraps, eking out a meager existence as a thief. But when an ornate box is sequestered in the Temple of Hyperion, the chance of a big score proves too great to resist. What he finds within propels him on an odyssey across the sea and back again.

Two young women attending college decide to have a summer adventure canoeing the rapids-strewn Thelon River that runs 450 miles through the uninhabited Barren Lands of subarctic Canada. Holly made the trip once before with a group of skilled paddlers she trained with at camp, and she wants to share that experience with her friend and lover, Lee, believing it will draw them closer. But a week in, Holly, the risk-taker, falls while taking a selfie near the edge of a cliff. She is left injured and comatose, and soon dies.

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

In bawdy, moving prose, Rita Mae Brown tells the story of Molly Bolt, the adoptive daughter of a dirt-poor Southern couple who boldly forges her own path in America. With her startling beauty and crackling wit, Molly finds that women are drawn to her wherever she goes - and she refuses to apologize for loving them back.

Sarah never admits that she’s his mother, but the beautiful boy has watched her survive as a “lot lizard”: a prostitute working the West Virginia truck stops. Desperate to win her love, he decides to surpass her as the best and most famous lot lizard ever.

In Nebula Award-winning author Sam J. Miller’s devastating debut short-fiction collection—featuring an introduction by Amal El-Mohtar—queer infatuation, inevitable heartbreak, and brutal revenge seamlessly intertwine. Whether innocent, guilty, or not even human, the boys, beasts, and men roaming through Miller’s gorgeously crafted worlds can destroy listeners, yet leave them wanting more.

In a United States not so unlike our own, the Department of Balance has adopted a radical new form of law enforcement: rather than incarceration, wrongdoers are given a second (and sometimes, third, fourth, and fifth) shadow as a reminder of their crime—and a warning to those they encounter. Within the Department, corruption and prejudice run rampant, giving rise to an underclass of so-called Shadesters who are disenfranchised, publicly shamed, and deprived of civil rights protections.

Pinkerton agent Ed Morrow is going undercover to infiltrate the gang, armed with a shotgun and a device that measures sorcerous energy. His job is to gain knowledge of Rook’s power and unlock its secrets. But there is someone else who has Rook in her sights: the Lady of Traps and Snares, a bloodthirsty Mayan goddess who will stop at nothing to satisfy her own desires. Caught between the good, the bad, and the unholy, Morrow will have to ride out a storm of magical mayhem to survive.

Ivory’s life changes irrevocably when she discovers the body of Cabrina Brite on the sands of Cape Morning, along with a mysterious poem. How did she die, and why does it seem she was trying to swim to Ghost Cat Island, the center of so many local mysteries? Desperate to uncover the answers surrounding Cabrina’s death, and haunted by her discovery, Ivory begins to see the pale ghost of Cabrina, only to shake it off as a mere hallucination. But Ivory is not alone.

In his Locus review of Two Worlds and in Between - the first volume of The Best of Caitlín R. Kiernan - Gary K. Wolfe wrote, “...it makes you wish the second volume were here now.” Well, the long wait is over. This second volume completes this ambitious undertaking, collecting the finest of Kiernan’s stories from 2004 to 2012, selected by the author herself. The book includes 25 short stories and one poem, plus the short novel Black Helicopters - more than 200,000 words of fiction, including the World Fantasy Award-winning “The Prayer of 90 Cats”.

Isaac Frost is an assassin. Raised in the Graveyard of the cruel and mysterious Undertaker, he has mastered the deadly art of the knife and the skill of survival, together with scores of others just like him—young men taken from their families to become the most infamous killers throughout the realms of elves and humans. But Isaac is unique: a single drop of another’s blood can confer upon him the knowledge and power of friend and foe alike.

High near the volcano of northern Tenerife, an endless ceiling of cloud cover traps the working class in an abject, oppressive heat. Far away from the island’s posh resorts, two girls dream of hitching a ride down to the beach and escaping their horizonless town.

The Stories of John Cheever, published in 1978, brought together some of the finest short fiction ever written. The collection was honored with the Pulitzer Prize and the National Book Award, and it would go on to sell millions of copies and to define the American short story and shape generations of writers. Cheever’s chronicles of modern life both emerged from a distinctly American culture and also created it—inspiring everything from Mad Men to a Raymond Carver story, from rock songs to a Seinfeld episode.