Titres dans Biographies et mémoires

Following in the footsteps of such category killers as Milk and Honey and Whiskey Words & a Shovel I, Fariha Róisín's poetry book is a collection of her thoughts as a young, queer, Muslim femme navigating the difficulties of her intersectionality. Simultaneously, this compilation unpacks the contentious relationship that exists between Róisín and her mother, her platonic and romantic heartbreaks, and the cognitive dissonance felt as a result of being so divided among her broad spectrum of identities.

Born in New York City’s Black ghetto Harlem at the start of World War II, Samuel R. Delany married White poet Marilyn Hacker right out of high school. The interracial couple moved into the city’s new bohemian quarter, the Lower East Side, in 1961. Through the decade’s opening years, new art, new sexual practices, new music, and new political awareness burgeoned. Beautifully, vividly, insightfully, Delany calls up this era of exploration and adventure as he details his development as a Black gay writer in an open marriage, with walk-ons by Bob Dylan, Stokely Carmichael, and more.

Dan Mathews knew that his witty, bawdy 78-year-old mother, Perry, was unable to maintain her fierce independence - so he flew her across the country to Virginia to live with him in an 1870 townhouse badly in need of repairs. But to Dan, a screwdriver is a cocktail not a tool, and he was soon overwhelmed with two fixer-uppers: the house and his mother.

I Don’t Want to Die Poor is an unforgettable and relatable examination about what it’s like leading a life that often feels out of your control. But in Michael’s voice that’s “as joyful as he is shrewd” (BuzzFeed), these razor-sharp essays will still manage to make you laugh and remind you that you’re not alone in this often intimidating journey.

Ryan never envisioned just how far his football career would take him. But bubbling under the surface of his entire NFL career was a collision course between his secret sexuality and his hidden drug use. As injuries mounted and his daily intake of opioids reached a near-lethal level, he wrote his suicide note to his parents and plotted his death. Yet, someone had been watching. A member of the Chiefs organization stepped in, recognizing the signs of drug addiction. Ryan reluctantly sought psychological help, and it was there that he revealed his lifelong secret for the very first time.

Atticus Blake is an unsuspecting young gay boy who, early on in life, was derailed from the true admission of who he was. Having the influences of obsessive-compulsive disorder, religion, confusion, love, and obsession, he hides who he is from everyone he loves. That is, until his doubts overcame his fear of learning and led him to reason, rationality, and, most of all, acceptance of his sexuality.

André Gide, a towering figure in French letters, draws upon his friendship with Oscar Wilde to sketch a compelling portrait of the tragic, doomed author, both celebrated and shunned in his time. Rather than compile a complete biography, Gide invites us to discover Wilde as he did - from their first meeting in 1891 to their final parting just two years before Wilde’s death - all told through Gide’s sensitive, incomparable prose. Using his notes, recollections, and conversations, Gide illuminates Wilde as a man whose true art was not writing, but living.

Michael Koresky's most formative memories were simple ones. A movie rental. A mug of tea. And a few shared hours with his mother. Years later and now a successful film critic, Koresky set out on a journey with his mother to discover more about their shared cinematic past. They rewatched ten films that she first introduced to him as a child, one from every year of the '80s, each featuring women leads.

Beginning the day the Supreme Court ruled her marriage legal, Angela Yarber's queer little family traversed the American landscape for two years in a camper named Freya, following in the footsteps of revolutionary women from history and myth. Amid her wanderings, this queer clergywoman grapples with the loss of faith, addiction, death, parenting, and what it means to reimagine the so-called dream promised to so many. With unapologetic grief, humor, and radical imagination, she creates a new dream, not just for herself, but for all marginalized people living in America.

Owning It, produced especially for Pride Month in collaboration with the historic live event and podcast Don’t Tell My Mother!, brings Audible Members a collection of uplifting, raw, and hilarious stories from queer actors, comedians, and personalities. Cohosted by beloved actress and activist Alexandra Billings and storytelling maven Nikki Levy, Owning It is a joyous celebration of LGBTQIA+ stories and icons.

From bullying, to illness, attempted suicide, becoming a victim of sex trafficking, death threats by the thousands, revolution and never being able to return to a country he once called home, Omar Sharif Jr. has overcome more challenges than one might imagine. Drawing on the lessons he learned from both sides of his family, A Tale of Two Omars charts the course of an iconoclastic life, revealing in the process the struggles and successes that attend a public journey of self-acceptance and a life dedicated in service to others.

A riotous collection of "witty and captivating" (Bitch Magazine) essays by a gay Filipino immigrant in America learning that everything is about sex - and sex is about power.

Brian Belovitch has the rare distinction of coming out three times: first as a queer teenager; second as a glamorous transgender woman named Tish, and later, Natalia Gervais; and finally as an HIV-positive gay man surviving the AIDS crisis in the 1980s. From growing up in a barely-working-class first-generation immigrant family in Fall River, Massachusetts, to spinning across the disco dance floor of Studio 54 in New York City, Brian escaped many near-death experiences. Trans Figured chronicles a life lived on the edge with an unforgettable cast of characters.

Craig was the last person anyone would have expected to open an American diner in Paris. He came from humble beginnings in a working-class town in Connecticut, had never worked in a restaurant, and didn't know anything about starting a brand-new business. But from his first visit to Paris, Craig knew he had found the city of his dreams. Pancakes in Paris is the story of Craig tackling the impossible - from raising the money to fund his dream to tracking down international suppliers for "exotic" American ingredients, and even finding love along the way.

One of nineteen children in a blended family, Hari Ziyad was raised by a Hindu Hare Kṛṣṇa mother and a Muslim father. Through reframing their own coming-of-age story, Ziyad takes listeners on a powerful journey of growing up queer and Black in Cleveland, Ohio, and of navigating the equally complex path toward finding their true self in New York City. Exploring childhood, gender, race, and the trust that is built, broken, and repaired through generations, Ziyad investigates what it means to live beyond the limited narratives Black children are given....

Michigan. To tens of thousands of womyn from around the globe, the word meant not a state in the upper Midwest of the U.S., but a state of mind, a state of freedom. A culture, a community, a revolution. The Land. From 1976 to 2015, the Michigan Womyn's Music Festival was home ground for the lesbian feminist movement. There we strove to embody the principles of matriarchal feminism and bring that wisdom to life in every aspect of the town we created, and the values that guided our lives together.

Love. Justice. A Landmark Court Battle. The Fair Way is the gripping true story of Birgit Koebke and Kendall French—two women who refused to be sidelined by discrimination. When their country club denied Kendall the same rights given to other spouses, they didn’t walk away quietly. They fought back. What began as a simple plea for fairness became a decade-long legal struggle that would reach the California Supreme Court and change civil rights law forever. More than a memoir, The Fair Way is a story of love, resilience, and the power of standing up—no matter the odds.

A groundbreaking look at the history of transgender representation in TV and film, by an of-the-moment and in-demand culture reporter. Narrated by Tre'vell Anderson, WE SEE EACH OTHER is a personal history of trans visibility since the beginning of moving images. A literary reckoning, it unearths a transcestry that's long existed in plain sight and in the shadows of history's annals, and further contextualizes our present moment of increased representation.

Growing up as a fat kid is hard. Growing up as a fat and gay kid in a religious community is extra hard. William J. Ufton recalls his early childhood navigating trauma, mental health issues, and issues surrounding food.

Richard Blanco's childhood and adolescence were experienced between two imaginary worlds: his parents' nostalgic world of 1950s Cuba and his imagined America, the country he saw on reruns of The Brady Bunch and Leave it to Beaver—an "exotic" life he yearned for as much as he yearned to see "la patria." A prismatic and lyrical narrative rich with the colors, sounds, smells, and textures of Miami, Richard Blanco's personal narrative is a resonant account of how he discovered his authentic self and ultimately, a deeper understanding of what it means to be American.