Résultats Éditeur "Recorded Books" dans Biographies et mémoires

It’s easy to be yourself when who and what you are is in vogue. But growing up Black and gay in America has never been easy. Before Billy Porter was slaying red carpets and giving an iconic performance in the celebrated TV show Pose; before he was the Tony Award-winning star of Broadway’s Kinky Boots; and before he was an acclaimed recording artist, actor, playwright, and all-around diva, Porter was a young boy who didn’t fit in.

An important, groundbreaking book - two decades in work - that tells the story of the unlikely but history-changing 28-year bond forged between Pauli Murray (granddaughter of a mulatto slave who, against all odds, as a lesbian Black woman, became a lawyer, civil rights pioneer, Episcopal priest, poet, and activist) and Eleanor Roosevelt (first lady of the United States from 1933 to 1948 and human rights internationalist) that critically shaped Eleanor Roosevelt's, and therefore FDR's, view of race and racism in America.

Relegated during her lifetime to the pulpy genre of mystery, Patricia Highsmith has emerged since her death in 1995 as one of “our greatest modernist writers” (Gore Vidal). Presented for the first time, this one-volume assemblage of her diaries and notebooks posthumously discovered behind Highsmith’s linens and culled from more than 8,000 pages by her devoted editor, Anna von Planta—traces the mesmerizing double-life of an artist who “[worked] like mad to be something”.

Nearing the age of forty, with an entire life already lived as a woman, Miles Borrero comes face to face with his father’s impending death. Suddenly realizing he has been stalling his transition for fear of losing his family’s love, this moment catalyzes Miles’s determination to be known as his father’s son. In Beautiful Monster, Miles chronicles his unusual childhood, by turns riveting and hilarious, in ’80s and ’90s Colombia during the Pablo Escobar years, as well as his move to Salt Lake City to pursue acting and the winding trajectory that eventually lands him in New York City.

Newly arrived in the Sonoran Desert, eleven-year-old Zoë enters a world of giant beetles, thundering javelinas, and gnarled palo verde trees. In Cactus Country RV Park, Zoë has been given a fresh start and a shorter new haircut. Although Zoë doesn’t have the words to express it, he experiences life as a trans boy—and here, others begin to see him as a boy, too. Zoë spends hot days chasing shade and freight trains with an ever-rotating pack of sunburned desert kids, and nights fending off his own questions about the body underneath his baggy clothes.

This stirring and intimate collection brings together 30 unique narratives to paint a vivid portrait of what it means to be a queer Nigerian woman. Covering an array of experiences—the joy and excitement of first love, the agony of lost love and betrayal, the sometimes-fraught relationship between sexuality and spirituality, addiction and suicide, childhood games and laughter—She Called Me Woman sheds light on how Nigerian queer women, despite their differences, attempt to build a life together in a climate of fear.

Manboobs is Aijazuddin’s riotous yet intelligent memoir of searching for love, seamlessly blending humor, politics, pop culture, and the bravery required to be yourself. Komail Aijazuddin confidently announces himself as a sharp new voice in humor with his moving, wickedly funny reexamination of the American Dream and our search for home.

Part butch memoir, part ekphrastic travel diary, part queer family tree, Raquel Gutiérrez’s debut essay collection, Brown Neon, gleans insight from the sediment of land and relationships. For Gutiérrez, terrain is essential to understanding that no story, no matter how personal, is separate from the space where it unfolds.

In Black. Fat. Femme: Revealing the Power of Visibly Queer Voices (in Media) and Learning to Love Yourself, educator and media critic Dr. Jonathan P. Higgins—aka Doctor Jon Paul—delivers an honest and extraordinary new take on how the author, and other Black Fat Femmes like them, have come to find and understand their identity. You'll learn about how standing at the intersection of multiple identities, communities, and causes shapes people and how they see the world.

Edith Hamilton didn’t publish her first book until she was 62. But over the next three decades this former headmistress would become the twentieth century’s most famous interpreter of the classical world. Today, Hamilton’s Mythology (1942) remains the standard version of ancient tales. During the Cold War, her influence even extended to politics, as she argued that postwar America could learn from the fate of Athens after its victory in the Persian Wars. Victoria Houseman tells the fascinating life story of a remarkable classicist whose ideas were shaped by—and aspired to shape—her times.

On election day, Joan Gelfand casts her vote for George McGovern and boards a plane from New York to California. With one introduction to a woman musician, Joan’s journey to become a writer is born. Embraced by a thriving women’s community of artists, filmmakers, musicians, poets, and writers, Joan is encouraged to find her voice. Mentored by paradigm-changing writers, Joan finds the courage to face her darkest fears through poetry and art, mining the trauma she experienced after losing her father and questioning her Jewish identity.

Not the Boy for You is the story of a life deferred but not denied. In this deeply personal literary memoir, Angelo Robinson chronicles his journey to wholeness as a young Black gay man in America. Not the Boy for You is a voyage through imagination and secrecy to create a world free to accept, embrace, and love all of oneself, freed from the face of familial loyalty, societal mandates, gendered constructions, sexual boundaries, and Christian taboos.

Growing up in Seale, Alabama as a Black Queer kid, then attending the Rhode Island School of Design as an undergraduate, Jon Key hungered to see himself in the fields of Art and Design. But in lectures, critiques, and in the books he read, he struggled to see and learn about people who intersected with his identity or who GOT him. So he started asking himself questions: What did it mean to be a graphic designer with his point of view? What did it mean to be a Black graphic designer?