Résultats Éditeur "Audible Studios" dans Littérature et fiction

En este ensayo, narrado como novela negra, un detective es contratado para dilucidar, con todas las evidencias de rigor, cuál es la primera novela de este género en Sonora, si Juan Justino Judicial, de Gerardo Cornejo, o La madriguera de los Cobra, de Alonso Vidal.

"Questa è la storia di Giulia, della bionda e della loro decisione di avere un bambino e di mettere su famiglia. Giulia e la bionda sono pronte. Ma il mondo è pronto per loro? E il loro futuro bambino, che le aspetta su un isolotto magico al largo del quale Giulia passa ogni tanto per dirgli "Aspettaci! Stiamo arrivando!" riuscirà a traslocare dal mondo dell'immaginazione a quello della realtà?Questa è la storia, vera, di un amore, di una maternità e di una famiglia. Non è vero che tutte le famiglie felici sono uguali."

A young boy comes of age within the confines of post-civil-war Beirut, with conflict and comedy lurking round every corner. Adam dreams of becoming an astronaut, but who has ever heard of an Arab on the moon? He battles with his father, a book-hoarding journalist with a penchant for writing eulogies, his closest friend, Basil, a Druze who is said to worship goats and believe in reincarnation, and a host of other misfits and miscreants in a city attempting recover from years of political and military violence.

Naufragaba entre manuscritos de crónica del Concurso del Libro Sonorense. Tocó su turno a No toda la sangre es roja. Aquí apesta a puro noir, me dije mientras apuraba un Jack Daniel’s. Quien bautiza su trabajo con un nombre pateador tiene su primer gol anotado antes de entrar a la cancha. Este canijo es un muertero. Un tipo duro, aunque por fortuna no una máquina registradora de estadísticas criminales, porque cuando el muerto se vuelve un número condenado a ser nota de cuatro párrafos, muere por segunda vez.

Amritalaal naagar kee lekhanee se haasy-vyang mishrit jin vibhinn rachanaaon kaa srijan huaa ve apane aap mein vilakṣhaṇ hain. Ye samay-samay par vividh patr-patrikaaon mein prakaashit huii theen. Unke kayi sangrah nikle jinhein behad pasand kiyaa gayaa.

Hier wird nach Märchenmanier gemordet! Jürgen Seibold, der Autor der beliebten Allgäu-Krimis, meldet sich mit einer neuen witzigen Krimireihe zurück. Robert Mondrian hat keine Lust mehr, Attentäter zu jagen und Staatsfeinde mit bloßen Händen aus dem Verkehr zu ziehen. Deswegen hat er Deutschlands geheimstem Geheimdienst den Rücken gekehrt, sich zur Ruhe gesetzt und eine Buchhandlung gekauft.

In all his travels across the state, there is one place that Hubie hasn’t been able to access: Trinity Site at the White Sands Missile Range, where the first atomic bomb was detonated. Deep within the range are ruins once occupied by the Tompiro people, whose distinctive pottery is incredibly rare and valuable. When an old associate claims to have a buyer interested in spending big money on a Tompiro pot, Hubie resolves to finally find a way into the heavily guarded military installation.

Pot thief Hubie Schuze is back, and this time his larceny is for a good cause. He wants to recover sacred relics lifted from San Roque, a mysterious pueblo that is closed to outsiders. Usually Hubie finds his pottery a few feet underground - but these artifacts are 150 feet above the New Mexico soil, on the top floor of the Rio Grande Lofts. Hubie will need all his deductive skills to craft the perfect plan - which is thwarted when he encounters the beautiful Stella. And then he is arrested for murder. That tends to happen when you are in the room with the body.

Although his work is technically illegal, Hubie Schuze has no qualms with digging up ancient Native American artifacts. The government calls him a thief, but Hubie thinks of himself as a treasure hunter - and his latest quest could be his last. After lowering himself into a cave in search of Anasazi pottery, Hubie uncovers a long-dead corpse, buried where the Anasazi would never have left a body. As he puzzles over this discovery, he hears a chilling sound: his truck, left behind on the cliff face, being driven away.

Maybe it was the chance to make an easy $2,500. Or maybe it was the opportunity to examine a treasure trove of Anasazi pots - or maybe it was just a slow day at the antiques shop that convinced Hubie Schuze to agree to a strange proposition. A reclusive collector wants a confidential appraisal, with one catch: Hubie must be blindfolded and driven to an unknown location by a chauffeur. Sure, it’s an odd setup, but what could possibly go wrong?

Before making a somewhat notorious name for himself as a salvager of antiquated pottery and other desert artifacts, Hubie Schuze was an eager student at the University of New Mexico - right up until they booted him out. Now, he’s back at UNM as a pottery teacher. It should be a breeze, but campus life has changed dramatically in the past 25 years. From cell phones to trigger warnings to sensitivity workshops, Hubie has to get up to speed fast or risk losing control of his class.

A dealer of ancient Native American pottery, Hubert Schuze has spent years combing the public lands of New Mexico, digging for artwork that would otherwise remain buried. According to the US government, Hubie is a thief - but no act of Congress could stop him from doing what he loves. For decades, Hubie has worn the title of pot thief proudly. Outright burglary, though, is another story. But an offer of $25,000 to lift a rare pot from a local museum proves too tempting for Hubie to refuse.

As a young man, John Reynolds fled his provincial hometown of Gettysburg, Pennsylvania for Los Angeles. But after 20 years in Hollywood, Reynolds feels existentially unfulfilled. He resides in a beautiful mansion with his wife and daughter, and his business is booming, but his attempts to pivot into producing his own movie projects fail again and again. At a creative dead end, Reynolds finds himself drawn back to the historical setting of his youth: he has secretly signed up to participate in a weekend-long reenactment of the Battle of Gettysburg in an unlikely California town.

Álex Ayala escribe acerca de unos jubilados que cumplen heroicamente su última misión en la vida: vigilar una estatua de John Lennon para que nadie robe sus características gafas. Y también lo hace sobre los habitantes de un pueblo de Bolivia que comercian con sus recuerdos sobre las últimas horas de vida del Che Guevara. En otro capítulo se habla del sastre Sillerico, quien ha gozado del dudoso honor de ver en paños menores a la mayoría de los presidentes de su país.

Life just got a whole lot more complicated for 38-year-old single mum Liv. Her son, Jake, is practically perfect in every way, but he’s started asking some difficult questions, and the answers lie in a holiday romance 20 years ago. Back when Liv was staying with her aunt on the French Riviera... Returning to the Cote d’Azur, with its white sandy beaches, her supportive aunt, and exquisite wine and cheese is harder than it sounds, though. Because - if she’s going to give Jake the answers he needs - Liv knows she has to hunt down her first love, Andre.

As he did in the award-winning One Part Woman, in his newest novel, The Story of a Goat, Perumal Murugan explores a side of India that is rarely considered in the West: the rural lives of the country’s farming community. He paints a bucolic yet sometimes menacing portrait, showing movingly how danger and deception can threaten the lives of the weakest through the story of a helpless young animal lost in a world it naively misunderstands.

Ricardo Verloc, secrétaire général du festival de Cannes, est parti à la recherche du fils du ministre de la culture, retenu en otage par un dictateur d'Asie centrale. Il se fait mettre le grappin dessus par la fille du dictateur en question, Oksana, une bimbo vulgaire et ultra sexy, qui rêve d'obtenir la palme d'Or.

Ist das Liebe, oder kann der weg? Hannah, die als Coach für fachgerechtes Ausmisten arbeitet, soll ausgerechnet dem neuen Flirt ihrer Freundin ein geordnetes Zuhause verpassen. Prompt entbrennt mit dem eigenwilligen Pascal erbitterter Streit: behalten oder ab in die Tonne? Doch je mehr Hannah aufräumt, desto tiefer manövriert sie sich mitten ins emotionale Chaos - denn plötzlich findet sie nicht nur eine echte Leiche auf dem Dachboden, sondern sie fühlt sich auch so merkwürdig zu Pascal hingezogen.

Un gentile, cioè un non ebreo, domanda a un ebreo: "Perché voi ebrei rispondete sempre a una domanda con una domanda?" E l'ebreo: "E perché no?" Perché questa storiella per me è estremamente importante? Perché muove una questione centrale nell'ebraismo: la domanda. La domanda è una delle basi che sostengono la cultura e il pensiero ebraici. Essere umano è colui che sa porre domande, non chi dà risposte. Perché chi pone domande apre alla produzione di senso, apre al futuro, dà alle generazioni a venire la possibilità di intervenire, di esistere.

Ein tief verschneiter Dezember auf Föhr. Oma Imke träumt von einem harmonischen Weihnachten in der Familie. Sie stellt den Julboom auf und pflegt andere friesische Rituale. Doch dann sagt einer nach dem anderen ab. Bei ihren Versuchen, den Heiligabend doch noch zu retten, landet sie am winterlichen Deich, in der Inseldisco und in einer alten Mühle. Irgendwann wird ihr alles zu viel, und sie flieht zu ihrem heimlichen Liebhaber nach Amrum. Wegen einer Sturmflut kann sie nicht zurück. Wird es ein Weihnachtswunder für die Familie Riewerts geben?