Résultats Éditeur "Macmillan Audio" dans Littérature et fiction

Eloise Foley, known to her friends as Weezie, has been through the divorce from hell. Her ex-husband Tal (aka Talmadge Evans III) was awarded their house in Savannah's historic district, the house that Weezie had spent years painstakingly restoring to its original splendor. Weezie was awarded the two-bedroom carriage house on the same property. Each was sure the other would sell.

In this heartfelt and absorbing novel, Valdes-Rodriguez opens up the lives of six upwardly mobile Latina friends in their late 20's. These women, who come from widely varied backgrounds, meet at Boston University and, after graduating, reunite every six months to share their stories. Facing the complications and pressures of everyday lives, the Social Club offers a chance to meet regularly, dish, dine, and help each other over the bumpy course of life and love.

At twenty-four, Hera is a clump of unmet potential. To her, the future is nothing but an exhausting thought exercise, one depressing hypothetical after another. She’s sharp in more ways than one, adrift in her own smug malaise, until her new job moderating the comments section of an online news outlet—a role even more mind-numbing than it sounds—introduces her to Arthur, a middle-aged journalist. Though she's preferred women to men for years now, she soon finds herself falling into an all-consuming affair with him.

When Hester is diagnosed with terminal cancer on her fortieth birthday, she knows immediately what she must do: abandon her possessions and drive to California to kill her estranged father. With no friends or family tying her to the life she’s built in New York City, she quits her wildly lucrative job in corporate law and starts driving west. She hasn’t made it far when she runs into John, an environmental activist in need of a ride to different superfund sites across the United States.

Elsie Mabel Fitzpatrick is eighty-one years old. She's lived on her idyllic street, Kenny Lane, for sixty years--longer than anyone else. Aside from being a curmudgeon who minds everyone else's business, few would suspect that Elsie has a past that she has worked exceedingly hard at concealing. Because when it comes to murder, no one ever suspects little girls or old ladies. And Elsie Mabel Fitzpatrick, once a little girl and now an old lady, has a strange history of people in her life coming to a foul end.

The People We Hate at the Wedding is the story of a less than perfect family. Donna, the clan’s mother, is now a widow living in the Chicago suburbs with a penchant for the occasional joint and more than one glass of wine with her best friend while watching House Hunters International. Alice is in her thirties, single, smart, beautiful, stuck in a dead-end job where she is mired in a rather predictable, though enjoyable, affair with her married boss. Her brother Paul lives in Philadelphia with his older, handsomer, tenured track professor boyfriend.

The year is 2023, and things are bad—bad, but still not as bad as they could be. Hestia Harris is forty-two, abandoned by her husband (he left to fight for the Union cause), and estranged from her parents (they’re leaving for the Confederacy). Yes, the United States has collapsed into a second civil war and again it’s Unionists against Confederates, children against parents, friends against friends.

Meg is in the backyard of the house her brother Rob, Delaney, and their new baby have moved into, supervising some workmen who are using a bulldozer to start digging out a duck pond. She wants to get away from her own house, which has become the staging site for Caerphilly's first Mutt March, which will be held the next day. Meg thinks it will be more peaceful at Rob's house--and it is until the bulldozers uncover a skeleton whose skull has a hole and a bullet rattling around inside.

Every member of The House, the most exclusive sorority on campus, and all its alumni, are beautiful, high-achieving, and universally respected. After a freshman year she would rather forget, sophomore Nina Kaur knows being one of the chosen few accepted into The House is the first step in her path to the brightest possible future. Once she's taken into their fold, the House will surely ease her fears of failure and protect her from those who see a young woman on her own as easy prey.

Got the long arm of the law around your neck? Does Lady Justice have her eye on you? Were you set up at a lineup? Saul Goodman can help! There are some crazy laws out there. Did you know that in New Mexico there's a law that says "idiots" can't vote? Or that Massachusetts still has a ban on Quakers and witches? Or that in Georgia it's illegal to put a donkey in a bathtub? Even if you're not bathing a donkey (and hey, if you are, no judgment from me!), you could be breaking the law right now and not even know it.

If there's one thing Joan Dixon knows about herself, it's that she is a damn good journalist. But when she is laid off from yet another soon-to-be-shuttered newspaper, and even the soulless, listicle-writing online jobs have dried up, she is left with few options. Closer to 40 than 30, single, living with her parents again, Joan decides she needs to reinvent herself. She goes to work as a junior copywriter at Bloom, a Los Angeles startup where her bosses are all a decade younger and snacks and cans of fizzy water flow freely.

After a lifetime of taking care of his impossible but irresistible sister and his cherished niece, Tom is ready to put himself first. An architect specializing in tiny houses, he finally has an opportunity to build his masterpiece—“his last shot at leaving a footprint on the dying planet.” Assuming, that is, he can stick to his resolution to keep the demands of his needy family at bay. Naturally, that’s when his phone rings.

Charlie Besson is tense and sweating as he prepares for an insane job interview. His car is idling, like his life, outside the Hollywood mansion of Kathi Kannon. The Kathi Kannon, star of stage and screen and People Magazine’s worst dressed list. She needs an assistant. He needs a hero. Kathi is an icon, best-selling author, and an award winning actress, most known for her role as Priestess Talara in a blockbuster sci-fi film. She’s also known in another role: crazy. Admittedly so. Famously so. Fabulously so, as Charlie quickly discovers.

If you’ve ever been a room parent or school volunteer, Jen Dixon is your hero. She says what every class mom is really thinking, whether in her notoriously frank emails or standup-worthy interactions with the micromanaging PTA President and the gamut of difficult parents. Luckily, she has the charm and wit to get away with it - most of the time. Jen is sassier than ever but dealing with a whole new set of challenges in the world of parental politics and at home.

Madeleine Wickham is Sophie Kinsella, and is just as delicious as her internationally best-selling Shopaholic series. Madeleine Wickham's bitingly funny and edgy style keeps fans coming back for more. So hold onto your haute couture hats, as you dive into the fantastic world of Wickham!

Josh Levin is an aspiring screenwriter teaching ESL classes in Chicago. His laptop is full of ideas, but the only one to really take root is Zombie Wars. When Josh comes home to discover his landlord, an unhinged army vet, rifling through his dirty laundry, he decides to move in with his girlfriend, Kimmy. It's domestic bliss for a moment, but Josh becomes entangled with a student, a Bosnian woman named Ana, whose husband is jealous and violent. Disaster ensues, and as Josh's choices move from silly to profoundly absurd, The Making of Zombie Wars takes on real consequence.

Ruddy McCann, former college football star, has experienced a seismic drop in popularity; he is now Kalkaska, Michigan’s full-time repo man and part-time bar bouncer. His best friend is his low-energy Basset hound Jake, with whom he shares a simple life of stealing cars. Simple, that is, until Ruddy starts hearing a voice in his head. The voice introduces himself as Alan Lottner, a dead realtor. Ruddy isn’t sure if Alan is real, or if he’s losing his mind.

It all goes to hell when Baltimore bad girl Dawn Davenport doesn’t get the cha-cha heels she’s been demanding for Christmas. In this hilarious, irreverent, pyrotechnic melee of high-trash hijinks, Dawn ruins Christmas, skips town, and embarks on a wild ride that involves hitchhiking, robbery, murder, pregnancy—and, of course, modeling and glamour, too. The second installment of John Waters’ classic Trash Trilogy, Female Trouble explodes conventional norms of good behavior (and art) and is all the proof you’ll ever need that sometimes being bad can feel so, so very good.

John Waters takes us back to the scene of his original crime against good taste. Listen as Babs Johnson fights to hold on to her title as “Filthiest Person Alive,“ fending off the craven attempts to dethrone her by her nemeses Connie and Raymond Marble. Listen along as Waters takes us on a romp through his camp and filthy vision of Baltimore, from nefarious baby-stealing lesbians to scenes of unspeakable things done to unsuspecting chickens, to the film’s iconic and revolting coup de grace (no spoilers, but it is just as stomach-churning more than fifty years later!).

On the verge of a suburban mental health crisis, frazzled and wildly unstable housewife Peggy (immortalized by Mink Stole on-screen) runs away from home with her maid and partner in crime, Grizelda (played with spectacular gumption by the sizzling Jean Hill), only to end up in Mortville, a shantytown filled with society’s rejects. Mortville is run by the evil Queen Carlotta, who parades through the cardboard streets taunting and terrorizing her subjects.