Titres dans Essais

This second collection of This I Believe essays gathers 75 essayists - ranging from famous to previously unknown - completing the thought that begins the book's title. With contributors who run the gamut from cellist Yo-Yo Ma to ordinary folks like a diner waitress, an Iraq War veteran, a farmer, a new husband, and many others, This I Believe II, like the first New York Times best-selling collection, showcases moving and irresistible essays.

Quintus Curtius is an attorney, writer, translator, and former marine officer. Expertly blending history, biography, philosophy, and the author's personal experience, this penetrating collection of essays achieves what one reviewer called "a perfect fluency in [a] dialogue with truth." The unifying theme is the nature of masculine identity and how that identity has been manifested. Drawing on examples from history and using sources in their original languages, Quintus Curtius' soaring vision combines lucid explanation with a passionate intensity like few other writers.

What My Mother and I Don’t Talk About has become a rare gem in the literary world. Both a viral sensation online and chosen by Oprah Daily as one of the best nonfiction books of the past two decades, it is an essential collection that dives into the personal and poignant topics we often struggle to discuss with those who are meant to know and love us best. This captivating follow-up, edited by Michele Filgate, tackles the intricate and challenging relationships we have with our dads, breaking the silence around these vital connections.

For anyone who could use proof that the world is full of good people, this beautifully illustrated book features 101 stories of human decency from Upworthy, the beloved social media brand that reaches more than 100 million people per month.

This recording features the highlights of this historic 1995 event sponsored by the Temple of Understanding and includes a talk by the late cosmologist Carl Sagan. Visions for the 21st Century was a powerful forum for religious leaders, diplomats, nongovernmental organizations, and educators to present their visions for the next century.

In this hauntingly poetic essay, Virginia Woolf captures the fragile beauty of life and death through the simple image of a moth struggling in the light. As she reflects on the inevitability of mortality and the quiet force of nature, Woolf’s sharp, introspective prose invites readers to confront their own fleeting existence. The Death of the Moth is a meditation on life’s transience, a masterclass in Woolf’s ability to turn ordinary moments into profound reflections on human vulnerability.

“Books can connect people across time zones and zip codes, across cultures, national boundaries, and historical eras”, Kakutani writes in her introduction to Ex Libris. Here listeners will discover novels and memoirs by some of the most gifted writers working today; favorite classics worth listening or relistening; and nonfiction works, both old and new, that illuminate our social and political landscape and some of today’s most pressing issues, from climate change to medicine to the consequences of digital innovation.

Dans la veine de son célèbre Crépuscule des Idoles, ce recueil d'aphorismes qui ne fut jamais achevé par l'auteur—le projet initial fut abandonné en 1888—visait à exposer l'ensemble de sa doctrine dans un ouvrage synthétique. L'existence même de ce livre suscita de vives polémiques et aujourd'hui encore la fiabilité de certains passages reste à prouver, des études philologiques récentes ayant mis à découvert de nombreuses erreurs que n'aurait pu commettre Frédéric Nietzsche.

"Partout dans le monde, la question du genre est cruciale. Alors j'aimerais aujourd'hui que nous nous mettions à rêver à un monde différent et à le préparer. Un monde plus équitable. Un monde où les hommes et les femmes seront plus heureux et plus honnêtes envers eux-mêmes. Et voici le point de départ : nous devons élever nos filles autrement. Nous devons élever nos fils autrement." Chimamanda Ngozi Adichie aborde le sujet controversé du féminisme avec lucidité, éloquence et humour.

Dr. Ayana Elizabeth Johnson, renowned marine biologist and co-founder of the All We Can Save climate initiative, compiles the best science and nature writing of the year.

Creep is “sharp, conversational cultural criticism” (Bustle), a blistering and slyly informal sociology of creeps (the individuals who deceive, exploit, and oppress) and creep culture (the systems, tacit rules, and institutions that feed them and allow them to grow and thrive). In eleven bold, electrifying pieces, Gurba mines her own life and the lives of others—some famous, some infamous, some you’ve never heard of but will likely never forget—to unearth the toxic traditions that have long plagued our culture and enabled the abusers who haunt our books, schools, and homes.

Whether writing about the genesis of his plays, such as Aunt Dan and Lemon; discussing how the privileged world of arts and letters takes for granted the work of the “unobtrusives”, the people who serve our food and deliver our mail; or describing his upbringing in the sheltered world of Manhattan’s cultural elite, Shawn reveals a unique ability to step back from the appearance of things to explore their deeper social meanings.

From the man who has brought you 20 books of dark fiction and fantasy, unforgettable horror movies such Hellraiser and Candyman, and countless paintings and illustrations, this is the first-ever collection of Clive Barker's nonfiction.

Here is an audiobook that transcends the limits of how-to guides and honors the act of childbirth in the 21st century. Eleanor Henderson and Anna Solomon have gathered true birth stories by women who have made self-expression their business, including Cheryl Strayed, Julia Glass, Lauren Groff, Dani Shapiro, and many other luminaries. In Labor Day, you'll hear about women determined to give birth naturally and others begging for epidurals; women who pushed for hours and women whose labors were over practically before they'd started; women giving birth to twins and to 10-pound babies.

On April 11, 1931, Virginia Woolf ended her entry in A Writer's Diary with the words "too much and not the mood." She was describing how tired she was of correcting her own writing, of the "cramming in and the cutting out" to please other readers, wondering if she had anything at all that was truly worth saying. The character of that sentiment, the attitude of it, inspired Durga Chew-Bose to write and collect her own work. The result is a lyrical and piercingly insightful collection of essays and her own brand of essay-meets-prose poetry about identity and culture.

Edited and annotated by H. L. M., this is a selection from his out-of-print writings. They come mostly from books - the six installments of the Prejudices series, A Book of Burlesques, In Defense of Women, Notes on Democracy, Making a President, A Book of Calumny, Treatise on Right and Wrong - but there are also magazine and newspaper pieces that never got between covers (from the American Mercury, the Smart Set, and the Baltimore Evening Sun) and some notes that were never previously published at all.

A Room of One's Own is an extended essay, originally delivered in 1928 as two lectures at two of Cambridge University's women's colleges—Newnham College and Girton College. Through the use of several metaphors, lauded author Virginia Woolf explores the social injustices and structures that prevent women from engaging in free expression and contributing to literature.

Namita Gokhale and Malashri Lal, who brought us In Search of Sita: Revisiting Mythology, now present an anthology on the mysterious Radha, the epitome of love, who defies all conventional codes yet transcends social prohibitions through the power of the spiritual and the sensual, the sacred and the erotic. Finding Radha is the first of its kind: a collection of poetry, prose, and translation that enter the historical as well as the artistic dimensions of the eternal romance of Radha and Krishna.

Un appel à la résistance, à l'indignation et au retour du collectif pour préserver la démocratie et le bien commun.

In an essay in this anthology, Khushwant Singh claims that he is not a nice man to know. Whatever the truth of that assertion, there is little question about his skill as a witty, eloquent, and entertaining writer. This book collects the best of over three decades of the author’s prose - including his finest journalistic pieces, short stories, translations, jokes, plays, as well as excerpts from his nonfiction books and novels.