Titres dans Essais

“I am fat,” begins Judith Moore’s unflinching account of her life. As she describes her obsessions with food, struggles with self image and troubled relationships, she refuses to become an object of pity. Moore is the recipient of two NEA grants and a Guggenheim fellowship. Her previous book, also a memoir, was a New York Times Notable Book of the Year.

Ce recueil de textes sur la nature de George Sand, interprétés avec finesse par Marie-Christine Barrault, met en lumière l'alliage harmonieux entre la nature, l'engagement écologique et la modernité intemporelle de l'écrivaine. À travers la diversité des sujets abordés et la richesse des styles, il dévoile des facettes méconnues de son œuvre prolifique. Ses écrits sur la botanique témoignent d'une érudition remarquable en sciences naturelles, où l'observation précise de la flore se mêle à des réflexions métaphysiques empreintes de poésie.

When “The Fourth State of Matter”, her now famous piece about a workplace massacre at the University of Iowa, was published in The New Yorker, Jo Ann Beard immediately became one of the most influential writers in America, forging a path for a new generation of young authors willing to combine the dexterity of fiction with the rigors of memory and reportage, and in the process extending the range of possibility for the essay form. Now, with Festival Days, Beard brings us the culmination of her groundbreaking work.

Virginia Woolf’s A Room of One’s Own is a timeless and thought-provoking exploration of the relationship between women and creativity. Based on a series of lectures delivered at Cambridge University in 1928, this seminal work blends sharp wit, eloquence, and intellectual rigor to examine the systemic barriers that have historically denied women the opportunity to achieve their artistic potential.

Kurt Vonnegut presents in Fates Worse than Death a veritable cornucopia of his thoughts on what could perhaps best be summed up as "anti-theology", a manifesto for atheism that details Vonnegut's drift from conventional religion, even a tract evidencing belief in the divine held within each individual self--the deity within each individual person present in a universe that otherwise lacks any real order.

Laughter shakes us out of our deadness. An outburst of spontaneous laughter is an eruption from the unconscious that, like political resistance, poetry, or self-revelation, expresses a provocative, impish drive to burst free from external constraints. Taking laughter's revelatory capacity as a starting point, and rooted in Nuar Alsadir's experience as a poet and psychoanalyst, Animal Joy seeks to recover the sensation of being present and embodied.

The international sensation that illuminates the experiences women are supposed to hide - from addiction, anger, sexual assault, and infertility to joy, sensuality, and love. In this dazzling debut, Emilie Pine speaks to the events that have marked her life - those emotional disruptions for which our society has no adequate language, at once bittersweet, clandestine, and ordinary. She writes with radical honesty on the unspeakable grief of infertility, on caring for an alcoholic parent, on taboos around female bodies and female pain, on sexual violence and violence against the self.

Upon becoming a new mother, Vanessa Angélica Villarreal was called to Mexico to reconnect with her ancestors and recover her grandmother’s story, only to return to the sudden loss of her marriage, home, and reality. In Magical/Realism, Villarreal crosses into the erasure of memory and self, fragmented by migration, borders, and colonial and intimate violence, reconstructing her story with pieces of American pop culture, and the music, video games, and fantasy that have helped her make sense of it all.

In these new essays, Williams explores the concept of erosion: of the land, of the self, of belief, of fear. She wrangles with the paradox of desert lands and the truth of erosion: What is weathered, worn, and whittled away through wind, water, and time is as powerful as what remains. Our undoing is also our becoming.

In collaboration with the ACLU, authors Michael Chabon and Ayelet Waldman have curated an anthology of essays about landmark cases in the organization’s 100-year history. Fight of the Century takes you inside the trials and the stories that have shaped modern life. Some of the most prominent cases that the ACLU has been involved in - Brown v. Board of Education, Roe v. Wade, Miranda v. Arizona - need little introduction. Others you may never even have heard of, yet their outcomes quietly defined the world we live in now.

True crime, as an entertainment genre, has always prioritized clear narrative arcs: victims wronged, police detectives in pursuit, suspects apprehended, justice delivered. But what stories have been ignored? In Evidence of Things Seen, fourteen of the most innovative crime writers working today cast a light on the cases that give crucial insight into our society.

“This is one of those stories that begins with a female body. Hers was crumpled, roadside, in the ash-colored slush between asphalt and snowbank.” So begins Erica Berry’s kaleidoscopic exploration of wolves, both real and symbolic. At the center of this lyrical inquiry is the legendary OR-7, who roams away from his familial pack in northeastern Oregon. While charting OR-7’s record-breaking journey out of the Wallowa Mountains, Erica simultaneously details her own coming-of-age as she moves away from home and wrestles with inherited beliefs about fear, danger, femininity, and the body.

One of Barbara Ehrenreich's most classic and prophetic works, Fear of Falling closely examines the insecurities of the American middle class in an attempt to explain its turn to the right during the last two decades of the 20th century. Weaving finely-tuned expert analysis with her trademark voice, Ehrenreich traces the myths about the middle class to their roots, determines what led to the shrinking of what was once a healthy percentage of the population, and how, in its ambition and anxiety, that population has retreated from responsible leadership.

La vita umana, insegna l’induismo, si divide in quattro periodi: il primo serve per imparare, guidati da un maestro; il secondo per realizzare sé stessi...

Wer Karl Kraus im Literaturbetrieb des frühen 20. Jahrhunderts kannte, verehrte oder verabscheute ihn - Gleichgültigkeit löste er jedenfalls nicht aus. Mit nur 25 Jahren gründete Kraus in Wien die Zeitschrift Die Fackel, mit der 1899 seine steile Karriere als Journalist und Kritiker, Dramatiker und Satiriker begann. Bis zu seinem Tod im Jahr 1936 galt er als scharfzüngigster Beobachter des kulturellen und politischen Zeitgeschehens. Seine Worte richteten sich gegen die Verlotterung der Sprache, gegen Phrasendrescher und Kriegstreiber, gegen Korruption und Heuchelei.

Jonathan Franzen’s best seller Freedom was the most-discussed novel of 2010, an ambitious and searching engagement with life in America in the 21st century. The New York Times Book Review proclaimed it “a masterpiece of American fiction.” Now a new collection of Franzen’s non-fiction brings fresh evidence of that moral intelligence, confirming his status not only as a great American novelist but also as a keen observer, social critic and self-investigator.

Nick Lansing and Susy Branch are young, attractive but impoverished New Yorkers. They are in love and decide to marry, but realise their chances of happiness are slim without the wealth and society that their more privileged friends take for granted. Nick and Susy agree to separate when either encounters a more eligible proposition.

This was Alan Clark’s first volume of diaries and the only one that he recorded. As such it is a unique and historical record and reminder of the man and his work. To hear Alan Clark reading the book in his marvelously rich voice adds immeasurably to the pleasure of these informative and entertaining diaries. The recording covers two Parliaments and constitutes the most outspoken and revealing account of British politics ever written.

The eight business maharajas profiled here are among Asia's most powerful industrial tycoons. Their combined turnover runs into billions of rupees, and between them they employ some 650,000 people, while indirectly affecting the lives of millions more. Sip a cup of tea, drive to work, listen to music, build a house and the chances are that in these and a myriad other ways you are using products that they manufacture or market. By any yardstick, the achievements of these men would rank among the great business stories of our time. How did these men build their enormous empires?

Celebrated author and artist A. Kendra Greene’s No Less Strange or Wonderful is a brilliant and generous meditation—on the complex wonder of being alive, on how to pay attention to even the tiniest (sometimes strangest) details that glitter with insight, whimsy, and deep humanity, if only we’d really look. In twenty-six sparkling essays, Greene is trying to make sense—of anything, really—but especially the things that matter most in life: love, connection, death, grief, the universe, meaning, nothingness, and everythingness.