Titres dans Essais

Eu quero a árvore que existe é uma coletânea de seis ensaios que representam diferentes facetas da nossa ânsia de descobrir e desfrutar a realidade que nos cerca. Em textos repletos de delicadeza e lucidez, larinha divide conosco sua visão única da existência, numa conversa franca e aberta que passeia pelo que há de mais profundo e de mais banal na jornada de todos nós.

With the eyes of a scientist and the vision of a poet, Kingsolver writes about notions as diverse as modern motherhood, the history of private property, and the suspended citizenship of humans in the animal kingdom.

Ce recueil de textes sur la nature de George Sand, interprétés avec finesse par Marie-Christine Barrault, met en lumière l'alliage harmonieux entre la nature, l'engagement écologique et la modernité intemporelle de l'écrivaine. À travers la diversité des sujets abordés et la richesse des styles, il dévoile des facettes méconnues de son œuvre prolifique. Ses écrits sur la botanique témoignent d'une érudition remarquable en sciences naturelles, où l'observation précise de la flore se mêle à des réflexions métaphysiques empreintes de poésie.

When “The Fourth State of Matter”, her now famous piece about a workplace massacre at the University of Iowa, was published in The New Yorker, Jo Ann Beard immediately became one of the most influential writers in America, forging a path for a new generation of young authors willing to combine the dexterity of fiction with the rigors of memory and reportage, and in the process extending the range of possibility for the essay form. Now, with Festival Days, Beard brings us the culmination of her groundbreaking work.

Virginia Woolf’s A Room of One’s Own is a timeless and thought-provoking exploration of the relationship between women and creativity. Based on a series of lectures delivered at Cambridge University in 1928, this seminal work blends sharp wit, eloquence, and intellectual rigor to examine the systemic barriers that have historically denied women the opportunity to achieve their artistic potential.

Kurt Vonnegut presents in Fates Worse than Death a veritable cornucopia of his thoughts on what could perhaps best be summed up as "anti-theology", a manifesto for atheism that details Vonnegut's drift from conventional religion, even a tract evidencing belief in the divine held within each individual self--the deity within each individual person present in a universe that otherwise lacks any real order.

Autumn begins with a letter Karl Ove Knausgaard writes to his unborn daughter, showing her what to expect of the world. He writes one short piece per day, describing the material and natural world with the precision and mesmerizing intensity that have become his trademark.

The Reveries of the Solitary Walker was one of the last works written by the French philosopher Jean-Jacques Rousseau (1712-1778) and was, in fact, not quite complete. It was published four years after his death and came quickly to be regarded as one of his most poetic works. It consists of 10 Walks (only the final ‘Walk’ was unfinished) during which he muses on a variety of topics including thoughts on issues which featured strongly in his notable life as a philosopher and commentator, including education and political philosophy.

Laughter shakes us out of our deadness. An outburst of spontaneous laughter is an eruption from the unconscious that, like political resistance, poetry, or self-revelation, expresses a provocative, impish drive to burst free from external constraints. Taking laughter's revelatory capacity as a starting point, and rooted in Nuar Alsadir's experience as a poet and psychoanalyst, Animal Joy seeks to recover the sensation of being present and embodied.

This eagerly awaited new collection brings Zadie Smith’s dexterity as an essayist to bear on a range of subjects that have captured her attention in recent years. Organized in five thematic sections—eyeballing, considering, reconsidering, mourning, and confessing—she unspools intimate dialogues with various sources of inspiration. She takes an exhilaratingly close look at artists Toyin Ojih Odutola and Kara Walker.

The international sensation that illuminates the experiences women are supposed to hide - from addiction, anger, sexual assault, and infertility to joy, sensuality, and love. In this dazzling debut, Emilie Pine speaks to the events that have marked her life - those emotional disruptions for which our society has no adequate language, at once bittersweet, clandestine, and ordinary. She writes with radical honesty on the unspeakable grief of infertility, on caring for an alcoholic parent, on taboos around female bodies and female pain, on sexual violence and violence against the self.

"Howard Phillips Lovecraft constitue un exemple pour tous ceux qui souhaitent apprendre à rater leur vie et, éventuellement, à réussir leur oeuvre. Encore que, sur ce dernier point le résultat ne soit pas garanti." Auteur de "L'appel de Cthulhu", de "Dagon" et des "Montagnes hallucinées", H. P. Lovecraft, maître incontesté de l'horreur et du fantastique, reste l'objet d'une fascination toute particulière chez nos contemporains, notamment chez Michel Houellebecq, qui le découvrit à l'âge de seize ans pour ne plus cesser de le lire.

Written during the pandemic, when the world was marooned at home and consigned to scrolling screens, On Browsing’s essays chronicle what we’ve lost through online shopping, streaming, and the relentless digitization of culture. The latest in the Field Notes series, On Browsing is an elegy for physical media, a polemic in defense of perusing the world in person, and a love letter to the dying practice of scanning bookshelves, combing CD bins, and losing yourself in the stacks.

With their powerful blend of political and aesthetic concerns, Edward W. Said's writings have transformed the field of literary studies. This long-awaited collection of literary and cultural essays, the first since Harvard University Press published The World, the Text, and the Critic in 1983, reconfirms what no one can doubt—that Said is the most impressive, consequential, and elegant critic of our time—and offers further evidence of how much the fully engaged critical mind can contribute to the reservoir of value, thought, and action essential to our lives and our culture.

Upon becoming a new mother, Vanessa Angélica Villarreal was called to Mexico to reconnect with her ancestors and recover her grandmother’s story, only to return to the sudden loss of her marriage, home, and reality. In Magical/Realism, Villarreal crosses into the erasure of memory and self, fragmented by migration, borders, and colonial and intimate violence, reconstructing her story with pieces of American pop culture, and the music, video games, and fantasy that have helped her make sense of it all.

Bill Hayes came to New York City in 2009 with a one-way ticket and only the vaguest idea of how he would get by. But, at 48 years old, having spent decades in San Francisco, he craved change. Grieving over the death of his partner, he quickly discovered the profound consolations of the city's incessant rhythms, the sight of the Empire State Building against the night sky, and New Yorkers themselves, kindred souls that Hayes, a lifelong insomniac, encountered on late-night strolls with his camera.

In his "Industrial Society and Its Future" (also called the "Unabomber Manifesto"), he argued that his bombings were extreme but necessary to attract attention to the erosion of human freedom necessitated by modern technologies requiring large-scale organization.

In collaboration with the ACLU, authors Michael Chabon and Ayelet Waldman have curated an anthology of essays about landmark cases in the organization’s 100-year history. Fight of the Century takes you inside the trials and the stories that have shaped modern life. Some of the most prominent cases that the ACLU has been involved in - Brown v. Board of Education, Roe v. Wade, Miranda v. Arizona - need little introduction. Others you may never even have heard of, yet their outcomes quietly defined the world we live in now.

Wer Karl Kraus im Literaturbetrieb des frühen 20. Jahrhunderts kannte, verehrte oder verabscheute ihn - Gleichgültigkeit löste er jedenfalls nicht aus. Mit nur 25 Jahren gründete Kraus in Wien die Zeitschrift Die Fackel, mit der 1899 seine steile Karriere als Journalist und Kritiker, Dramatiker und Satiriker begann. Bis zu seinem Tod im Jahr 1936 galt er als scharfzüngigster Beobachter des kulturellen und politischen Zeitgeschehens. Seine Worte richteten sich gegen die Verlotterung der Sprache, gegen Phrasendrescher und Kriegstreiber, gegen Korruption und Heuchelei.

“This is one of those stories that begins with a female body. Hers was crumpled, roadside, in the ash-colored slush between asphalt and snowbank.” So begins Erica Berry’s kaleidoscopic exploration of wolves, both real and symbolic. At the center of this lyrical inquiry is the legendary OR-7, who roams away from his familial pack in northeastern Oregon. While charting OR-7’s record-breaking journey out of the Wallowa Mountains, Erica simultaneously details her own coming-of-age as she moves away from home and wrestles with inherited beliefs about fear, danger, femininity, and the body.